De-canonizing music history:
Gespeichert in:
| Weitere beteiligte Personen: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Newcastle
Cambridge Scholars Publ.
2009
|
| Ausgabe: | 1. publ. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022475173&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XIII, 199 S. Ill., Notenbeisp. |
| ISBN: | 9781443813914 1443813915 |
Internformat
MARC
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| 245 | 1 | 0 | |a De-canonizing music history |c ed. by Vesa Kurkela and Lauri Väkevä |
| 250 | |a 1. publ. | ||
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Datensatz im Suchindex
| _version_ | 1819382021379588096 |
|---|---|
| adam_text | Table of Contents
Introduction
...............................................................................................
vii
Part I: Re-locating Art and Popular in Music
Chapter One
.................................................................................................3
The Popular Music Revolution in the Nineteenth Century:
A Third Type of Music Arises
Derek B. Scott
Chapter Two
..............................................................................................21
Stepping Down from the Pedestal:
Arnold
Schoenberg
and Popular Music
Alexander Carpenter
Chapter Three
............................................................................................37
A New Master Narrative of Western Musical History:
An American Perspective
Christopher Wilkinson
Part II: Re-reading the Jazz Canon
Chapter Four
..............................................................................................51
Defy(n)ing Categorization:
Moving Beyond the Jazz History Canon
Sonya Lawson
Chapter Five
..............................................................................................61
Remaking Jazz History
Pekka
Gronow
Chapter Six
................................................................................................73
Lots O Papa:
Nat Towles and His Dance Orchestra
Kevin Fullerton
vi
Table of
Contents
Chapter Seven
............................................................................................83
No One Had Ever Heard a Guitar Played Like That Before:
The Redefinition of the Jazz Aesthetic in the Work of Post
1970
s
Electric Guitarist Composers
Paul Can-
Part
Ш:
Re-visioning Rock Discourses
Chapter Eight
.............................................................................................97
Full-grown from the Head of Jupiter ?
Lay Discourses and Italian Progressive Rock
Chris
Anderton
Chapter Nine
............................................................................................113
Beatles For Sale:
Beatle Storytelling and Narrative as Industrialised History
Holly Tessler
Chapter Ten
.............................................................................................127
Comeback:
Reunions of Music Groups as a Memory Industry
Janne Mäkelä
Part IV: Re-reading History in Music Education
Chapter Eleven
........................................................................................141
Ethnomusicology, Feminism, Music Education:
Telling Untold Tales
Roberta Lamb
Chapter Twelve
.......................................................................................163
Rethinking the Historiography of Hybrid Genres in Music Education
David G.
Hebert
Contributors
.............................................................................................185
Index
........................................................................................................187
|
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| bvnumber | BV037320979 |
| classification_rvk | LR 56800 |
| ctrlnum | (OCoLC)729954437 (DE-599)OBVAC08317701 |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV037320979 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T15:14:29Z |
| institution | BVB |
| isbn | 9781443813914 1443813915 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022475173 |
| oclc_num | 729954437 |
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| physical | XIII, 199 S. Ill., Notenbeisp. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Cambridge Scholars Publ. |
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| spellingShingle | De-canonizing music history Musikerziehung (DE-588)4040843-7 gnd Jazz (DE-588)4028532-7 gnd Musikgeschichtsschreibung (DE-588)4139339-9 gnd Musikwissenschaft (DE-588)4130526-7 gnd |
| subject_GND | (DE-588)4040843-7 (DE-588)4028532-7 (DE-588)4139339-9 (DE-588)4130526-7 (DE-588)4143413-4 |
| title | De-canonizing music history |
| title_auth | De-canonizing music history |
| title_exact_search | De-canonizing music history |
| title_full | De-canonizing music history ed. by Vesa Kurkela and Lauri Väkevä |
| title_fullStr | De-canonizing music history ed. by Vesa Kurkela and Lauri Väkevä |
| title_full_unstemmed | De-canonizing music history ed. by Vesa Kurkela and Lauri Väkevä |
| title_short | De-canonizing music history |
| title_sort | de canonizing music history |
| topic | Musikerziehung (DE-588)4040843-7 gnd Jazz (DE-588)4028532-7 gnd Musikgeschichtsschreibung (DE-588)4139339-9 gnd Musikwissenschaft (DE-588)4130526-7 gnd |
| topic_facet | Musikerziehung Jazz Musikgeschichtsschreibung Musikwissenschaft Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022475173&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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