The versified office: sources, poetry, and chants 2
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Lions Bay
The Institute of Mediaeval Music
2012
|
Schriftenreihe: | Wissenschaftliche Abhandlungen / Institute of Mediaeval Music
97,2 Wissenschaftliche Abhandlungen / Institute of Mediaeval Music ... |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025222683&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Umfang: | VII S., S. 326 - 548 Notenbeisp., Faks. |
ISBN: | 9781926664132 |
Internformat
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Datensatz im Suchindex
_version_ | 1819250675153895424 |
---|---|
adam_text | VOLUME
II
After the preliminary pages in Roman numerals, pagination and footnote numbers run
continuously from vol. I.
Additional acknowledgements
.............................................
v
Additional facsimiles and manuscripts
.....................................vi
Errata and adjustments for vol. I
..........................................vi
Part VI: APPENDICES
and CONCLUSION II
Appendix I: Saints, feasts, and sources
............................. 325
Introduction
................325
Feasts: incidental references
......... 326
Ms
sigla
...................325
List of feasts
...................... 326
Appendix II: Poets, composers, and chronology
..................... 341
Chronology and style
.........341
Offices dated by some event
......... 352
Known or probable dates
......343
Poetic styles
...................... 355
Dates not known
............351
Appendix III: The office of Thomas of Hereford
..................... 359
The poetry
.................359
The office
........................ 361
Appendix IV: The office of Thomas Becket
with data by Rob Getz
....................................... 363
The order of items
...........363
Modal scheme
.................... 366
Monastic version
............364
Secular version
.................... 367
Text types
..................366
Linked rhymes
.................... 368
Poetic schemes
..............366
Appendix V: The chants of the Becket and later responsories
by Kate
Helsen
...................................
370
Volume
II:
Preface
■ iv
Appendix VI: The treatise Cantus quern
............................ 375
Appendix
VII:
Substantial list of manuscript sources in LMLO
......... 380
Short forms
.................380
Inferences
........................381
Feastnames
.................381
The sources
......................382
Library
sigla
and mss
.........381
Appendix
VIII:
Tools: words, chantwords, and melody words
..........476
Words
.....................476
Place names
......................480
...
beginning with
e
...........476
Chantwords
......................484
Personal names
..............478
Melodywords
.....................488
■
CONCLUSION II
491
TEXTUAL HISTORY AND STYLES
.................. 491
Irish threads?
............................................................. 491
Difficult vocabulary
................494
Grammar and error
........................................................ 496
Excursus:
Hildegard
of
Bingen
.......497
CHANT STYLES
........................... 499
The earlier repertory
....................................................... 499
Words, complexity, and musical syntax.
504
Criteria for later chant
..................................................... 506
The differences lie in the details
......510
Melismas on the final syllable
........513
Mel ismas
of more than four pitches..
..511
Long melismas on the final word
......514
Antiphons........................511
Responsories
.....................511
The Z-figure
..............................................................
515
In a single word
...................515
Melodic arches
............................................................ 517
ENVOI II
.............................. 518
|
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illustrated | Illustrated |
indexdate | 2024-12-20T16:13:36Z |
institution | BVB |
isbn | 9781926664132 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025222683 |
oclc_num | 812238614 |
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physical | VII S., S. 326 - 548 Notenbeisp., Faks. |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | The Institute of Mediaeval Music |
record_format | marc |
series2 | Wissenschaftliche Abhandlungen / Institute of Mediaeval Music |
spellingShingle | Hughes, Andrew 1937-2013 The versified office sources, poetry, and chants |
title | The versified office sources, poetry, and chants |
title_auth | The versified office sources, poetry, and chants |
title_exact_search | The versified office sources, poetry, and chants |
title_full | The versified office sources, poetry, and chants 2 Andrew Hughes |
title_fullStr | The versified office sources, poetry, and chants 2 Andrew Hughes |
title_full_unstemmed | The versified office sources, poetry, and chants 2 Andrew Hughes |
title_short | The versified office |
title_sort | the versified office sources poetry and chants |
title_sub | sources, poetry, and chants |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025222683&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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