Sacred and liturgical Renaissance music:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Farnham
Ashgate
[2012]
|
| Schriftenreihe: | A library of essays on Renaissance music
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024960456&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XXVI, 524 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 0754629406 9780754629405 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819380352298254336 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Series
Preface
ix
Introduction
xiii
PART I THE FRANCO-FLEMISH TRADITION FROM THE FIFTEENTH TO
THE EARLY SIXTEENTH CENTURY
1
Alejandro Enrique
Planchart (1998),
Music for the Papal Chapel in the Early
Fifteenth Century , in Richard Sherr
(ed.),
Papal Music and Musicians in Late
Medieval and Renaissance Rome, Oxford: Oxford University Press, pp.
93-124. 3
2
Rob C.
Wegman
(1991),
Petrus
de
Domarto s
Missa
Spiritus almus
and the Early
History of the Four-Voice Mass in the Fifteenth Century , Early Music History,
10,
pp.
235-303. 35
3
Fabrice
Fitch
(2005),
Agricola
and the Rhizome: An Aesthetic of the Late
CantusFirmus Mass , Revue
Belge de musicologie/
Belgisch Tijdshrift
voor
Muziekwetenschap,
59,
pp.
65-92. 105
4 Michael
Long
(1989),
Symbol and
Ritual
in Josquin s
Missa
Di
Dadľ,
Journal
of the American Musicological Society,
42,
pp.
1-22. 133
5
Lora
Matthews and Paul Merkley
(1998),
Iudochus
de Picardia
and Jossequin
Lebloitte
dit
Desprez:
The Names of the Singer(s) , Journal ofMusicology,
16,
pp.
200-26. 155
6
Andrew Kirkman
(2001),
The Invention of the Cyclic Mass , Journal of the
American Musicological Society,
54,
pp.
1-47. 183
PART II SIXTEENTH-CENTURY ITALY
7
Richard Sherr
(1994),
Competence and Incompetence in the Papal Choir in the
Age of
Palestína ,
Early Music,
22,
pp.
606-29. 233
8
Katelijne
Schütz (2008),
Gioseffo Zarlino and the Miserere Tradition:
A Ferrarese
Connection? , Early Music History,
27,
pp.
181-216. 255
9
Laura
Moretti
(2004),
Architectural Spaces for Music: Jacopo Sansovino and
Adrian Willaert at St Mark s , Early Music History,
23,
pp.
153-84. 291
PART III THE GERMAN TRADITION
10
Franz
Körndle (2007),
SO
loblich,
costlich undherlich, das
darvon
nit
ist
ze schreiben:
Der Auftritt der Kantorei Maximilians
I.
bei den Exequien für
Philipp den Schönen auf dem Reichstag zu Konstanz , in Stefan Gasch and
Birgit
Lodes
(eds),
Tod in Musik und Kultur: Zum 500. Todestag Philipps des
Schönen, Tutzing: Hans Schneider,
pp.
87-109. 325
Sacred and Liturgical Renaissance Music
11 Birgit
Lodes
(2006), Ludwig Senfl
and the Munich Choirbooks: The Emperor s
or the Duke s? , in
Theodor Göllner, Bernhold
Schmid and
Severin
Putz
(eds),
Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext,
Munich:
Bayerischen Akademie der Wissenschaften,
pp.
224-33. 349
12 Laurenz Lütteken (2008), Politische Zentren als musikalische Peripherie? Probleme
einer musikhistorischen Topographie im deutschen Nordwesten des 15. und 16.
Jahrhunderts , in Klaus Pietschmann (ed.), Das Erzbistum Köln, Kassel: Merseburger,
pp.
61-75. 359
13 Don
Harrán
(1995), The Joseph Story
as Told by
Orlando
di
Lasso , in
Ignace Bossuyt,
Eugeen Schreurs and Annelies
Wouters
(eds),
Orlandus Lassus
and His Time, Peer, Belgium: Alamire
Foundation,
pp.
249-69. 375
PART
IV
ENGLAND
14 Andrew Johnstone (2003),
As it was in the Beginning :
Organ
and Choir Pitch in
Early Anglican Church Music , Early Music,
31,
pp.
507-24. 399
15
Magnus Williamson
(2000),
Pictura
et
scriptura:
The Eton Choirbook in its
Iconographical Context , Early Music,
28,
pp.
359-80. 419
16
Kerry McCarthy
(2004),
Notes as a Garland : The Chronology and Narrative of
Byrďs Gradualiď,
Early Music History,
23, 49-84. 437
PART V SPAIN
17
Michael Noone
(2002),
Cristóbal de
Morales in Toledo,
1545-6:
ToleBC
25
and
New Works by Morales, Guerrero,
Lobo, Tejeda
and Ambiela , Early Music,
30,
pp.
341-63. 475
18
Emilio Ros-Fábregas
(2007),
Cristóbal de Morales:
A
Problem of
Musical
Mysticism and National Identity in the Historiography of the Renaissance ,
in Owen
Rees
and
Bernadette
Nelson
(eds),
Cristobal
de
Morales: Sources,
Influences, Reception,
Woodbridge: Boydell
Press, pp.
215-33. 497
Name Index
517
|
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