Availability: The eye of the connoisseur | Technische Universität München

The eye of the connoisseur: authenticating paintings by Rembrandt and his contemporaries

Saved in:

Bibliographic Details
Main Author:	Tummers, Anna 1974- (Author)
Format:	Book
Language:	English
Published:	Amsterdam Amsterdam Univ. Press 2011
Series:	Amsterdam Studies in the Dutch Golden Age
Subjects:	Rembrandt > Harmensz van Rijn > 1606-1669 Geschichte 1600-1700 Echtheit Malerei Kunstkennerschaft Authentizität Zuschreibung Niederlande
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022904880&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	349 S. zahlr. Ill.
ISBN:	9789089643216 9789048514250

Staff View

MARC


LEADER	00000nam a2200000 c 4500
001	BV037691347
003	DE-604
005	20120223
007	t\|
008	110607s2011 xx a\|\|\| \|\|\|\| 00\|\|\| eng d
020			\|a 9789089643216 \|9 978-90-8964-321-6
020			\|a 9789048514250 \|c EBook \|9 978-90-4851-425-0
035			\|a (OCoLC)710816293
035			\|a (DE-599)BVBBV037691347
040			\|a DE-604 \|b ger \|e rakwb
041	0		\|a eng
049			\|a DE-255 \|a DE-12 \|a DE-Y3
082	0		\|a 751.62 \|2 22
084			\|a LO 34230 \|0 (DE-625)103078: \|2 rvk
100	1		\|a Tummers, Anna \|d 1974- \|e Verfasser \|0 (DE-588)137540809 \|4 aut
245	1	0	\|a The eye of the connoisseur \|b authenticating paintings by Rembrandt and his contemporaries \|c Anna Tummers
264		1	\|a Amsterdam \|b Amsterdam Univ. Press \|c 2011
300			\|a 349 S. \|b zahlr. Ill.
336			\|b txt \|2 rdacontent
337			\|b n \|2 rdamedia
338			\|b nc \|2 rdacarrier
490	0		\|a Amsterdam Studies in the Dutch Golden Age
600	0	7	\|a Rembrandt \|c Harmensz van Rijn \|d 1606-1669 \|0 (DE-588)11859964X \|2 gnd \|9 rswk-swf
648		7	\|a Geschichte 1600-1700 \|2 gnd \|9 rswk-swf
650	0	7	\|a Echtheit \|0 (DE-588)4150998-5 \|2 gnd \|9 rswk-swf
650	0	7	\|a Malerei \|0 (DE-588)4037220-0 \|2 gnd \|9 rswk-swf
650	0	7	\|a Kunstkennerschaft \|0 (DE-588)4388531-7 \|2 gnd \|9 rswk-swf
650	0	7	\|a Authentizität \|0 (DE-588)4193985-2 \|2 gnd \|9 rswk-swf
650	0	7	\|a Zuschreibung \|0 (DE-588)4132036-0 \|2 gnd \|9 rswk-swf
651		7	\|a Niederlande \|0 (DE-588)4042203-3 \|2 gnd \|9 rswk-swf
689	0	0	\|a Niederlande \|0 (DE-588)4042203-3 \|D g
689	0	1	\|a Malerei \|0 (DE-588)4037220-0 \|D s
689	0	2	\|a Echtheit \|0 (DE-588)4150998-5 \|D s
689	0	3	\|a Zuschreibung \|0 (DE-588)4132036-0 \|D s
689	0	4	\|a Geschichte 1600-1700 \|A z
689	0		\|5 DE-604
689	1	0	\|a Niederlande \|0 (DE-588)4042203-3 \|D g
689	1	1	\|a Malerei \|0 (DE-588)4037220-0 \|D s
689	1	2	\|a Geschichte 1600-1700 \|A z
689	1	3	\|a Zuschreibung \|0 (DE-588)4132036-0 \|D s
689	1	4	\|a Kunstkennerschaft \|0 (DE-588)4388531-7 \|D s
689	1	5	\|a Authentizität \|0 (DE-588)4193985-2 \|D s
689	1		\|8 1\p \|5 DE-604
689	2	0	\|a Rembrandt \|c Harmensz van Rijn \|d 1606-1669 \|0 (DE-588)11859964X \|D p
689	2	1	\|a Malerei \|0 (DE-588)4037220-0 \|D s
689	2	2	\|a Zuschreibung \|0 (DE-588)4132036-0 \|D s
689	2	3	\|a Kunstkennerschaft \|0 (DE-588)4388531-7 \|D s
689	2	4	\|a Authentizität \|0 (DE-588)4193985-2 \|D s
689	2		\|8 2\p \|5 DE-604
856	4	2	\|m KUBIKAT Anreicherung \|q application/pdf \|u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022904880&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA \|3 Inhaltsverzeichnis
883	1		\|8 1\p \|a cgwrk \|d 20201028 \|q DE-101 \|u https://d-nb.info/provenance/plan#cgwrk
883	1		\|8 2\p \|a cgwrk \|d 20201028 \|q DE-101 \|u https://d-nb.info/provenance/plan#cgwrk
943	1		\|a oai:aleph.bib-bvb.de:BVB01-022904880

Record in the Search Index

_version_	1819293217011531776
adam_text	THE EYE OF THE CONNOISSEUR Authenticating Paintings by Rembrandt and His Contemporaries Anna Tummers Amsterdam University Press TABLE OF CONTENTS Introduction 13 Chapter ι Attributing Seventeenth-Century Dutch and Flemish Paintings: Developments since 1945 21 The Van Meegeren Scandal: A Turning Point 23 Two Types of Connoisseurs 30 Pictology and the Search for Objectivity 33 Rembrandt Research and the Integration of Scientific Techniques 39 Thinking without Thinking 50 An Ongoing Debate 53 A Glimpse of Seventeenth-Century Connoisseurship 58 Chapter 2 Original or Copy 61 A Crucial Distinction 63 Practical Methods to Distinguish Originals from Copies 67 Resolve versus Inhibition 67 Defining Originals 70 Non-Originals and Various Types of Copies 71 Parallels between Theory and Practice 73 The Reputation of the Copy 75 Chapter 3 By His Hand : The Paradox of Seventeenth-Century Connoisseurship 79 Introduction 81 The Debate: Autograph Pictures, the Holy Grail of Present-Day Connoisseurs? 83 The Master s Name and Its Implications 88 Distinctions in Seventeenth-Century Inventories and Notarial Documents 89 Master, Pupil or Retouched 90 Further Distinctions: A Preference for Autograph Pictures? 92 Quality Distinctions Reflected in the Signature 94 Seventeenth-Century Insights into the Attribution of Pictures 97 TABLE OF CONTENTS THE EYE OF THE CONNOISSEUR Chapter 4 Chapter 5 Chapter 6 Manner 98 The Paradox of Seventeenth-Century Connoisseurship 102 Masterly Passages 104 Beyond the Paradox 105 Collaborations 107 Without Changing His Manner : Seventeenth-Century Views on Style 113 Introduction 5 Style or Manner 116 Developing a Style 118 Style and Individual Character 122 Style: Artful or Artificial 127 Stylistic Changes Over Time 129 Alternating and Adjusting Styles 13З Style and Pricing 134 Style and Location 139 Style and Country HS Style and Subject 150 Style and Function 48 Variation and Virtuosity 161 The Painter Versus the Connoisseur. The Best Judge of Pictures in Seventeenth-Century Theory and Practice 163 Introduction 165 Painters and Art Experts ( Schilders en kunstverständigen ) 168 Ideal Judgments and Pretentious Comments 172 The Best Judge - the Painter? 75 The Best Judge - the Connoisseur? 176 Judging Pictures in Practice 179 The Essence of Seventeenth-Century Connoisseurship 181 The Riddle of Quality 183 Categories of Quality: Genres, Nations and Periods 187 Criteria of Quality 191 Painterly Topics and Motifs 191 Invention, Composition and Design 198 Color, Light and Brushwork 213 Expression 221 The Sum of the Parts 227 THE EYE OF THE CONNOISSEUR TABLE OF CONTENTS Epilogue A Disputed Rembrandt 235 Acknowledgments 251 Notes 253 Bibliography 299 Illustration Credits 331 Index 333
any_adam_object	1
author	Tummers, Anna 1974-
author_GND	(DE-588)137540809
author_facet	Tummers, Anna 1974-
author_role	aut
author_sort	Tummers, Anna 1974-
author_variant	a t at
building	Verbundindex
bvnumber	BV037691347
classification_rvk	LO 34230
ctrlnum	(OCoLC)710816293 (DE-599)BVBBV037691347
dewey-full	751.62
dewey-hundreds	700 - The arts
dewey-ones	751 - Techniques, equipment, materials & forms
dewey-raw	751.62
dewey-search	751.62
dewey-sort	3751.62
dewey-tens	750 - Painting and paintings
discipline	Kunstgeschichte
era	Geschichte 1600-1700 gnd
era_facet	Geschichte 1600-1700
format	Book
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02826nam a2200661 c 4500</leader><controlfield tag="001">BV037691347</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20120223 </controlfield><controlfield tag="007">t\|</controlfield><controlfield tag="008">110607s2011 xx a\|\|\| \|\|\|\| 00\|\|\| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789089643216</subfield><subfield code="9">978-90-8964-321-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048514250</subfield><subfield code="c">EBook</subfield><subfield code="9">978-90-4851-425-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)710816293</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV037691347</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">751.62</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 34230</subfield><subfield code="0">(DE-625)103078:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tummers, Anna</subfield><subfield code="d">1974-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)137540809</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The eye of the connoisseur</subfield><subfield code="b">authenticating paintings by Rembrandt and his contemporaries</subfield><subfield code="c">Anna Tummers</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam Univ. Press</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">349 S.</subfield><subfield code="b">zahlr. Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Amsterdam Studies in the Dutch Golden Age</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Rembrandt</subfield><subfield code="c">Harmensz van Rijn</subfield><subfield code="d">1606-1669</subfield><subfield code="0">(DE-588)11859964X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Echtheit</subfield><subfield code="0">(DE-588)4150998-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstkennerschaft</subfield><subfield code="0">(DE-588)4388531-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Authentizität</subfield><subfield code="0">(DE-588)4193985-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zuschreibung</subfield><subfield code="0">(DE-588)4132036-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Echtheit</subfield><subfield code="0">(DE-588)4150998-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Zuschreibung</subfield><subfield code="0">(DE-588)4132036-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1600-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1600-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Zuschreibung</subfield><subfield code="0">(DE-588)4132036-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Kunstkennerschaft</subfield><subfield code="0">(DE-588)4388531-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="5"><subfield code="a">Authentizität</subfield><subfield code="0">(DE-588)4193985-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Rembrandt</subfield><subfield code="c">Harmensz van Rijn</subfield><subfield code="d">1606-1669</subfield><subfield code="0">(DE-588)11859964X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Zuschreibung</subfield><subfield code="0">(DE-588)4132036-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Kunstkennerschaft</subfield><subfield code="0">(DE-588)4388531-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="4"><subfield code="a">Authentizität</subfield><subfield code="0">(DE-588)4193985-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">KUBIKAT Anreicherung</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022904880&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-022904880</subfield></datafield></record></collection>
geographic	Niederlande (DE-588)4042203-3 gnd
geographic_facet	Niederlande
id	DE-604.BV037691347
illustrated	Illustrated
indexdate	2024-12-20T15:23:59Z
institution	BVB
isbn	9789089643216 9789048514250
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-022904880
oclc_num	710816293
open_access_boolean
owner	DE-255 DE-12 DE-Y3
owner_facet	DE-255 DE-12 DE-Y3
physical	349 S. zahlr. Ill.
publishDate	2011
publishDateSearch	2011
publishDateSort	2011
publisher	Amsterdam Univ. Press
record_format	marc
series2	Amsterdam Studies in the Dutch Golden Age
spellingShingle	Tummers, Anna 1974- The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Echtheit (DE-588)4150998-5 gnd Malerei (DE-588)4037220-0 gnd Kunstkennerschaft (DE-588)4388531-7 gnd Authentizität (DE-588)4193985-2 gnd Zuschreibung (DE-588)4132036-0 gnd
subject_GND	(DE-588)11859964X (DE-588)4150998-5 (DE-588)4037220-0 (DE-588)4388531-7 (DE-588)4193985-2 (DE-588)4132036-0 (DE-588)4042203-3
title	The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries
title_auth	The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries
title_exact_search	The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries
title_full	The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries Anna Tummers
title_fullStr	The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries Anna Tummers
title_full_unstemmed	The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries Anna Tummers
title_short	The eye of the connoisseur
title_sort	the eye of the connoisseur authenticating paintings by rembrandt and his contemporaries
title_sub	authenticating paintings by Rembrandt and his contemporaries
topic	Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Echtheit (DE-588)4150998-5 gnd Malerei (DE-588)4037220-0 gnd Kunstkennerschaft (DE-588)4388531-7 gnd Authentizität (DE-588)4193985-2 gnd Zuschreibung (DE-588)4132036-0 gnd
topic_facet	Rembrandt Harmensz van Rijn 1606-1669 Echtheit Malerei Kunstkennerschaft Authentizität Zuschreibung Niederlande
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022904880&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT tummersanna theeyeoftheconnoisseurauthenticatingpaintingsbyrembrandtandhiscontemporaries

Availability

‌

Order via interlibrary loan Table of Contents