Identity and Christian-Muslim interaction: medieval art of the Syrian orthodox from the Mosul area
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Leuven [u.a.]
Peeters
2010
|
| Schriftenreihe: | Orientalia Lovaniensia analecta
198 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024026928&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XI, 591 S. Ill. 25 cm |
| ISBN: | 9789042923867 |
| ISSN: | 0085-4522 |
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Datensatz im Suchindex
| _version_ | 1819261577822470144 |
|---|---|
| adam_text | ORIENTALIÄ
LOVAMENSIA
ANALECTA
---------------19g---------------
IDENTITY AND
CHRISTIAN¬
MUSLIM
INTERACTION
Medieval Art of the Syrian Orthodox
from the Mosul Area
by
BAS SNELDERS
UITGEVERIJ
PEETERS en
DEPARTEMENT OOSTERSE
STUDIES
LEUVEN
-
PARIS
- WALPOLE,
MA
2010
TABLE
OF
CONTENTS
Preface
...................
I
1.
Context is Everything. Identifying Identity in the Art of the
Syrian Orthodox
............., . 5
1.1
The Study of Medieval Christian Art from
Ле
Middle East
5
1.2
Aim of the Present Research
.......... 10
1.3
Theoretical Framework
............ 12
1.3.1
Community and Communal Identity
. ..... 12
1.3.2
Ethnogenesis Theory
........... 18
1.3.3
Art and Identity
............ 20
1.3.4
Possible Identity Markers
......... 30
A) Iconography
............ 30
B) Style
............... 32
C) Inscriptions
............ 33
1.4
Delimitation of the Research Material
....... 36
1.5
Summary
................ 41
2.
The Syrian Orthodox in their Historical and Artistic Settings
. 43
2.1
Northern Mesopotamia and Mosul
........ 43
2.2
The Establishment of the Syrian Orthodox Church in
Northern Mesopotamia
............ 50
2.3
The Syrian Orthodox Church in the Mosul Area
.... 53
2.4
Deir Mar
Mattai
versus Takrit
.......... 62
2.5
The Syrian Renaissance
............ 67
2.6
Medieval Syrian Orthodox Church Decoration in Syria and
Lebanon
................. 73
A) Deir Mar
Мша
аІ
-Habashi
near Nebk» Syria
. . 75
B) Church of Mar Tadros in Bahdeidat, Lebanon
. 80
2.7
Artistic Developments in Northern Mesopotamia and
Related Areas
............... 83
2.7.1
A Common Christian-Muslim Visual Culture
. . . 86
2.7.2
Mixed Workshops and Christian-Muslim Collabora¬
tion
................ 90
2.7.3
Religious Convergence and Joint Christian-Muslim
Veneration
.............. 92
2.8
The Golden Age of Mosul
........... 99
Vili
TABLE OF CQOTENTS
3.
Metalwork: The Liturgical Fan from Deir al-Surian
.... 105
3.1
Introduction
................ 105
3.2
General Description
............. 107
3.3
Iconography and Style
............ 110
3.3.1
The Enthroned Virgin Hodegetria in Vatican Syr.
559
and British Library Add.
7170........ 112
3.3.2
The Enthroned Virgin Hodegetria at the Church of
the Virgin in Mosul
........... 115
3.3.3
The Enthroned Virgin Hodegetria on the Freer Canteen
116
3.3.4
Stylistic Analogies with a Group of Manuscripts
from Northern Mesopotamia
........ 119
3.3.5
A Comparison with Mosul Metalwork
..... 120
3.4
Language of the Inscriptions and Religious Background of
the Artist
................ 125
3.5
Cultural Contacts between Deir al-Surian and Mesopotamia
127
3.5.
1 Moses of Nisibis: Cultural Contacts in the Ninth and
Tenth Century
............. 129
3.5.2
Monks from Deir Mar
Mattai:
Cultural Contacts in
the Twelfth and Thirteenth Century
...... 138
3.6
Conclusion
................ 148
4.
Manuscript Illustration: Vatican Syr.
559
and British Library
Add.
7170................. 151
4.1
Introduction
............... 151
4.2
Illustrated Islamic Manuscripts and the Contribution of
Local Christians
.............. 154
4.3
General Description of Vat. Syr.
559
and BL Add.
7170 . 160
4.4
Style
.................. 164
4.4.1
General Observations
.......... 164
4.4.2
The Production of Illustrated Syrian Orthodox Manu¬
scripts during the Syrian Renaissance
..... 169
4.4.3
The Production of Vat Syr.
559
and BL Add.
7170 . 177
4.5
Iconography
............... 180
4.5.1
The Byzantine Contribution
........ 181
4.5.2
The Middle-Eastern Contribution
....... 183
4.6
Remarks about the
Iconographie Programme
of Vat Syr.
559.................. 187
4.6.1
Function and Practical Purposes
....... 190
4.6.2
Possible
Propagandistic
Intentions
...... 193
4.7
Questions of Identity
............. 195
TABLE
OF eONTEOTS IX
A) The Portraits of the Evangelists
...... 198
B) The Forty Martyrs of
Sebaste.
...... 199
C)
Four Monastic Saints
......... 203
D)
Constantine
and Helena
........ 207
4.8
Conclusion
...............,210
5.
Wall Painting: The Church of Mar Giworgis in Qaraqosh
. , 215
5.1
Introduction
............... 215
5.2
General Description
............. 216
5.2.1
Description of the Church and History of the Building
216
5.2.2
Description of the Wall Painting
....... 218
5.3
Iconography
............... 219
5.3.1
The Baptism of Christ
.......... 219
5.3.2
Frequently Recurring Subsidiary Figures
.... 224
5.3.3
Baptism and Resurrection of Christ
...... 225
5.3.4
An Accumulation of Resurrectional Symbolism
. . 231
5.3.5
Baptismal Themes in the Syrian Orthodox Tradition
236
5.4
Style
.................. 239
5.5
Wider Historical and Artistic Context
....... 243
5.6
Written Evidence for Medieval Wall Paintings in the
Syrian Orthodox Church
........... 246
A) Wall Paintings in Syrian Orthodox Churches in
Central Mesopotamia
......... 247
B) Wall Paintings at Deir Mar Barsauma near
Melitene
............. 249
C)
Wall Paintings at Deir Mar Yuhanon bar Naggare
nearBartelli
............ 250
5.7
Conclusion
................ 253
6.
Sculptural Decoration in a Monastic Context: Deir Mar Behnam
near Qaraqosh
................ 257
6.1
Introduction
............... 257
6.2
History of the Monastery: External and Internal Evidence
. 260
6.2.1
The Legend of Mar Behnam
........ 260
6.2.2
Historical Sources and Inscriptions
...... 273
6.3
Style
.................. 279
6.3.1
General Observations
.......... 279
6.3.2
Gates
................ 280
6.3.3
Niches
............... 283
6.3.4
Domes
............... 285
X TABLE OP
CONTENTS
6.3.5
Inscriptions
.............. 287
6.4
Iconography
............... 287
6.4J Animal Motifs
............. 288
A) Dragons
............. 289
B) lions
.............. 294
C) Bids
.............. 298
6.4.2
Human Figures and Narrative Scenes
..... 301
A) Equestrian Saints: Mar Behnam and St George
. 301
B) The First and Second Baptism of Mar B*hnam
. 305
C) Six Monastic Saints
..........
3Î0
D) St Peter and St Paul
.......... 318
E) Veneration of the Cross by Angels
..... 320
6.5
The
Iconographie
Programme and Its Meaning
.... 324
A) Victory of the Cross and the Triumph of
Christianity over its Enemies
....... 325
B) A
Genealogy of Syrian Orthodox Monasticism
in the Mosul Area
.......... 328
6.6
Conclusion
................ 333
7.
Sculptural Decoration in a Parish Context: The Church of
Mar Ahudemmeh in Mosul and the Church of Mart Shmuni
in Qaraqpsh
................. 337
7.1
Introduction
............... 337
7.1.1
The Architecture of Syrian Orthodox Churches in
the Mosul Area
............ 340
7.1.2
The Symbolic Meaning of Liturgical Space in the
Syrian Orthodox Tradition
......... 342
7.2
The Church of Mar Ahudemmeh in Mosul
...... 346
7.3
Style and Iconography of the Royal Gate at the Church of
Mar Ahudemmeh
.............. 347
7.3.1
The Cross-Legged Seated Prince Holding a Cop
. . 350
7.3.2
Mounted Falconers
........... 354
7.3.3
Lion s Head and Dragon-Tailed Lions
..... 359
7.3.4
Arabic Inscriptions
........... 360
7.4
The Church of Mart Shmuni in Qaraqosh
...... 362
7.5
Style and Iconography of the Royal Gate at the Church
of Mart Shmuni
.............. 363
7.5.
1 Style and
Originai
Appearance of the Royal Gate
. 363
7.5.2
Cult and Iconography of Mart Shmuni and Her Sons
366
7.5.3
The Cross-Legged Seated Prince Dominating Lions
369
TABLE
OF
CONTENTS
XI
7.5.4
Military
Attendants
........... 370
7.5.5
The Royal
Gate: Re-use, Specific Commission, or
Stock
Made?
............. 371
7.5.6
The Turkish Ruler and Ms Military Attendants: Sym¬
bols of Christ and Ms Heavenly Army?
..... 374
7.6
Conclusion
................ 377
8.
Inscriptions: Language and Dating Systems.
.,..,. 379
8.1
Introduction
............... 379
8.2
Language
................ 380
8.2.1
Deir al-Surian and Deir Mar
Musa
...... 380
8.2.2
Illustrated Syrian Orthodox Manuscripts
.... 392
8.2.3
Deir Mar Behnam and the Church of Mar Ahudem-
meh
................ 398
8.3
Dating Systems
.............. 403
8.4
Conclusion
................ 409
9.
Epilogue: Art as an Expression of Syrian Orthodox Identity?
. 413
9.1
Introduction
............... 413
9.2
The Profile and Character of Syrian Orthodox Art
. . . 413
9.2.1
Regionalism
............. 413
9.2.2
Artistic interaction and the Relationship between
Christian and Islamic Art
......... 415
9.2.3
Monastic Context versus Parish Context
.... 420
9.3
Identity in Word and Image: Future Avenues of Research
424
Figures and Plates
................ 431
Abbreviations
................. 513
Bibliography.
................. 515
List of Figures and Plates
............. 549
Appendices
.................. 553
Appendix A Description of Deir Mar Behnam
....... 553
Appendix
В
Twelfth- and Thirteenth-Century Inscriptions at Deb-
Mar Behnam
............. 563
Select Index
.................. 571
|
| any_adam_object | 1 |
| author | Snelders, Bas |
| author_facet | Snelders, Bas |
| author_role | aut |
| author_sort | Snelders, Bas |
| author_variant | b s bs |
| building | Verbundindex |
| bvnumber | BV038850120 |
| classification_rvk | LO 87150 |
| ctrlnum | (OCoLC)700287890 (DE-599)BVBBV038850120 |
| dewey-full | 200.9 |
| dewey-hundreds | 200 - Religion |
| dewey-ones | 200 - Religion |
| dewey-raw | 200.9 |
| dewey-search | 200.9 |
| dewey-sort | 3200.9 |
| dewey-tens | 200 - Religion |
| discipline | Kunstgeschichte Theologie / Religionswissenschaften |
| era | Geschichte 1100-1300 gnd Geschichte 1000-1300 gnd |
| era_facet | Geschichte 1100-1300 Geschichte 1000-1300 |
| format | Book |
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| genre | 1\p (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Naher Osten (DE-588)4068878-1 gnd Mosul Region (DE-588)4645545-0 gnd |
| geographic_facet | Naher Osten Mosul Region |
| id | DE-604.BV038850120 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T15:48:06Z |
| institution | BVB |
| isbn | 9789042923867 |
| issn | 0085-4522 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024026928 |
| oclc_num | 700287890 |
| open_access_boolean | |
| owner | DE-Y3 DE-Y2 DE-473 DE-BY-UBG |
| owner_facet | DE-Y3 DE-Y2 DE-473 DE-BY-UBG |
| physical | XI, 591 S. Ill. 25 cm |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Peeters |
| record_format | marc |
| series | Orientalia Lovaniensia analecta |
| series2 | Orientalia Lovaniensia analecta |
| spellingShingle | Snelders, Bas Identity and Christian-Muslim interaction medieval art of the Syrian orthodox from the Mosul area Orientalia Lovaniensia analecta Syrisch-Orthodoxe Kirche von Antiochien (DE-588)4028442-6 gnd Kunst (DE-588)4114333-4 gnd Bauplastik (DE-588)4004913-9 gnd Wandmalerei (DE-588)4064542-3 gnd Christliche Kunst (DE-588)4010109-5 gnd Buchmalerei (DE-588)4008650-1 gnd |
| subject_GND | (DE-588)4028442-6 (DE-588)4114333-4 (DE-588)4004913-9 (DE-588)4064542-3 (DE-588)4010109-5 (DE-588)4008650-1 (DE-588)4068878-1 (DE-588)4645545-0 (DE-588)4113937-9 |
| title | Identity and Christian-Muslim interaction medieval art of the Syrian orthodox from the Mosul area |
| title_auth | Identity and Christian-Muslim interaction medieval art of the Syrian orthodox from the Mosul area |
| title_exact_search | Identity and Christian-Muslim interaction medieval art of the Syrian orthodox from the Mosul area |
| title_full | Identity and Christian-Muslim interaction medieval art of the Syrian orthodox from the Mosul area by Bas Snelders |
| title_fullStr | Identity and Christian-Muslim interaction medieval art of the Syrian orthodox from the Mosul area by Bas Snelders |
| title_full_unstemmed | Identity and Christian-Muslim interaction medieval art of the Syrian orthodox from the Mosul area by Bas Snelders |
| title_short | Identity and Christian-Muslim interaction |
| title_sort | identity and christian muslim interaction medieval art of the syrian orthodox from the mosul area |
| title_sub | medieval art of the Syrian orthodox from the Mosul area |
| topic | Syrisch-Orthodoxe Kirche von Antiochien (DE-588)4028442-6 gnd Kunst (DE-588)4114333-4 gnd Bauplastik (DE-588)4004913-9 gnd Wandmalerei (DE-588)4064542-3 gnd Christliche Kunst (DE-588)4010109-5 gnd Buchmalerei (DE-588)4008650-1 gnd |
| topic_facet | Syrisch-Orthodoxe Kirche von Antiochien Kunst Bauplastik Wandmalerei Christliche Kunst Buchmalerei Naher Osten Mosul Region Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024026928&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000004770 |
| work_keys_str_mv | AT sneldersbas identityandchristianmusliminteractionmedievalartofthesyrianorthodoxfromthemosularea |