Harold Pinter: the theatre of power
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Ann Arbor
Univ. of Michigan Press
2012
|
| Schriftenreihe: | Michigan modern dramatists
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024776517&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024776517&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Literaturverz. S. 209 - 211 Hier auch später erschienene, unveränderte Nachdrucke Includes bibliographical references and index |
| Umfang: | 216 S. |
| ISBN: | 9780472071241 0472071246 9780472051243 |
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Datensatz im Suchindex
| _version_ | 1819380764415885312 |
|---|---|
| adam_text | Contents
ι
Introduction: Understanding Pinter s Drama
CHAPTER I
12
Territorial Imperatives: The Room
CHAPTER
2
25
Questions of Authority: The Dumb Waiter,
The Birthday Party
chapter
з
49
Questions of Identity. The Caretaker
chapter
4
69
Family Voices: The Homecoming
CHAPTER
5
89
New Conceptions of Gender and Memory: Landscape,
Old Times
CHAPTER
6
107
Ghost Lives: No Man s Land
CHAPTER
7
124
The Art of Taking Away : Betrayal
CHAPTER
8
142
States of
Catatonia:
Family Voices, A Kind of Alaska,
Moonlight
chapter
9
162
The New World Order: One for the Road,
Mountain Language, Party Time
chapter
10
181
A Postmodern Aesthetics of Power: Ashes to Ashes,
Celebration
195
Chronology
197
Notes
209
Bibliography
213
Index
■
he latest volume in the Michigan
Modern Dramatists series offers an
authoritative but accessible look at
Harold Pinter, one of the greatest
and most influential postwar Brit¬
ish plajrwrights and author of classic
works such as The Birthday Party and
The Homecoming. Pinter was awarded
the Nobel Prize for Literature in
2005
for his remarkable body of work and
plays that uncover the precipice un¬
der everyday prattle and force entry
into oppression s closed rooms.
Harold Pinter: The Theatre of Power
focuses on the playwright s con¬
tinuously innovative experiments
in theatrical form while tracing the
recurrence of a consistent set of ethi¬
cal and epistemological concerns.
Exploring important plays from
across this prolific writer s career,
author Robert Gordon argues that
the motivating force in almost all of
Pinter s drama is the ceaseless desire
for power, represented in his work
as a compulsive drive to achieve or
maintain dominance
—
whether it
be the struggle to defend one s own
territory from intruders, the father s
battle with his sons to assert his
patriarchal position in the family,
the manipulation of erotic feelings
in the gender warfare that moti¬
vates sexual relationships, the abuse
of brute force by dictatorships and
democracies, or simply the mascu¬
line obsession to dominate. Gordon
demonstrates the adventurousness
of Pinter s experimentation with
form while at the same time expos¬
ing the ethical, epistemological, and
aesthetic preoccupations that have
persisted with remarkable consis¬
tency throughout his career.
|
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| discipline | Anglistik / Amerikanistik |
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| id | DE-604.BV039917970 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T16:05:16Z |
| institution | BVB |
| isbn | 9780472071241 0472071246 9780472051243 |
| language | English |
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| oclc_num | 780134266 |
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| physical | 216 S. |
| publishDate | 2012 |
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| publisher | Univ. of Michigan Press |
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| series2 | Michigan modern dramatists |
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| title | Harold Pinter the theatre of power |
| title_auth | Harold Pinter the theatre of power |
| title_exact_search | Harold Pinter the theatre of power |
| title_full | Harold Pinter the theatre of power Robert Gordon |
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| title_short | Harold Pinter |
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| title_sub | the theatre of power |
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