Acoustics and psychoacoustics:
Gespeichert in:
Beteiligte Personen: | , |
---|---|
Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Amsterdam [u.a.]
Elsevier Focal Press
2009
|
Ausgabe: | 4. ed. |
Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024755356&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Umfang: | VIII, 411 S. Ill., graf. Darst., Notenbeisp. 1 CD-ROM (12 cm) |
ISBN: | 9780240521756 0240521757 |
Internformat
MARC
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245 | 1 | 0 | |a Acoustics and psychoacoustics |c David M. Howard and Jamie Angus |
250 | |a 4. ed. | ||
264 | 1 | |a Amsterdam [u.a.] |b Elsevier Focal Press |c 2009 | |
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Datensatz im Suchindex
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---|---|
adam_text | Contents
Preface
...............................................................................................
vii
CHAPTER
1
Introduction to Sound
........................................................1
1.1
Pressure Waves and Sound Transmission
......................2
1.2
Sound Intensity, Power and Pressure Level
.................21
1.3
Adding Sounds Together
............................................26
1.4
The Inverse Square Law
............................................36
1.5
Sound Interactions
...................................................40
1.6
Time and Frequency Domains
....................................59
1.7
Analyzing Spectra
.....................................................64
Bibliography
...................................................................72
CHAPTER
2
Introduction to Hearing
....................................................73
2.1
The Anatomy of the Hearing System
...........................74
2.2
Critical Bands
..........................................................83
2.3
Frequency and Pressure Sensitivity Ranges
.................89
2.4
Loudness Perception
................................................91
2.5
Noise-induced Hearing Loss
....................................101
2.6
Perception of Sound Source Direction
......................107
References
...................................................................119
CHAPTER
3
Notes and Harmony
.......................................................121
3.1
Musical Notes
........................................................122
3.2
Hearing Pitch
.........................................................131
3.3
Hearing Notes
........................................................150
3.4
Tuning Systems
......................................................158
References
...................................................................165
CHAPTER
4
Acoustic Model for Musical Instruments
..........................167
4.1
A Black Box Model of Musical Instruments
............168
4.2
Stringed Instruments
..............................................170
4.3
Wind Instruments
...................................................181
4.4
Percussion Instruments
...........................................208
4.5
The Speaking and Singing Voice
.............,................216
References
...................................................................229
CHAPTER
5
Hearing Timbre and Deceiving the Ear
............................231
5.1
What is Timbre?
.....................................................231
5.2
Acoustics of Timbre
................................................233
5.3
Psychoacoustics of Timbre
......................................242
5.4
The Pipe Organ as
a Timbral
Synthesizer
..................253
5.5
Deceiving the Ear
...................................................258
References
...................................................................274
CHAPTER
6
Hearing Music in Different Environments
........................277
6.1
Acoustics of Enclosed Spaces
.................................279
6.2
Room Modes and Standing Waves
...........................322
6.3
Absorption Materials
..............................................339
6.4
Diffusion Materials
.................................................345
6.5
Sound Isolation
.....................................................351
6.6
The Effect of Room Boundaries on Loudspeaker
Output
..................................................................356
6.7
Reduction of Enclosure Diffraction Effects
...............358
References
...................................................................362
Further Reading
...........................................................363
CHAPTER
7
Applications: Acoustics and Psychoacoustics Combined
... 365
7.1
Critical Listening Room Design
................................367
7.2
Pure-Tone and Speech Audiometry
..........................381
7.3
Psychoacoustic Testing
...........................................388
7.4
Filtering and Equalization
.......................................394
7.5
Public Address Systems
..........................................402
7.6
Noise-reducing Headphones
....................................415
7.7
Mosquito Units and Teen Buzz Ring Tones
.........417
7.8
Audio Coding Systems
............................................418
7.9
Summary
..............................................................434
References
...................................................................434
Further Reading
...........................................................435
APPENDIX
1
The Fourier Transform
...................................................437
Al.l Fourier s Theorem
................................................437
Al.
2
Fourier Analysis
...................................................439
A1.3 The Complex Fourier Series
..................................440
Al.
4
Frequency Analysis of Non-periodic Signals:
The Fourier Transform
..........................................441
Al.
5
The Convolution Theorem
.....................................442
Al.
6
A
Fourier
Transform
Example:
The Single Pulse
.................................................443
Al.
7
The Discrete Fourier Transform
.............................445
APPENDIX
2
Solving the
ERB
Equation
.............................................447
APPENDIX
3
Converting between Frequency Ratios and Cents
.............449
APPENDIX
4
Deriving the Reverberation Time Equation
......................451
APPENDIX
5
Deriving the Reverberation Time Equation for Different
Frequencies and Surfaces
.............................................455
APPENDIX
б
The Effect of Speaker Size on its Polar Pattern
...............459
A6.1 An Array of Point Sources
....................................459
A6.2 Application to
Diffuser
Design
..............................464
A6.3 Application to Array Loudspeakers
........................465
A6.4 Application to Constant Directivity Horns
...............467
A6.5 The Effect of Mouth, or Array, Size
on Beamwidth
.....................................................468
References
..................................................................470
Further Reading
...........................................................471
APPENDIX
7
Track Listing for the Audio Compact Disc
.......................473
Index
................................................................................................479
Companion website
passcode:
|
any_adam_object | 1 |
author | Howard, David M. Angus, James A. S. |
author_GND | (DE-588)123058813 |
author_facet | Howard, David M. Angus, James A. S. |
author_role | aut aut |
author_sort | Howard, David M. |
author_variant | d m h dm dmh j a s a jas jasa |
building | Verbundindex |
bvnumber | BV039896410 |
classification_rvk | UF 6000 UF 6800 |
ctrlnum | (OCoLC)780120442 (DE-599)BVBBV039896410 |
dewey-full | 152.15 152.1/5 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 152 - Perception, movement, emotions & drives |
dewey-raw | 152.15 152.1/5 |
dewey-search | 152.15 152.1/5 |
dewey-sort | 3152.15 |
dewey-tens | 150 - Psychology |
discipline | Physik Psychologie |
edition | 4. ed. |
format | Book |
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id | DE-604.BV039896410 |
illustrated | Illustrated |
indexdate | 2024-12-20T16:04:47Z |
institution | BVB |
isbn | 9780240521756 0240521757 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024755356 |
oclc_num | 780120442 |
open_access_boolean | |
owner | DE-739 |
owner_facet | DE-739 |
physical | VIII, 411 S. Ill., graf. Darst., Notenbeisp. 1 CD-ROM (12 cm) |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | Elsevier Focal Press |
record_format | marc |
spellingShingle | Howard, David M. Angus, James A. S. Acoustics and psychoacoustics Psychoakustik (DE-588)4176198-4 gnd Akustik (DE-588)4000988-9 gnd |
subject_GND | (DE-588)4176198-4 (DE-588)4000988-9 |
title | Acoustics and psychoacoustics |
title_auth | Acoustics and psychoacoustics |
title_exact_search | Acoustics and psychoacoustics |
title_full | Acoustics and psychoacoustics David M. Howard and Jamie Angus |
title_fullStr | Acoustics and psychoacoustics David M. Howard and Jamie Angus |
title_full_unstemmed | Acoustics and psychoacoustics David M. Howard and Jamie Angus |
title_short | Acoustics and psychoacoustics |
title_sort | acoustics and psychoacoustics |
topic | Psychoakustik (DE-588)4176198-4 gnd Akustik (DE-588)4000988-9 gnd |
topic_facet | Psychoakustik Akustik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024755356&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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