Postnaturalism: Frankenstein, film, and the anthropotechnical interface
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
2011
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024744700&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024744700&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 398 S. graph. Darst. 21 cm |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Chapter
1.
Introduction: Monster Movies and Metaphysics
....................................1
Monster Movies: Adaptation, Myth, Genre, and Beyond
...............................................5
Metaphysics: Film and the Anthropotechnical Interface
.............................................16
A Preview of Coming Attractions
.................................................................................23
Part One
.................................................................................................................................25
Chapter
2.
Frankenstein s Filmic Progenies: A Techno-Phenomenological
Approach
...................................................................................................................27
Film as Frankensteinian Technology?
.........................................................................28
Tools of the Trade
........................................................................................................31
Techno-Phenomenology and the Structure of Cinematic Revolutions
..................36
Early Film
....................................................................................................................38
Classical Film
..............................................................................................................41
The Question of the Transition and the Scope of Techno-Phenomenology
.................45
Frankenstein Films and the Noetic Arrow, Or: Watch Where You Point
that Thing!
..................................................................................................................51
Establishing Shot
..........................................................................................................51
Jump cut
—....................................................................................................................60
Dissolve to flashback
....................................................................................................74
Chapter
3.
Monsters in Transit: Edison s Frankenstein
...........................................75
An Interstitial Space
.....................................................................................................76
Primitive Pleasures and the Spectacle of Creation
......................................................80
Other Views: Narrative Integration and Multiple Address
..........................................85
Double Standards
.........................................................................................................91
Seeing Double: Material and Discursive Monsters in the Transition and
Beyond
.........................................................................................................................97
Transitional Heterotopias
..........................................................................................100
Helerotopian Transitionalily: From Historical Space to Critical Construct
............ 107
Part Two
..............................................................................................................................117
Chapter
4.
To the Heart of (the) Matter: Frankenstein, Embodiment,
Materiality
............................................................................................................119
Frankenstein as a Tale of Two Monsters: Feminist Interventions and
Beyond
.......................................................................................................................124
Female Bodies, Women Writers, and the Culture of Compromise
............................125
Minding the Gap: The Body of the Text
&
the Text of the Body
................................129
From Text to Technology
........................................................................................... 138
Parabolic Mutations: From Textual Allegory to
Machinie
Parable
....................145
Outlook: Re-Embodying the Machine
........................................................................152
Resume: Engendered Machines
.................................................................................163
Chapter
5.
Ок
Steam Engines,
Révolutions,
and the
(Un)natural
History of
Matter: A Tkchno-Scientific Interlude
.........................................................173
Scientific Revolution: A Matter of Discourse or the Discourse of Matter?
........176
Weighing the Options: Ontological-Epistemologieal Commitments
.........................179
A Naturalistic Theory of Theory Change
...................................................................181
Natural Science and Technological Multistability
.....................................................186
Postnaturalism
...........................................................................................................190
Postnaturalism
and the Thcrmodynamic Revolution
...........................................197
1)
Science and the Steam-Engine: A Naturalistic Approach
.....................................199
2)
The Machine and the Industrial Lifeworld: Techno-Phenomenological
Variations
...................................................................................................................206
3)
Beyond Nature
........................................................................................................216
Coda: Fiction Meets Friction
...................................................................................235
Chapter
6.
Re-focusing Cinematic Double Vision: Seriality, Mediauty, and
Mediation in
Pos
[natural Perspective
...........................................................246
Prelude: Maurice and Henri at the Cosmic Picture Show
.........................................249
Mediáin
the Middle
.................................................................................................265
Media/Historicity
........................................................................................................266
Media Systems and Metaphysical Form
.....................................................................276
Life at the Limit
..........................................................................................................286
Segue: Seriality and the Mediation of Medial Change
.........................................299
Part Three
..........................................................................................................................317
Chapter?. Universal Monsters and Monstrous Particulars
...............................319
Incorporations: Melodrama and Monstrosity
.......................................................323
Incorporations I: Monstrous Manichaeism
................................................................328
Incorporations II: The Search for a Fitting Body
......................................................332
Incorporations III: Spectators, Melodrama, and the Politics of Embodiment
...........338
About-Face: Anthro-, Techno-, Xeno-Phenomcnology
.........................................344
Locating the Uncanny Bodies
of Whale s Frankenstein Films
..............................345
Face to Face with the Monster: Towards Affective Ground Zero
.............................352
Da Capo, or Losing Face: Faciality and the Politics of Image Correlation
.............358
Chapter
8.
Lines ok Flight: Transitional Thoughts By Way ok Conclusion
.....368
The Continuing Adventures of the Uncanny Body
.....................................................371
Works Cited
........................................................................................................................382
The filmic progenies of Mary Shelley s Frankenstein cast a
special light on the historicity of human-technological
interfaces
—
supposing, at least, that we approach the films in
a vigorously historicizing manner. Seen in the context of the
historical connections that obtain amongst their narrative
contents, their social settings, and contemporaneous cultural
conflicts; set in relation to media-technical infrastructures,
innovations, and transitions; and located squarely in the
material and experiential parameters of historically situated
spectatorship, Frankenstein films reveal specific, changing
configurations of human-technological interaction: patterns,
tendencies, and deviations that mark moments in a richly
variable history that is at once a history of cinema, of media,
of technology, and of the affective channels of our own
embodiment.
|
| any_adam_object | 1 |
| author | Denson, Shane 1975- |
| author_GND | (DE-588)1013007085 |
| author_facet | Denson, Shane 1975- |
| author_role | aut |
| author_sort | Denson, Shane 1975- |
| author_variant | s d sd |
| building | Verbundindex |
| bvnumber | BV039885571 |
| ctrlnum | (OCoLC)780117116 (DE-599)DNB1013007255 |
| dewey-full | 791.436164 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436164 |
| dewey-search | 791.436164 |
| dewey-sort | 3791.436164 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Soziologie |
| format | Thesis Book |
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| illustrated | Illustrated |
| indexdate | 2024-12-20T16:04:32Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024744700 |
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| owner_facet | DE-384 DE-703 |
| physical | 398 S. graph. Darst. 21 cm |
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| publishDateSearch | 2011 |
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| spellingShingle | Denson, Shane 1975- Postnaturalism Frankenstein, film, and the anthropotechnical interface Frankenstein Fiktive Gestalt (DE-588)119261448 gnd Shelley, Mary 1797-1851 Frankenstein (DE-588)4220200-0 gnd Mensch (DE-588)4038639-9 gnd Verfilmung (DE-588)4062809-7 gnd Film (DE-588)4017102-4 gnd Maschine (DE-588)4037786-6 gnd Schnittstelle (DE-588)4053059-0 gnd Medientheorie (DE-588)7610872-7 gnd Gothic novel (DE-588)4157930-6 gnd Anthropotechnik (DE-588)4142646-0 gnd |
| subject_GND | (DE-588)119261448 (DE-588)4220200-0 (DE-588)4038639-9 (DE-588)4062809-7 (DE-588)4017102-4 (DE-588)4037786-6 (DE-588)4053059-0 (DE-588)7610872-7 (DE-588)4157930-6 (DE-588)4142646-0 (DE-588)4113937-9 |
| title | Postnaturalism Frankenstein, film, and the anthropotechnical interface |
| title_auth | Postnaturalism Frankenstein, film, and the anthropotechnical interface |
| title_exact_search | Postnaturalism Frankenstein, film, and the anthropotechnical interface |
| title_full | Postnaturalism Frankenstein, film, and the anthropotechnical interface Shane Denson |
| title_fullStr | Postnaturalism Frankenstein, film, and the anthropotechnical interface Shane Denson |
| title_full_unstemmed | Postnaturalism Frankenstein, film, and the anthropotechnical interface Shane Denson |
| title_short | Postnaturalism |
| title_sort | postnaturalism frankenstein film and the anthropotechnical interface |
| title_sub | Frankenstein, film, and the anthropotechnical interface |
| topic | Frankenstein Fiktive Gestalt (DE-588)119261448 gnd Shelley, Mary 1797-1851 Frankenstein (DE-588)4220200-0 gnd Mensch (DE-588)4038639-9 gnd Verfilmung (DE-588)4062809-7 gnd Film (DE-588)4017102-4 gnd Maschine (DE-588)4037786-6 gnd Schnittstelle (DE-588)4053059-0 gnd Medientheorie (DE-588)7610872-7 gnd Gothic novel (DE-588)4157930-6 gnd Anthropotechnik (DE-588)4142646-0 gnd |
| topic_facet | Frankenstein Fiktive Gestalt Shelley, Mary 1797-1851 Frankenstein Mensch Verfilmung Film Maschine Schnittstelle Medientheorie Gothic novel Anthropotechnik Hochschulschrift |
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