Verfügbarkeit: An introduction to nineteenth century art

An introduction to nineteenth century art: artists and the challenge of modernity

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Bibliographische Detailangaben
Beteilige Person:	Facos, Michelle (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Abingdon, Oxon [England] Routledge 2011
Ausgabe:	1. ed., 1. publ.
Schlagwörter:	Geschichte 1800-1900 Geschichte Art, Modern > 19th century Art and society > History > 19th century Kunst Gesellschaft
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024386794&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Includes bibliographical references and index
Umfang:	XXVII, 435 S. zahlr. Ill.
ISBN:	0415780705 0415780721 9780415780704 9780415780728

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Datensatz im Suchindex

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adam_text	An Introduction to Nineteenth-Century Art MICHELLE FACOS O Routledge g^^ Taylor & Francis Group NEW YORK AND LONDON Contents Chapter 1: A Time of Transition Ust of Figures ........................................................................................................................ χ Acknowledgments ...............................................................................................................xxvi Introduction ............................................................................................................................. 1 В Social Critique ......................................................................................................... 6 Moral Reform .........................................................................................................8 Monarch as Model ...............................................................................................11 Era of Change ......................................................................................................13 Age of Discovery .................................................................................................14 Grand Tour ...........................................................................................................16 Antiquity Becomes Fashionable ........................................................................19 Neoclassical Style .................................................................................................23 Calm Grandeur in Dante ....................................................................................25 Conclusion ............................................................................................................26 Neoclassicism in Britain ......................................................................................28 Neoclassicism Becomes Popular .......................................................................33 The Elgin Marbles ...............................................................................................35 Homer Illustrations .............................................................................................35 Political Instability in France ..............................................................................37 D Angiviller s Reform Program .........................................................................38 Roman Virtue .......................................................................................................38 Neoclassical Eroticism ........................................................................................44 Neoclassical Sculpture .........................................................................................46 Neoclassicism in Denmark and the German States .......................................48 Conclusion ............................................................................................................51 Legitimizing Contemporary History .................................................................52 Painting of Contemporary History in France .................................................55 Political Instability ................................................................................................55 New Hero fora New Republic ..........................................................................56 Equestrian Portraits: Rulers on Horseback ......................................................58 Neoclassicism Made Ridiculous .........................................................................62 Legitimizing Bonaparte .......................................................................................63 Transgrcssive History Painting ..........................................................................66 Representing Republican Values ........................................................................69 Establishing Museums .........................................................................................74 Conclusion ............................................................................................................76 Origins and Characteristics .................................................................................78 Burke s Sublime ....................................................................................................78 Blake and the Imagination ..................................................................................82 Nature Mysticism .................................................................................................85 Goya: Ambiguity and Modernism .....................................................................87 Abnormal Mental States .....................................................................................93 Sculpture ................................................................................................................96 Escape to the National Past: England ..............................................................98 Medievalism in France: Troubadour Style ......................................................100 Medievalism in the German States ..................................................................103 The Nazarenes ....................................................................................................106 Conclusion ..........................................................................................................109 New Attitudes Toward Nature .........................................................................110 Academic Landscape Tradition ........................................................................112 Nature and the Sublime .................................................................................... 114 The Picturesque ..................................................................................................116 Turner: From Convention to Innovation .......................................................118 Constable: Conservative Nostalgia ..................................................................121 Naturalism and Tourism ...................................................................................124 Friedrich: Patriotism and Spirituality ...............................................................128 Feminization of Nature ....................................................................................131 Hudson River School ........................................................................................133 American West ....................................................................................................137 Conclusion ..........................................................................................................138 янЯншнЯниммшІнйЕнЇУщяяммімннЬнйййшіїївняшнНІІІІІНІНННІННВІІІВимі Documenting Distant Lands and Peoples .....................................................141 Colonial Citizens ................................................................................................144 Picturing Slavery .................................................................................................146 Native Americans: Ideal or Foe? .....................................................................150 Orientalism Emerges .........................................................................................154 Orient Imagined .................................................................................................156 Delacroix s Orientalism .....................................................................................158 Orientalist Sculpture ..........................................................................................162 International Exhibitions ..................................................................................164 Conclusion ..........................................................................................................165 Modernism, Urbanization, Instability .............................................................166 Bourgeois Morality and the Separation of Spheres ......................................170 Biedermeier and the Emergence of Middle-class Culture ..........................171 Biedermeier Portraiture .....................................................................................175 Biedermeier Cityscapes ..................................................................................... 177 Biedermeier Peasant Painting ...........................................................................178 Biedermeier Landscape .....................................................................................178 Biedermeier History Painting ...........................................................................180 Golden Age in Denmark ..................................................................................181 Biedermeier in Russia ........................................................................................182 Mid-Century America ........................................................................................183 Victorian Painting ..............................................................................................185 Pre-Raphaelite Brotherhood ............................................................................185 Municipal Art Associations ..............................................................................192 Conclusion ..........................................................................................................193 Invention of Photography ............................................................................194 Documenting Current Events .........................................................................197 Social Reform .....................................................................................................201 Photography and Science ..................................................................................203 Portraiture ...........................................................................................................204 Landscape ............................................................................................................207 Travel ....................................................................................................................209 Photography as a Fine Art ................................................................................210 Pictorialism and New Technologies ................................................................216 Conclusion ..........................................................................................................217 Contrasting Responses to 1848........................................................................219 Urban Migration .................................................................................................222 Social Unrest .......................................................................................................224 Alcoholism ..........................................................................................................225 Female Suicide ....................................................................................................227 Middle-class Working Women .........................................................................230 Poor Working Women .......................................................................................232 Prostitution .........................................................................................................235 Documenting Work ...........................................................................................239 Idealized Labor ...................................................................................................240 Oppressed Workers ...........................................................................................243 Reforming the Poor ...........................................................................................244 Conclusion ..........................................................................................................246 Peasant Identity ..................................................................................................248 Peasant Imagery Before 1848...........................................................................249 Courbeťs Burial: More than Just a Funeral ....................................................250 Academically Acceptable Peasant Images ......................................................251 Powerful Peasants: Heroic or Threatening? ...................................................254 Pitiable Peasants .................................................................................................258 Idealized Peasants ..............................................................................................261 Grim Realities .....................................................................................................265 Conclusion ..........................................................................................................271 in tbe Academy The Importance <>t Titles .................................................................................273 History Fainting and Autobiography: Courbet .............................................276 The Situation of Women Artists .....................................................................279 Salon of 1863 and Salon des Refuses .............................................................280 Salon of 1865 .....................................................................................................286 Sculpture and Politics ........................................................................................290 Foreign Artists in Pans ......................................................................................293 Art Academies in Austria and the Cierman States ........................................294 Menzel and Academic Realism ........................................................................300 World s Fairs ........................................................................................................302 Conclusion ..........................................................................................................304 Truth ....................................................................................................................306 Haussmannization ..............................................................................................306 New Pans ............................................................................................................308 l /ànei/rs and Boiilerardiers....................................................................................310 I Experimentation .................................................................................................311 Old Paris ..............................................................................................................313 Bourgeois Leisure ..............................................................................................314 Cafe Society .........................................................................................................317 Suburban Industry .............................................................................................319 Suburban Leisure ...............................................................................................320 Natural and Acquired Identities ......................................................................323 Ciare Saint Lazare ...............................................................................................324 Seaside Resorts ...................................................................................................326 Beaches, Bathing, and Hygiene ........................................................................329 Cezanne and Postimpressionism .....................................................................333 The Macchiaioli ..................................................................................................336 Conclusion ..........................................................................................................337 Symbolist Precursors .........................................................................................340 Animate Nature ..................................................................................................344 Music ....................................................................................................................346 Music and Genius ..............................................................................................346 Rodin: Abstract Ideas in Human Form ..........................................................348 Pessimistic Withdrawal ......................................................................................352 Women: Angels or Whores? .............................................................................355 Imagination Out of Control ............................................................................356 Virgin Mothers ...................................................................................................357 Social Pessimism ................................................................................................358 Memory and Degeneration ..............................................................................360 Gauguin: Seeking but Never Finding ..............................................................362 Van Gogh: Iixpressing Nature .........................................................................365 Genius and Creativity ........................................................................................367 Bevond the Five Senses .....................................................................................369 Conclusion ..........................................................................................................370 Artists Colonies .................................................................................................372 Pont Aven ............................................................................................................372 Worpswede..........................................................................................................376 Skagen ..................................................................................................................378 Artist Organizations ..........................................................................................380 Society of Independent Artists ........................................................................381 TheNabis ............................................................................................................381 Rose + Croix .......................................................................................................385 Les XX .................................................................................................................385 National Identity ................................................................................................387 France: Monet s Cathedrals ..............................................................................388 Russia ...................................................................................................................390 Serbia ....................................................................................................................393 Poland ..................................................................................................................394 Finland .................................................................................................................397 Hungary ...............................................................................................................399 Conclusion ..........................................................................................................401 Epilogue: Looking Toward the Twentieth Century ...............................................................403 Glossary ..............................................................................................................................404 Bibliography ........................................................................................................................406 Index ..................................................................................................................................411
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discipline	Kunstgeschichte
edition	1. ed., 1. publ.
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spellingShingle	Facos, Michelle An introduction to nineteenth century art artists and the challenge of modernity Geschichte Art, Modern 19th century Art and society History 19th century Kunst (DE-588)4114333-4 gnd Gesellschaft (DE-588)4020588-5 gnd
subject_GND	(DE-588)4114333-4 (DE-588)4020588-5
title	An introduction to nineteenth century art artists and the challenge of modernity
title_alt	Introduction to 19th century art Artists and the challenge of modernity
title_auth	An introduction to nineteenth century art artists and the challenge of modernity
title_exact_search	An introduction to nineteenth century art artists and the challenge of modernity
title_full	An introduction to nineteenth century art artists and the challenge of modernity Michelle Facos
title_fullStr	An introduction to nineteenth century art artists and the challenge of modernity Michelle Facos
title_full_unstemmed	An introduction to nineteenth century art artists and the challenge of modernity Michelle Facos
title_short	An introduction to nineteenth century art
title_sort	an introduction to nineteenth century art artists and the challenge of modernity
title_sub	artists and the challenge of modernity
topic	Geschichte Art, Modern 19th century Art and society History 19th century Kunst (DE-588)4114333-4 gnd Gesellschaft (DE-588)4020588-5 gnd
topic_facet	Geschichte Art, Modern 19th century Art and society History 19th century Kunst Gesellschaft
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