Portraiture in early India: between transience and eternity
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Leiden [u.a.]
Brill
2011
|
| Schriftenreihe: | Handbook of Oriental studies. Section 2, South Asia
25 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024175763&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024175763&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XIX S., [24] Bl., 219 S. Ill. |
| ISBN: | 9789004207356 |
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Datensatz im Suchindex
| _version_ | 1819269844183285760 |
|---|---|
| adam_text | CONTENTS
Foreword
............................................................................................. xi
Acknowledgements
............................................................................ xiii
List of Figures
..................................................................................... xv
Plates
Abbreviations
..................................................................................... xxi
Introduction Portraiture, a Problematic Issue
........................... 1
Chapter One Identifying Portraits
............................................... 23
1.
Painted portraits
....................................................................... 23
2.
Portraits in the round and devotional portraiture
............. 31
2.1.
Life-size and free standing portraits
............................. 31
2.2.
Devotional portraiture
.................................................... 35
3.
Coins
.......................................................................................... 39
4.
Double-meaning images
......................................................... 41
5.
Naming the image
.................................................................... 46
Chapter Two Viddha I Aviddha. Different Kinds of Portraits
for Different Kinds of Purpose
................................................... 53
1.
Some study cases
...................................................................... 53
1.1.
Narasimha
Ganga
............................................................ 54
1.2.
Krşnadevarâya ..................................................................
55
1.3.
Rãjarãja
I
........................................................................... 57
1.4.
Jayavarman
VII ................................................................
58
2.
The likeness issue: textual evidence
...................................... 59
3.
Physiognomic portraits
........................................................... 65
3.1.
Portraiture and identity
.................................................. 65
3.2.
Portrait as a substitute
.................................................... 68
3.3.
The
Pratimãnãtaka
or the ambiguity of likeness
....... 72
4.
Typological portraits
............................................................... 76
5.
Portraiture as social and historical marker
......................... 80
Chapter Three Portraits, Worship and Divine Images
............ 85
1.
Portraits, commemoration and death
.................................. 85
2.
Portraiture and funerary and/or dynastic temples
............. 90
VIU
CONTENTS
2.1.
The
Pratimãnãtaka
.......................................................... 90
2.2.
Kusana
dynastic shrines
................................................. 91
2.3.
South Indian funerary temples
................................... 94
2.4.
Funerary temples in Southeast Asia
........................... 98
3.
Divine portrait, human portrait
............................................ 102
3.1.
Myths on the origin of images
...................................... 102
3.2.
Divine images as portraits
............................................. 105
3.3.
Ritual installation
(pratişţhâ)
of portraits
................... 109
4.
Portraiture and deification
..................................................... 112
Chapter Four The Origin of Portraiture and the
Representation of Heroes
............................................................. 119
1.
Portraiture in pre-and proto-historical times
..................... 119
2.
Portraiture in the Early-Historical period
(Maurya-Śuńga
times)
............................................................. 123
2.1.
Early human figures
........................................................ 123
2.2.
Portraits or
Yakşas?
......................................................... 124
2.2.1.
The issue: statues and the cult of
Yakşas
......... 124
2.2.2.
The debate:
Yakşa
or royal portrait?
................. 126
2.2.3.
The
Yakşa
in ancient literature
.......................... 128
2.2.4.
Back to the portrait interpretation?
.................. 131
2.2.5.
The case of Bharhut
............................................. 134
3.
Portraits and the first divine images at the beginning
of the era
(Kuşana
period)
..................................................... 136
3.1.
Stories on the origin of the images of Buddha
and Mahavira
.................................................................... 137
3.2.
The
Vrşni
Vïras
and the first representations
of
Krşna
............................................................................. 144
Chapter Five The Royal Portrait, Portrait Par Excellence?
...... 149
1.
The king as model
.................................................................... 150
1.1.
In normative treatises
..................................................... 150
1.2.
The king as visual source
................................................ 155
2.
Portraiture as political instrument
........................................ 158
2.1.
Diplomacy, propaganda and legitimization
................ 159
2.2.
Historical reliefs
............................................................... 161
3.
Allegorical portraits
................................................................. 164
3.1.
Allegorical portraits under the Guptas
........................ 164
3.2.
Allegorical portraits under the
Paliavas
....................... 168
CONTENTS
IX
3.3.
Portraiture and political metaphors
............................. 180
Appendix
Vaikunthaperumãl
Temple, Kanchipuram:
Iconography of the Surrounding Galleries
........................... 183
Concluding Remarks
......................................................................... 189
Bibliography
........................................................................................ 195
Index
.................................................................................................... 217
H SOUTH
ASIA
Edited by
J.
BRONKHORST
HdO
In the study ot Indian ait prior to the
Mugliai
period,
portraiture has so tar been much neglected, when its
existence has not simply been denied. This book is an
attempt to reassess this issue, by showing that portraits
have existed in great number
m
early India, since probably
the first artistic achievements. Through a close scrutiny
of sculpted and (more rarely) painted images brought
together with textual and epigraphical references, it aims
at highlighting the specificities or Indian portraiture.
its relationship with
divme
images and. consequently.
at understanding the development of Indian imagery.
It questions also the social and religious implications
related to this issue.
X ffi
U U
d o
о о
Vincent
Lefèvre.
Ph.
D
(2004)
in Indian Studies.
L
Diversité
Sorbonne
Nouvelle
Pans
3,
is curator.
formerly
Л
the
Musée
Guimet.
Paris, and now for the
Louvre Abu Dhabi project. He has published extensively
on Indian art and on Sanskrit normative texts.
|
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| author | Lefèvre, Vincent |
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| discipline | Kunstgeschichte Außereuropäische Sprachen und Literaturen Literaturwissenschaft |
| era | Geschichte 2100 v. Chr. - 1556 gnd |
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| language | English |
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| publisher | Brill |
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| series | Handbook of Oriental studies. Section 2, South Asia |
| series2 | Handbook of Oriental studies. Section 2, South Asia |
| spellingShingle | Lefèvre, Vincent Portraiture in early India between transience and eternity Handbook of Oriental studies. Section 2, South Asia Portraits, Indic Art and society India Bildnis (DE-588)4006627-7 gnd |
| subject_GND | (DE-588)4006627-7 (DE-588)4026722-2 |
| title | Portraiture in early India between transience and eternity |
| title_auth | Portraiture in early India between transience and eternity |
| title_exact_search | Portraiture in early India between transience and eternity |
| title_full | Portraiture in early India between transience and eternity by Vincent Lefèvre |
| title_fullStr | Portraiture in early India between transience and eternity by Vincent Lefèvre |
| title_full_unstemmed | Portraiture in early India between transience and eternity by Vincent Lefèvre |
| title_short | Portraiture in early India |
| title_sort | portraiture in early india between transience and eternity |
| title_sub | between transience and eternity |
| topic | Portraits, Indic Art and society India Bildnis (DE-588)4006627-7 gnd |
| topic_facet | Portraits, Indic Art and society India Bildnis Indien |
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