Re-Making the Italians: collective identities in the contemporary Italian historical novel
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Frankfurt am Main [u.a.]
Lang
2012
|
| Schlagwörter: | |
| Links: | http://deposit.dnb.de/cgi-bin/dokserv?id=4011587&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025016452&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 278 S. graph. Darst. |
| ISBN: | 9783631623619 3631623615 |
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Datensatz im Suchindex
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|---|---|
| adam_text | IMAGE 1
TABLE OF CONTENTS
INTRODUCTION 13
I. CASE STUDY ITALY. SPECIFIC TRAITS OF THE NATIONAL DEVELOPMENT 2 1
1. ITALY AS AN INVENTED NATION 2 1
2 . PROBLEM O F ITALIAN IDENTITY 2 4
3 . I T A L I A N R E G I O N A L I S M S 2 8
4 . SOUTHERN QUESTION 3 3
5 . I T A L Y A N D T H E G L O B A L C O M M U N I T Y 3 6
II. IDENTITY, HISTORY, FICTION 4 3
1. COLLECTIVE IDENTITY 4 4
2 . COLLECTIVE MEMORY 4 6
3 . M E D I A OF GROUP IDENTITIES: COLLECTIVE MEMORY AND LITERATURE 5 0
III. THE NEW HISTORICAL NOVEL AND ITS HALLMARKS 55
1. NARRATIVE CONSTRUCTION OF HISTORY 5 5
2 . T H E UPPER L I M I T O F THE P A S T 5 7
3 . T H E EXTENSION OF A NOVEL AS A SOCIOCULTURAL SPECIFIC 5 9
4 . INTERMEDIALITY 6 0
5 . T H E ONTOLOGICAL DOMINANT AND THE FANTASTIC 6 1
IV. HIERARCHIES OF THE PAST 6 5
1. HISTORICAL SETTINGS O F THE NOVELS 6 5
2 . MAKING AND RE-MAKING THE ITALIANS: THE HISTORICAL ROOTS OF THE
NATION 6 8
V. ROMAN EMPIRE AND BEYOND 7 1
1. T H E INTRICATE LEGACY OF THE R O M A N EMPIRE 7 1
1.1. ANCIENT ROME AS A POSTMODERN GLOBAL CAPITAL: DANILA COMASTRI
MONTANARI S MORITURI TE SALUTANT
(1994) 73
1.2. THE MYTH O F AENEAS REVISITED 7 6
1.3. THE SILENCE O F THE RASNA: SEBASTIANO VASSALLI S UN INFMITO NUMERO
(2001) 78
2. T H E ETRUSCAN PAST AS A FEEBLE MYTH O F ORIGINS 8 3
3 . C E L T I C A N C E S T R Y 8 5
3.1. THE NOTION O F THE CELTS A HISTORICAL OUTLOOK ; 86
3.2. THE CELTS AS A POSITIVE ALTERNATIVE TO THE GERMANIC TRIBES 87
3.3. THE ANCIENT CELTIC IDYL! VERSUS MODERN CONSUMER SOCIETY 89
3.4. LA PROFONDA DIFFERENZA EMMA POMILIO S DOMINUS (2005) 91
9
HTTP://D-NB.INFO/1021563250
IMAGE 2
3.5. THE MODERN RECEPTION O F THE CELTS: THE EUROENTHUSIASTIC OUTLOOK
95
3.6. QUEST EREDITA CE LA PORTIAMO NEL DNA : MAURO RACCASI S CELTIC
TRILOGY (2004-2006) 96
4 . C E L T I C LEGACY AND REGIONALIST ASPIRATIONS IN N O R T H - E A S
T E R N ITALY 9 8
4.1. CELTIC PADANIA 98
4.2. TERRA INSUBRE 101
4.3. FRIULIAN CELTICITY 102
4.4. TOO MUCH INDIGENOUS IDENTITY: TULLIO AVOLEDOS LO STATO DELL UNIONE
(2005) 104
5. CONCLUSIONS : N O
VI. THE MANY MIDDLE AGES 113
1. T H E PERIODISATION OF THE M I D D L E A G E S IN HISTORIOGRAPHY 1 1
3
2 . DIALECTICS O F EUROPEAN MEDIEVALISM 1 1 4
3 . I T A L I A N M E D I E V A L I S M O F T H E 1 9 T H C E N T U R Y
A N D T H E R O M A N Z O S T O R I C O R I S O R G I M E N T A L E 1 1
5
4 . TAXONOMY OF CONTEMPORARY MEDIEVALISMS 1 1 7
5 . POSTMODERN NEO-MEDIEVALISM 1 2 1
5.1. THE DYSTOPIAN NEW MIDDLE AGES 122
5.1.1. T H E DARK AGES AS A DISPOSITIONAL BELIEF IN CULTURAL M E M O R
Y 124
5.1.2. T H E DARK AGES AS A PSYCHOLOGICAL DISPOSITION: ERALDO
BALDINI S FACCIA D I S A L E (1999) 124
5.1.3. MEDIEVAL RELIGIOUS F U N D A M E N T A L I S M AND P O S T M O D
E M I T Y IN FICTION 126
5.2. WORLD COMMON GOOD : A REAPPRAISAL O F THE MEDIEVAL POLITICAL
STRUCTURES 131
5.3. THE EARLY MIDDLE AGES IN CONTEMPORARY FICTION: MARCO SALVADOR S II
LONGOBARDO (2004) 132
6. EU-INSPIRED NEO-MEDIEVALISM 1 3 4
6.I. LITERARY MAPPINGS: MEDIEVAL LOCAL IDENTITIES 136
6.1.1. ANCHORING T H E SELF O N T H E GLOBAL CHARTS: CARLO SGORLON S II
FUO DIE S E T A (2005) 137
6.1.2. ITALIAN REGIONAL ACTORS IN EUROPEAN HISTORY 139
7 . T H E OTHERWORDLY M I D D L E A G E S : A FLIGHT FROM MODERNITY 1 4
3
7.1. FANTASY 143
7.2. SEXING THE MIDDLE AGES: NEO-MEDIEVALIST FANTASY 145
8. SYNTHESISING THE M I D D L E A G E S : TWO LITERARY CASE STUDIES 1 4
7
8.1. CARNIVALISING THE PAST: GIUSEPPE PEDERIALI, II TESORO DEL BIGATTO
(1980) 148
8.1.1. MEDIEVAL CARNIVALESQUE A N D T H E NOVEL S AESTHETICS 149
8.1.2. T H E P O W E R O F LAUGHTER 1 5 1
8.1.3. FOOD: B E Y O N D T H E BODILY 1 5 4
8.1.4. HUMANISING T H E SACRED: T H E GIANT PUMPKIN AS T H E HOLY GRAIL
155
8.1.5. OF DRAGONS A N D MICE: LAMPOONING T H E FAIRYTALE R O M A N C E
160
8.1.6. DEFEATING T H E FIEND: A CARNIVALESQUE CATECHISM 162
8.2. RE-INVENTING THE PAST: VMBERTO ECO, BAUDOLINO (2000) 166
8.2.2. ISTORIA , STORIA A N D BUGIA 168
8.2.3. STUFFED C O W S AND T H E S T U F F O F POLITICS 170
10
IMAGE 3
8.2.4. M O N S T R O U S T R U T H S A N D SEMIOTIC WARFARE 174
8.2.5. SCRAPING T H E SLATE CLEAN? PALIMPSEST AS T H E THIRDSPACE 177
8.2.6. T H E LIMITS O F DISCOURSE 181
9 . CONCLUSIONS 1 8 7
VII. BITTER MILK OF THE HOLY COW: CONTEMPORARY CRITIQUE O F MODERNITY
189
1. DEBASING THE RENAISSANCE 1 8 9
7 . 7 . VILLAINS AND GENIUSES OFF-STAGE: PRIVATISING HISTORY 189
1.2. INDIGENOUS ALTERITY AND HUMAN UNIVERSALS: SEBASTIANO VASSALLI S
STELLA AVVELENATA (2003) 193
2 . T H E S E I C E N T O 1 9 9
2.1. CONTESTING MANZONI: I PROMESSI SPOSI AND THE CONTEMPORARY
HISTORICAL NOVEL 199
2.2. THE WITCH AND THE BISHOP 202
3. T H E ENLIGHTENMENT 2 0 8
3.1. MUTED FEMALES AND DEAFENING TALES: DACIA MARAINI S LA LUNGA VITA DI
MARIANNA UCRIA (1990) 208
3.1.1. OVERCOMING T H E TRAUMA: VICTIMS A N D VICTIMISERS 2 1 0
3.1.2. FRAGMENTING T H E SELF: T H E LANGUAGE O F CHIMAERAS 212
3.2. THE FLICKERING LIGHT O F REASON: ANNA MARIA ORTESE S 1 1 CARDILLO
ADDOLORATO (1993) 214
3.2.1. BY NECESSITY A DISTORTION : T H E L A M E N T O F T H E CRITICS
2 1 5
3.2.2. WORLDS IN COLLI(U)SION: FRANCE VERSUS NAPLES 217
3.2.3. THE U N R E D E E M E D REASON 2 1 9
3.2.4. THE IDEOLOGY O F T H E ENLIGHTENMENT: LAJOIE 2 2 1
3.2.5. LA FELICITA IN TERRA : T H E DECLARATION O F HUMAN RIGHTS 2 2 3
3.2.6. THE SILENCE O F CHIMAERA: DISCURSIVE MARGINALISATION AND
NARRATIVE RESISTANCE 2 2 4
3.2.7. REALITY B E Y O N D T H E VISIBLE: ART AND LANGUAGE 226
3.2.8. S U B M E R G E D GEOGRAPHIES A N D T H E REALM O F T H E
GOLDFINCH 2 3 0
4 . A N UNFINISHED BUSINESS : T H E RLSORGIMENTO 2 3 2
4.1. INTERVENING WITH THE RISORGIMENTO 233
4.2. THE OUTLAWS O F THE UNIFICATION: ROSA MARIA CUTRUFELLI S LA
BRIGANTA (1990) 234
5. CONCLUSIONS 2 4 1
VIII. QUO VADIS? ROOTS AND ROUTES O F MODERN ITALY 243
BIBLIOGRAPHY 249
PRIMARY SOURCES 249
SECONDARY SOURCES 257
LIST OF TITLE ABBREVIATIONS 273
APPENDIX 1. INTERVIEW WITH EMMA POMILIO 275
11
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| spellingShingle | Rebane, Gala Re-Making the Italians collective identities in the contemporary Italian historical novel Gruppenidentität Motiv (DE-588)4631852-5 gnd Italienisch (DE-588)4114056-4 gnd Historischer Roman (DE-588)4025132-9 gnd |
| subject_GND | (DE-588)4631852-5 (DE-588)4114056-4 (DE-588)4025132-9 (DE-588)4113937-9 |
| title | Re-Making the Italians collective identities in the contemporary Italian historical novel |
| title_auth | Re-Making the Italians collective identities in the contemporary Italian historical novel |
| title_exact_search | Re-Making the Italians collective identities in the contemporary Italian historical novel |
| title_full | Re-Making the Italians collective identities in the contemporary Italian historical novel Gala Rebane |
| title_fullStr | Re-Making the Italians collective identities in the contemporary Italian historical novel Gala Rebane |
| title_full_unstemmed | Re-Making the Italians collective identities in the contemporary Italian historical novel Gala Rebane |
| title_short | Re-Making the Italians |
| title_sort | re making the italians collective identities in the contemporary italian historical novel |
| title_sub | collective identities in the contemporary Italian historical novel |
| topic | Gruppenidentität Motiv (DE-588)4631852-5 gnd Italienisch (DE-588)4114056-4 gnd Historischer Roman (DE-588)4025132-9 gnd |
| topic_facet | Gruppenidentität Motiv Italienisch Historischer Roman Hochschulschrift |
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