All the same the words don't go away: essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Boston
Academic Studies Press
2011
|
| Schriftenreihe: | Studies in Russian and Slavic literatures, cultures and history
Ars Rossica |
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9781618118479 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022470605&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022470605&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Erscheint auch als Open Access bei De Gruyter |
| Umfang: | XXVI, 422 S. Ill. |
| ISBN: | 9781934843819 |
| DOI: | 10.1515/9781618118479 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
Preface
Great Art Should Slow Us Down: Participative Thinking in the World
and as the World of Caryl Emerson. By David Bethea
......
I ON MIKHAIL BAKHTIN
(Dialogue, Carnival, the Bakhtin Wars)
1.
Polyphony and the Carnivalesque: Introducing the Terms
...... 3
Polyphony, Dialogism, Dostoevsky
(1997)................ 3
Carnival: Open-Ended Bodies and Anachronistic Histories
(1997) ..... 30
2.
The Early Philosophical Essays
................... 42
Bakhtin at
100:
Looking Back at the Very Early Years
(1995)........ 42
3.
Coming to Terms with Carnival
................... 53
Coming to Terms with Bakhtin s Carnival: Ancient, Modern,
sub Specie Aeternitatis
(2002)..................... 53
4.
Gašparov
and Bakhtin
....................... 74
Twenty-Five Years Later:
Gašparov
on Bakhtin
(2006) .......... 74
II ON THE MASTER WORKERS
(Pushkin, Dostoevsky, Tolstoy)
5.
Four Pushkin Biographies
...................... 99
Our Everything
(2004) ........................ 99
6.
Pushkin s
Tatiana
.......................... 132
Tatiana
(1995)............................ 133
Postscript to
Tatiana :
the Reaction from Tambovsk, Pskov, Novosibirsk
(1997) ......... 154
7.
Pushkin s Boris Godunov
...................... 162
Boris Godunov: Tragedy, Comedy, Carnival,
and History on Stage
(2006)...................... 163
Postscript on Pushkin s Boris Godunov
(2010) .............. 189
8.
George
Steiner
on Tolstoy or Dostoevsky
.............. 192
Tolstoy and Dostoevsky. Seductions of the Old Criticism
(1994)...... 192
9.
Tolstoy and Dostoevsky on Evil-Doing
............... 215
Dostoevsky versus Tolstoy on Evil-Doers
and the Art of the Novel
(2001) .................... 215
Postscript to Tolstoy and Dostoevsky on Evil-Doing
(2010) ....... 222
10.
Kundera on
Not Liking Dostoevsky
................. 223
Milan
Kundera on
Not Liking Dostoevsky
(2002)............. 223
ll.Parini on Tolstoy, with a Postscript on Tolstoy, Shakespeare,
and the Performing Arts
...................... 235
Review of Jay Parini s The Last Station:
A Novel of Tolstoy s Last Year
(1990)................... 235
Postscript to Parini and Hoffman,
2010:
Some Thoughts on Tolstoy in the Performance Mode,
with a Digression on Tolstoy and Shakespeare
(2010)........... 240
12.
Chekhov and the Annas
....................... 249
Chekhov and the Annas
(1997)..................... 249
HI MUSICALIZING THE LITERARY CLASSICS
(Musorgsky, Tchaikovsky, Shostakovich, Prokofiev)
13.
Foreword to Richard Taruskin s Essays on Musorgsky
........ 263
Excerpts from the Foreword to Richard Taruskin,
Musorgsky: Eight Essays and an Epilogue
(1993).............. 263
14.
From Boris Godunov to Khovanshchina
............. 269
Musorgsky s Libretti on Historical Themes:
From the Two Borises to Khovanshchina
(1988) .............. 269
15.Tumanov on Maria Olenina-d Alheim
................ 301
Review of Alexander Tumanov s
The Life and Artistry ofMaria Olenina-d Alheim
(2002)........... 299
16.
Tchaikovsky s
Tatiana
........................ 304
Tchaikovsky s
Tatiana
(1997) ..................... 304
Tchaikovsky s Eugene Onegin: the Women and their Worlds
(2001)..... 308
17.
Little Operas to Pushkin s Little Tragedies
.............. 313
Little Tragedies, Little Operas
(2003).................. 313
18.
Playbill to Prokofiev s War and Peace at the Met
.......... 337
The Endurance of War, the Deceptions of Peace:
Prokofiev s Operatic Masterpiece
(2002) ................ 337
19.
Shostakovich s Lady Macbeth of Mtsensk
............. 342
Shostakovich and the Russian Literary Tradition
(2004)......... 342
20.
Princeton University s Boris Godunov
................ 362
Editor s Introduction:
Princeton s Boris Godunov,
1936/2007 (2007) .............. 363
Editor s Postscript to Actors Testimonials
(2007) ............ 369
Afterword: The Fate of the Jubilee Pushkin
on the Stalinist Musical-Dramatic Stage
(2007) ............. 372
21.
Eugene Onegin on the Stalinist Stage
............... 378
Sigizmund Krzhizhanovsky
(1887-1950)
Bio-bibliographical sketch
(2010).................... 379
The Krzhizhanovsky-Prokofiev Collaboration on Eugene Onegin,
1936
(A Lesser-Known Casualty of the Pushkin Death Jubilee)
(2008) . . . 391
In Conclusion
............................. 416
Index
................................. 418
All the Same the Words Don t Go Away
brings together twenty-five years of es¬
says and reviews, linked loosely by three
themes. First is the creative potential in¬
herent in transposing classic literary texts
into other genres or media (operatic, dra¬
matic) and the responsibilities, if any, that
govern the
transposer,
audience, and crit¬
ic. The practice of transposition, however,
gives rise to a creative conflict: is there a
limit to the amount of ornamentation,
pressure, or dilution to which the mediat¬
ed word can be subject? Finally, the more
polemical of the essays included here are
structured on the Bakhtinian notion of co¬
existing plausibilities and points of view.
What a carnival approach can uncover in
Pushkin that might have surprised and
even pleased the poet, what a libretto or
play script brings out that the true origi¬
nal hides: here the work of the creator
and the critic co-exist in exhilarating ways
that respect the competencies of each.
|
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| spellingShingle | Emerson, Caryl 1944- All the same the words don't go away essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition Russian literature History and criticism Russian literature Adaptations History and criticism |
| title | All the same the words don't go away essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition |
| title_auth | All the same the words don't go away essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition |
| title_exact_search | All the same the words don't go away essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition |
| title_full | All the same the words don't go away essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition Caryl Emerson |
| title_fullStr | All the same the words don't go away essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition Caryl Emerson |
| title_full_unstemmed | All the same the words don't go away essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition Caryl Emerson |
| title_short | All the same the words don't go away |
| title_sort | all the same the words don t go away essays on authors heroes aesthetics and stage adaptations from the russian tradition |
| title_sub | essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition |
| topic | Russian literature History and criticism Russian literature Adaptations History and criticism |
| topic_facet | Russian literature History and criticism Russian literature Adaptations History and criticism |
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