The eye of the connoisseur: authenticating paintings by Rembrandt and his contemporaries
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam
Amsterdam Univ. Press
2011
|
| Schriftenreihe: | Amsterdam Studies in the Dutch Golden Age
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022904880&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 349 S. zahlr. Ill. |
| ISBN: | 9789089643216 9789048514250 |
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Datensatz im Suchindex
| _version_ | 1819293217011531776 |
|---|---|
| adam_text | THE EYE OF THE CONNOISSEUR
Authenticating Paintings by
Rembrandt and His Contemporaries
Anna Tummers
Amsterdam University Press
TABLE
OF
CONTENTS
Introduction
13
Chapter
ι
Attributing Seventeenth-Century Dutch and Flemish Paintings:
Developments since
1945 21
The Van
Meegeren
Scandal: A Turning Point
23
Two Types of Connoisseurs
30
Pictology and the Search for Objectivity
33
Rembrandt Research and the Integration of Scientific Techniques
39
Thinking without Thinking
50
An Ongoing Debate
53
A Glimpse of Seventeenth-Century Connoisseurship
58
Chapter
2
Original or Copy
61
A Crucial Distinction
63
Practical Methods to Distinguish Originals from Copies
67
Resolve versus Inhibition
67
Defining Originals
70
Non-Originals and Various Types of Copies
71
Parallels between Theory and Practice
73
The Reputation of the Copy
75
Chapter
3
By His Hand : The Paradox of Seventeenth-Century Connoisseurship
79
Introduction
81
The Debate: Autograph Pictures, the Holy Grail of
Present-Day Connoisseurs?
83
The Master s Name and Its Implications
88
Distinctions in Seventeenth-Century Inventories and Notarial Documents
89
Master, Pupil or Retouched
90
Further Distinctions: A Preference for Autograph Pictures?
92
Quality Distinctions Reflected in the Signature
94
Seventeenth-Century Insights into the Attribution of Pictures
97
TABLE
OF
CONTENTS
THE EYE OF THE CONNOISSEUR
Chapter
4
Chapter
5
Chapter
6
Manner
98
The Paradox of Seventeenth-Century Connoisseurship
102
Masterly Passages
104
Beyond the Paradox
105
Collaborations
107
Without Changing His Manner : Seventeenth-Century Views on Style
113
Introduction
5
Style or Manner
116
Developing a Style
118
Style and Individual Character
122
Style: Artful or Artificial
127
Stylistic Changes Over Time
129
Alternating and Adjusting Styles
13З
Style and Pricing
134
Style and Location
139
Style and Country
HS
Style and Subject
150
Style and Function
48
Variation and Virtuosity
161
The Painter Versus the Connoisseur. The Best Judge of Pictures
in Seventeenth-Century Theory and Practice
163
Introduction
165
Painters and Art Experts
( Schilders en
kunstverständigen )
168
Ideal Judgments and Pretentious Comments
172
The Best Judge
-
the Painter?
75
The Best Judge
-
the Connoisseur?
176
Judging Pictures in Practice
179
The Essence of Seventeenth-Century Connoisseurship
181
The Riddle of Quality
183
Categories of Quality: Genres, Nations and Periods
187
Criteria of Quality
191
Painterly Topics and Motifs
191
Invention, Composition and Design
198
Color, Light and Brushwork
213
Expression
221
The Sum of the Parts
227
THE EYE OF THE CONNOISSEUR TABLE OF CONTENTS
Epilogue A Disputed Rembrandt
235
Acknowledgments
251
Notes
253
Bibliography
299
Illustration Credits
331
Index
333
|
| any_adam_object | 1 |
| author | Tummers, Anna 1974- |
| author_GND | (DE-588)137540809 |
| author_facet | Tummers, Anna 1974- |
| author_role | aut |
| author_sort | Tummers, Anna 1974- |
| author_variant | a t at |
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| bvnumber | BV037691347 |
| classification_rvk | LO 34230 |
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| dewey-full | 751.62 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 751 - Techniques, equipment, materials & forms |
| dewey-raw | 751.62 |
| dewey-search | 751.62 |
| dewey-sort | 3751.62 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Book |
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| indexdate | 2024-12-20T15:23:59Z |
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| spellingShingle | Tummers, Anna 1974- The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Echtheit (DE-588)4150998-5 gnd Malerei (DE-588)4037220-0 gnd Kunstkennerschaft (DE-588)4388531-7 gnd Authentizität (DE-588)4193985-2 gnd Zuschreibung (DE-588)4132036-0 gnd |
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| title | The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries |
| title_auth | The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries |
| title_exact_search | The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries |
| title_full | The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries Anna Tummers |
| title_fullStr | The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries Anna Tummers |
| title_full_unstemmed | The eye of the connoisseur authenticating paintings by Rembrandt and his contemporaries Anna Tummers |
| title_short | The eye of the connoisseur |
| title_sort | the eye of the connoisseur authenticating paintings by rembrandt and his contemporaries |
| title_sub | authenticating paintings by Rembrandt and his contemporaries |
| topic | Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Echtheit (DE-588)4150998-5 gnd Malerei (DE-588)4037220-0 gnd Kunstkennerschaft (DE-588)4388531-7 gnd Authentizität (DE-588)4193985-2 gnd Zuschreibung (DE-588)4132036-0 gnd |
| topic_facet | Rembrandt Harmensz van Rijn 1606-1669 Echtheit Malerei Kunstkennerschaft Authentizität Zuschreibung Niederlande |
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