Words as events: Cretan mantinádes in performance and composition
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Helsinki
Finnish Literature Society
2011
|
| Schriftenreihe: | Studia fennica: folkloristica
18 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024997686&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 224 S. Ill. |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1819348213138718720 |
|---|---|
| adam_text | Contents
PREFACE
AND ACKNOWLEDGEMENTS
........................................ 7
Note on transliteration
................................................................... 17
I INTRODUCTION
......................................................................... 19
Mantinádes
in Crete: a poetic tradition across the time
................ 19
In the crossroads of composition and communicating
.................. 25
Rhymed poetry
........................................................................ 26
Short, communicative forms
................................................... 27
Research on
mantinádes
and related traditions
....................... 28
Local literature and discourses on
mantinádes
.............................. 35
Research as engagement
............................................................... 37
Research questions
.................................................................. 37
Fieldwork
................................................................................ 39
Methodology and methods of research and analysis
............. 43
Ethical considerations
............................................................. 48
Data
......................................................................................... 49
The field
.................................................................................. 50
Local terminology
................................................................... 51
Outline of the chapters
................................................................... 52
II THEORETICAL FRAME OF INTERPRETATION
.................... 54
The register
.................................................................................... 57
Focus on performance
................................................................... 61
Performance arena as a frame of experience
........................... 61
Contextualization
.................................................................... 61
Strategies of meaning
.............................................................. 62
Dialogism
...................................................................................... 64
Creativity and competence
............................................................ 65
Conceptualizing improvisation
...................................................... 69
Perceptions of improvisation among folklore scholarship
...... 70
Improvisation in music
............................................................ 73
Improvisation and metrical registers
....................................... 75
Poems as text and process: the double-identity
............................. 79
Ш
CRETE AND TRADITIONAL PERFORMANCE CONTEXTS
. 81
Crete as historical, social and cultural setting
............................... 81
Cretan music, dance and song
....................................................... 86
Rizitika songs of the western Crete
......................................... 92
Shared performance arena, the
gléndì
........................................... 93
The traditional
gléndi
.............................................................. 93
The
gléndi
and the dances in eastern Crete
............................. 96
The
gléndi in
the rizitika area of western Crete
...................... 97
Poetic confrontations
............................................................... 98
Transformations of the
gléndi
................................................. 100
Casual singing events
.................................................................... 104
Kantáda
................................................................................... 115
IV
THE POETIC LANGUAGE
......................................................... 117
Origins of the metrical structure and the emergence
of the
mantináda
............................................................................ 117
Poetic form and means
.................................................................. 121
Thematic contents
.......................................................................... 127
Couplets as building blocks
........................................................... 132
Mantinádes
continued
(sinehómenes)
................................. 132
Narrative songs
........................................................................ 135
V THE MULTIDIMENSIONAL PERFORMANCE
........................ 138
Recited performances
.................................................................... 139
Poems embedded in speech
..................................................... 141
Stories of past performances
................................................... 146
Presentation of poetic inventiveness
....................................... 149
Performance as gendered and shared experience
.......................... 150
Participation, improvisation and meaning
..................................... 152
Thematic continuation
............................................................. 153
Statements/ideas enclosed in the imagery
............................... 154
Contextual relevance
............................................................... 155
Internal fitting
.......................................................................... 156
Written and media contexts
........................................................... 157
Written arenas
......................................................................... 158
When television substituted the
paréa
..................................... 159
Mobile phone messages
.......................................................... 160
Individual and shared: problems implied
by the double-identity in modern arenas
................................. 161
VI COMPOSITION
............................................................................ 162
Internalizing the tradition
.............................................................. 162
Local definitions of composition
................................................... 166
Rhyming and structuring the verse order
...................................... 168
Inventing meaning through rhyme
.......................................... 171
The ideal of coherence: building an image
.................................... 172
Motivations for composing
............................................................ 176
Verbal interaction
.................................................................... 177
Composition for emotional self-expression
............................ 180
Capturing a theme
................................................................... 182
The creativity of making the point: refraining
............................... 185
Commanding a poetic world as a productive language
................. 191
VII A
THEORY OF DIALOGIC ORAL POETRY
............................. 195
Dialogic oral poetry
....................................................................... 195
Individuals and tradition
................................................................ 196
Four aspects of creativity
............................................................... 198
The self-dependent poem and the economy of tradition
............... 200
The plural aesthetics of performance and composition
................. 202
From oral to modern performance arenas
..................................... 205
Performative, contextual and textual dialogue
.............................. 2%
BIBLIOGRAPHY AND PRIMARY SOURCES
.................................. 210
INDEX
................................................................................................... 220
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| indexdate | 2024-12-20T16:09:03Z |
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| language | English |
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| series | Studia fennica: folkloristica |
| series2 | Studia fennica: folkloristica |
| spellingShingle | Sykäri, Venla Words as events Cretan mantinádes in performance and composition Studia fennica: folkloristica Mantinada (DE-588)4383678-1 gnd |
| subject_GND | (DE-588)4383678-1 (DE-588)4073791-3 |
| title | Words as events Cretan mantinádes in performance and composition |
| title_auth | Words as events Cretan mantinádes in performance and composition |
| title_exact_search | Words as events Cretan mantinádes in performance and composition |
| title_full | Words as events Cretan mantinádes in performance and composition Venla Sykäri |
| title_fullStr | Words as events Cretan mantinádes in performance and composition Venla Sykäri |
| title_full_unstemmed | Words as events Cretan mantinádes in performance and composition Venla Sykäri |
| title_short | Words as events |
| title_sort | words as events cretan mantinades in performance and composition |
| title_sub | Cretan mantinádes in performance and composition |
| topic | Mantinada (DE-588)4383678-1 gnd |
| topic_facet | Mantinada Kreta |
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