Vel Apolline muto: estética y poética de la Antigüedad tardía
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Spanisch |
| Veröffentlicht: |
Bern [u.a.]
Lang
2012
|
| Schlagwörter: | |
| Links: | http://deposit.dnb.de/cgi-bin/dokserv?id=4053085&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025108643&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 645 S. Ill., graph. Darst. 225 mm x 155 mm, 950 g |
| ISBN: | 9783034306416 9783035103977 |
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Datensatz im Suchindex
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|---|---|
| adam_text | IMAGE 1
INDICE
PREFACIO A CARGO D E ISABELLA GUALANDRI
AGRADECIMIENTOS
INDICE D E ILUSTRACIONES
1. INTRODUCCION
2. PASAJE A LA POETICA TARDOANTIGUA:
SIDONIO APOLINAR Y LA ESCENA CULTURAL D E L SIGLO V
2.1 VIDA, OBRA Y MILAGROS? D E U N AUTOR GALORROMANO E N
LAS POSTRIMERIAS D E L I M P E R I O D E O C C I D E N T E
2.2 PRESENTACION CRITICA DEL P O E M A R I O SIDONIANO:
C O N T E N I D O , C O M P O S I C I O N Y ARQUITECTURA INTERNA
3. EL DESCUBRIMIENTO D E L O T R O C O M O F U N D A M E N T O Y
RAIZ D E
LA CULTURA TARDOANTIGUA.
LA ALTERIZACION IDENTITARIA D E O C C I D E N T E
3.1 LA OTREDAD D E L CRISTIANISMO Y E L CRISTIANISMO ANTE
L O OTRO . R A I C E S CRISTIANAS
DEL APROPIACIONISMO TARDOANTIGUO
3 . 1 . 1 Q U I S HABET UERBUM D E I ? L A L E C T U R A C O M O E X P O
L I O
3 . 1 . 2 QUIBUS DOTNINUS IESUS ABSTULIT SPOLIA.
J E S U S D E N A Z A R E T , P I E R R E M E N A R D D E G A L I L E A
3 . 1 . 3 L A E R A D E L A I N T E R P R E T A C I O N . L A B I B L I
A C R I S T I A N A C O M O
MTSREADING F U N D A C I O N A L D E O C C I D E N T E
3 . 1 . 4 INUENI SPOLIA QUAE NON HABEBAM. L A O T R E D A D R A D I C A
L D E L A S
E S C R I T U R A S H E B R E A S Y L A S C O N S E C U E N C I A S D E
S U I R R U P C I O N E N
E L M U N D O G R E C O R R O M A N O
13
17
19
25
37
38
57
73
76
82
83
91
99
HTTP://D-NB.INFO/1023059886
IMAGE 2
3 . I . S A L T E R I Z A C I O N , D E C O N S T R U C I O N Y C O N T
R A C U L T U R A L I D A D C O M O
N U C L E O P R O F U N D O D E L M E N S A J E C R I S T I A N O 1 0 8
3 . 1 . 6 J U D I O S Y C R I S T I A N O S : L A C O N T I E N D A E X
E G E T I C A D E U N T E X T O
C O N T R A S I M I S M O 1 1 1
3 . 1 . 7 SPOLIARE AEGYPTIOS. O T R E D A D , A L T E R I Z A C I O N Y
A P R O P I A C I O N
E N L A P R A X I S C U L T U R A L D E L P R I M E R C R I S T I A N I
S M O 1 2 0
3 . 2 LA IRRUPCION D E L OTRO BARBARO. LA POESIA
TARDOANTIGUA ANTE LA CRISIS IDENTITARIA D E O C C I D E N T E 1 2 6
3 . 2 . 1 E L O T R O C O M O U N O M I S M O .
L A V O Z N O R E G I S T R A D A D E L B U R G U N D I O 1 3 0
3 . 2 . 2 E L O T R O A L T E R I Z A D O .
L A V E R S I O N S I D O N I A N A D E L B U R G U N D I O 1 3 9
4 . A R T E Y P O D E R E N LA ESCENA TARDOANTIGUA: E L CARMEN 13 D E
S I D O N I O APOLINAR 1 5 9
4 . 1 CONSIDERACIONES PRELIMINARES: ESCAPISMO LITERARIO? 1 5 9
4 . 2 EL CARMEN 13 D E S I D O N I O A P O L I N A R
E N SU C O N T E X T O HISTORICO 1 6 9
4 . 3 M U R E X SIDONIUS: ANALISIS SOCIO-LITERARIO D E L CARMEN 1 3 1 7
5
4 . 3 . 1 C O N S I D E R A C I O N E S P R A G M A T I C A S :
L A D O B L E C O D I F I C A C I O N D E L A P O E S I A D E C I R C U
N S T A N C I A S 1 7 8
4 - 3 - 2 L A C U I D A D A A R Q U I T E C T U R A D E U N A P I E Z A
B I P A R T I T A 1 8 2
4 - 3 - 3 E L T E M A P R O F U N D O D E L A P I E Z A :
L A T E N S A C O D E P E N D E N C I A D E P O D E R Y P O E S I A 1 9
5
4 - 3 - 4 L A M E T A F O R A E S C E N I C A .
P R I N C I P E Y P O E T A C O M O DRAMATISPERSONAE 2 0 2
4 - 3 - 5 L A M E T A F O R A D E L M U R I C E .
E L P O E T A C O M O P U R P U R A D E L P R I N C I P E 2 1 2
5 . LA LITERATURA E N E L C A M P O E X P A N D I D O .
FRIVOLIDAD, IRONIA Y TEXTUALIZACION 2 2 3
5.1 VINDICACIONES TARDOANTIGUAS D E LA BANALIDAD.
L O REAL AL ASALTO D E L O LITERARIO 2 2 4
8
IMAGE 3
5 - I . I L A T R A S T I E N D A D E L O B A N A L :
E N T R E L A R E C U S A C I O N I R O N I C A Y E L D E S A F I O E S
T E T I C O 2 2 6
5 . 1 . 2 H A C I A U N A T E O R I A D E L A B A N A L I D A D T A R D
O A N T I G U A :
L A L I T E R A T U R A E N E L C A M P O E X P A N D I D O 2 3 1
5 . 1 . 3 O D A A U N A T O A L L A D E M A N O S O L A A B O L I C I O
N D E L A T O P I C A
P O E T I C A . L A T R A S F I G U R A C I O N D E L L U G A R C O M U
N 2 3 3
5 . 1 . 4 L A L I T E R A T U R A C O M O J U E G O . H U M O R , I R O
N I A Y
A U T O D E C O N S T R U C C I O N E N L A E S T E T I C A D E L A A N
T I G UE E D A D T A R D I A 2 3 9
5 . 2 NATURA JACTA CULTURA. L O LITERARIO AL ASALTO D E L O REAL 2 4 6
5.2 .1 L A T E X T U A L I Z A C I O N D E L P A I S A J E 2 4 6
5 . 2 . 2 L A T E X T U A L I Z A C I O N D E L A E X P E R I E N C I A
2 5 0
5 . 2 . 3 L A A R T I F I C I A L I Z A C I O N D E L O N A T U R A L 2
5 3
6. EL IMPERIO D E LA PARTE: FRAGMENTOS Y DETALLES
E N E L DISCURSO ESTETICO TARDOANTIGUO 2 5 7
6.1 CONSIDERACIONES PRELIMINARES:
PARTE, F R A G M E N T O , DETALLE 2 5 7
6 . 2 LA ESTETICA DEL F R A G M E N T O :
HACIA U N A POETICA D E LA APROPIACION 2 6 2
6 . 2 . 1 L A D I N A M I C A C E N T O N A R I A D E L A S O B R A S -
F R A G M E N T O :
F R A G M E N T A C I O N , A P R O P I A C I O N , R E U B I C A C I O
N
Y R E S E M A N T I Z A C I O N I N T E R T E X T U A L 2 6 4
6 . 2 . 2 O B R A S - F R A G M E N T O D E L A A N T I G UE E D A D T A
R D I A 2 7 1
6 . 3 LA ESTETICA D E L DETALLE: HACIA U N A POETICA D E LA NITIDEZ 3 1
8
6 . 3 . 1 L A O B R A C O M O D E T A L L E :
L A M I N I A T U R I Z A C I O N E S T E T I C A T A R D O A N T I G U
A 3 2 0
6 . 3 . 2 L A O B R A C O M O D E T A L L E S :
L A E S T E T I C A D E L C A T A L O G O Y S U D I N A M I C A A C U M
U L A T I V A 3 5 0
6 . 3 . 3 L A E S T E T I C A D E L C A T A L O G O C O M O E S T R A T
E G I A D E C O N S T R U C T I V A .
L A P O E T I C A D E L S I L E N C I O O L A M U E R T E D E L P O E M
A 4 0 1
7 . A N T I N A T U R A L I S M O E HIBRIDACION E N LA PRAXIS ARTISTICA
TARDOANTIGUA: LA M U E R T E DEL SOPORTE CLASICO 4 5 1
IMAGE 4
7 . I A R S ESTPATEFACERE ARTEM:
E L ANTINATURALISMO TARDOANTIGUO C O M O I M P E R I O D E LA
FORMA. LA LOGICA DEL S U P L E M E N T O 4 5 2
7 . 1 . 1 A N T I N A T U R A L I S M O C O M O R E F U T A C I O N D E
L A N A T U R A L E Z A .
L A P R I M A C I A D E L O D E R I V A D O 4 5 3
7 . 1 . 2 A N T I N A T U R A L I S M O C O M O R E F U T A C I O N D E
L A N A T U R A L I D A D .
L A E X T R A N A L U C I D E Z D E L O A R T I F I C I O S O 4 5 5
7 . 1 . 3 E J E M P L O S L I T E R A R I O S D E L A N T I N A T U R A
L I S M O T A R D O A N T I G U O 4 5 8
7 . 1 . 4 L A L O G I C A D E L S U P L E M E N T O 4 6 4
7 . 2 F O R M A S MIXTAS D E ARTE: LA ESTETICA D E LA HIBRIDACION O
LA M U E R T E D E L SOPORTE CLASICO 4 6 6
7 . 2 . 1 H I B R I D A C I O N I N T R A S I S T E M I C A .
L A A B O L I C I O N D E L A S C O N V E N C I O N E S L I T E R A R I
A S 4 6 8
7 . 2 . 2 H I B R I D A C I O N I N T E R S I S T E M I C A .
H A C I A E L GESAMTKUNSTWERK T A R D O A N T I G U O 4 7 0
7 . 2 . 3 A N A L I S I S D E U N H I B R I D O T A R D O A N T I G U O
.
L A E C F R A S I S S I D O N I A N A C O N T E N I D A E N L A EPIST. 2
, 1 0 4 9 3
8. LA POETICA D E L SIMULACRO. PALABRAS Y COSAS
E N LA ENCRUCIJADA CULTURAL D E LA A N T I G UE E D A D TARDIA 5 1 9
8.1 E L CARMEN 16 D E S I D O N I O APOLINAR. PRESENTACION,
T E X T O Y CONSIDERACIONES PRELIMINARES 5 2 0
8 . 1 . 1 E L EUCHARISTON C O M O G E N E R O L I T E R A R I O .
R E F L E X I O N E S T E O R I C A S S O B R E L A P O E S I A D E O C
A S I O N 5 2 8
8 . 1 . 2 E L CARMEN 1 6 C O M O P R O G R A M A P O E T I C O C R I S T
I A N O .
D E L P O E T A D E L A S M U S A S A L P O E T A D E C R I S T O 5 3 1
8 . 2 LA CONSTRUCCION INTERTEXTUAL D E L CARMEN 1 6 .
M U E R T E Y RESURRECCION D E LA POESIA 5 3 6
8 . 2 . 1 L A I N F E R T E X T U A L I D A D T A R D O A N T I G U A .
P R E J U I C I O S , P R O B L E M A S Y N U E V A S P E R S P E C T I
V A S 5 3 6
8 . 2 . 2 E L M O D E L O E S T A C I A N O : L A S A L V A C I O N Q U
E P R E S C I N D E D E M U S A S 5 4 2
8 . 2 . 3 T R E S Y T R E S V E C E S T R E S . E L P A P E L E S T R U
C T U R A L Y S I M B O L I C O
D E L N U M E R O T R E S E N L A A R Q U I T E C T U R A I N T E R N A
D E L CARM. 1 6 5 5 1
10
IMAGE 5
8 . 2 . 4 L A S A G U A S S I M U L A D A S D E V I R G I L I O . D E L
A P O E T I C A
D E L A R E P R E S E N T A C I O N A L A P O E T I C A D E L A S I M U
L A C I O N 5 6 2
8 . 2 . 5 L A C U I D A D A P U E S T A E N E S C E N A D E U N S U I C
I D I O P O E T I C O 5 8 0
8 . 2 . 6 E T RESURREXIT TERTIA DIE. L A R E I N V E N C I O N C R I S T
I A N A
D E L A P O E S I A A L A S P U E R T A S D E L M E D I E V O 5 9 8
BIBLIOGRAFIA 6 0 7
11
|
| any_adam_object | 1 |
| author | Hernández Lobato, Jesús 1980- |
| author_GND | (DE-588)136080537 |
| author_facet | Hernández Lobato, Jesús 1980- |
| author_role | aut |
| author_sort | Hernández Lobato, Jesús 1980- |
| author_variant | l j h lj ljh |
| building | Verbundindex |
| bvnumber | BV040252707 |
| classification_rvk | FX 426305 |
| ctrlnum | (gbd)1005422 (OCoLC)802344734 (DE-599)DNB1023059886 |
| dewey-full | 880.09 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 880 - Classical Greek & Hellenic literatures |
| dewey-raw | 880.09 |
| dewey-search | 880.09 |
| dewey-sort | 3880.09 |
| dewey-tens | 880 - Classical Greek & Hellenic literatures |
| discipline | Philologie / Byzantinistik / Neulatein |
| era | Geschichte 300-600 gnd |
| era_facet | Geschichte 300-600 |
| format | Book |
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| id | DE-604.BV040252707 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T16:10:51Z |
| institution | BVB |
| isbn | 9783034306416 9783035103977 |
| language | Spanish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025108643 |
| oclc_num | 802344734 |
| open_access_boolean | |
| owner | DE-29 DE-12 DE-11 |
| owner_facet | DE-29 DE-12 DE-11 |
| physical | 645 S. Ill., graph. Darst. 225 mm x 155 mm, 950 g |
| psigel | gbd_4_1212 |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Lang |
| record_format | marc |
| spellingShingle | Hernández Lobato, Jesús 1980- Vel Apolline muto estética y poética de la Antigüedad tardía Sidonius, Gaius Sollius Apollinaris 431-487 (DE-588)118797069 gnd Griechisch (DE-588)4113791-7 gnd Latein (DE-588)4114364-4 gnd Poetik (DE-588)4046449-0 gnd |
| subject_GND | (DE-588)118797069 (DE-588)4113791-7 (DE-588)4114364-4 (DE-588)4046449-0 |
| title | Vel Apolline muto estética y poética de la Antigüedad tardía |
| title_auth | Vel Apolline muto estética y poética de la Antigüedad tardía |
| title_exact_search | Vel Apolline muto estética y poética de la Antigüedad tardía |
| title_full | Vel Apolline muto estética y poética de la Antigüedad tardía Jesús Hernández Lobato |
| title_fullStr | Vel Apolline muto estética y poética de la Antigüedad tardía Jesús Hernández Lobato |
| title_full_unstemmed | Vel Apolline muto estética y poética de la Antigüedad tardía Jesús Hernández Lobato |
| title_short | Vel Apolline muto |
| title_sort | vel apolline muto estetica y poetica de la antiguedad tardia |
| title_sub | estética y poética de la Antigüedad tardía |
| topic | Sidonius, Gaius Sollius Apollinaris 431-487 (DE-588)118797069 gnd Griechisch (DE-588)4113791-7 gnd Latein (DE-588)4114364-4 gnd Poetik (DE-588)4046449-0 gnd |
| topic_facet | Sidonius, Gaius Sollius Apollinaris 431-487 Griechisch Latein Poetik |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=4053085&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025108643&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hernandezlobatojesus velapollinemutoesteticaypoeticadelaantiguedadtardia |