Jazz:
Gespeichert in:
| Weitere beteiligte Personen: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2011
|
| Schriftenreihe: | The library of essays on popular music
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024435974&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XXIII, 538 S. Ill., Notenbeisp. |
| ISBN: | 9780754629511 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819350667473453056 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Series Preface
ix
Introduction
xi
PART I HISTORY, CANON AND THE POLITICS OF THE POPULAR
1
Simon Frith
(2007),
Is Jazz Popular Music? , Jazz Research Journal,
1,
pp.
7-23. 3
2
Bruce Johnson
(1993),
Hear Me Talkin to Ya: Problems of Jazz Discourse ,
Popular Music,
12,
pp.
1-12. 21
3
Gary Tomlinson
(1991),
Cultural Dialogics and Jazz: A White Historian Signifies ,
Black Music Research Journal,
11,
pp.
229-64. 33
4
Lee B. Brown
(2004),
Marsalis
and
Baraka: An
Essay in Comparative Cultural
Discourse , Popular Music,
23,
pp.
241-55. 69
5
Scott DeVeaux
(2001-02),
Struggling with Jazz , Current
Musicologi,
71-73,
pp.
353-74. 85
6
David
Borgo
(2007),
Free Jazz in the Classroom: An Ecological Approach to
Music Education , Jazz Perspectives,
1,
pp.
61-88. 107
7
Sherrie Tucker
(2005),
Deconstructing the Jazz Tradition: The Subjectless Subject
of New Jazz Studies , revised version, The Source: Challenging Jazz Criticism,
2,
pp.
31-46, [135-50]. 135
PART II REPRESENTATIONS, PEOPLE, REPERTOIRE
8
Laurie
Stras
(2007),
White Face, Black Voice: Race, Gender, and Region in the
Music of the Boswell Sisters , Journal of the Society for American Music,
1,
pp.
207-55. 153
9
Brian Priestley
(2009),
Charlie Parker and Popular Music , Annual Review of Jazz
Studies,
14,
pp.
83-99. 203
10
David Horn
(2000),
The Sound World of Art Tatum , Black Music Research
Journal,
20,
pp.
237-57. 221
11
Robert
Walser (1993),
Out of Notes: Signification, Interpretation, and the
Problem of Miles Davis , The Musical Quarterly,
77,
pp.
343-65. 243
12
Alan
Stanbridge
(2004),
A Question of Standards: My Funny Valentine and
Musical Intertextuality , Popular Music History,
1,
pp.
83-108. 267
13
Ingrid Monson
(1994),
Doubleness and Jazz Improvisation: Irony, Parody, and
Ethnomusicology
,
Critical Inquiry,
20,
pp.
283-313. 293
14
Peter Elsdon (May
2008),
Style and the Improvised in Keith Jarrett s Solo
Concerts , Jazz Perspectives,
2,
pp.
51-67. 325
VI
Jazz
15
Tony Whyton
(2007),
-Fourfor
Trane: Jazz
and the Disembodied Voice ,
Jazz Perspectives,
1,
pp.
115-32. 343
16
David Ake
(2002),
Regendering
Jazz: Omette
Coleman
and the New York Scene
in the Late
1950s ,
in Jazz Cultures, Berkeley: University of California Press,
pp.
62-82, 188-93. 361
PART III RECEPTION, SCENES, GLOBAL PERSPECTIVES
17
Brace Boyd Raeburn
(2009),
Stars of David and Sons of Sicily: Constellations
beyond the Canon in Early New Orleans Jazz , Jazz
Perspectives,
3,
pp.
123-52. 389
18
Catherine Parsonage
(2003),
A Critical Reassessment of the Reception of Early
Jazz in Britain , Popular Music,
22,
pp.
315-36. 419
19
Jeffrey H. Jackson
(2002),
Making Jazz French: The Reception of Jazz Music
in Paris,
1927-1934 ,
French Historical Studies,
25,
pp.
149-70. 441
20
E. Taylor Atkins
(1999),
Jammin
on the Jazz Frontier: The Japanese Jazz
Community in
Internar
Shanghai , Japanese Studies,
19,
pp.
5-16 [463-74]. 463
21
Christopher Ballantine
(1991),
Concert and Dance: The Foundations of Black
Jazz in South Africa between the Twenties and the Early Forties , Popular Music,
10,
pp.
121^45. 475
22
Tim Wall and Paul Long
(2009),
Jazz Britannia: Mediating the Story of British
Jazz on Television , Jazz Research Journal,
3,
pp.
145-70. 501
Name Index
527
|
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| indexdate | 2024-12-20T15:57:53Z |
| institution | BVB |
| isbn | 9780754629511 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024435974 |
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| physical | XXIII, 538 S. Ill., Notenbeisp. |
| publishDate | 2011 |
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| publisher | Ashgate |
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| title_auth | Jazz |
| title_exact_search | Jazz |
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| title_fullStr | Jazz ed. by Tony Whyton |
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