Sound and sense: music and musical metaphor in the thought and writing of Goethe and his age
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford [u.a.]
Lang
2011
|
| Schriftenreihe: | Britische und irische Studien zur deutschen Sprache und Literatur
46 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021113301&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021113301&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Literaturverz. S. [473] - 487 |
| Umfang: | XV, 511 S. Ill. |
| ISBN: | 9783034302371 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1819248084069122048 |
|---|---|
| adam_text | Contents
List of Illustrations
xi
Preface
xiii
Introduction
ι
part one Traditional Conceptions of Music
47
CHAPTER ONE
Music as Harmony i): Music as Order and Form
31
The Greek tradition
(51);
Eighteenth-century developments of the
traditional metaphor of harmony
(58);
Goethe s reception and
development of the traditional concept of harmony
(61);
Goethe s Faust
(64)
CHAPTER TWO
A Negative Metaphor of Harmony: Music as Disharmony,
Discord, Dissonance
77
Disharmony, discord, dissonance
(78);
French and Italian thought:
Disharmony as part of the cosmic order
(8$);
Reception of these changes
in German representations of disharmony within cosmic disorder
(91);
Schiller and Goethe
(94)
CHAPTER THREE
A Negative Metaphor of Language: Music as Irrational,
Music as Voice of Feeling
і о з
Plato and Aristotle
(107);
Eighteenth-century development of this
inheritance
(116);
Effects of music on the body: French and Italian
thought
(119);
Music can damage your health
(112);
Rationality restored
-
if possible
(12.4);
Music restored
-
as the voice of feeling (Rousseau and
Herder)
(130);
Goethe s reception of these conceptual metaphors
(136);
Goethe s development of these metaphors in the Rousseau/Herder
mode
(140); Goethes
development of these metaphors beyond
Rousseau and Herder
(144);
Goethe: Music and the undermining of
thought and language
(147)
CHAPTER FOUR
A Further Negative Metaphor of Language:
Music as Sub- and Superhuman, Music and the Daemonic
153
The perpetuation of these metaphors in Shakespeare
(157);
The reception
and development of these metaphors in eighteenth-century Germany
(159);
Music as medium of metamorphosis and change
(163);
Music as
manifestation of the daemonic:
Goethes
development of this
entailment
(168);
Daemons, demons and humans
(172)
Traditional Conceptions of Music, Reviewed
180
part two Conceptions of the Structure of Music
and Their Influence on Musical Metaphor
183
CHAPTER FIVE
Music as Based on Mathematical Relations
189
Signs as analogues
(190);
Mathematical ratios in the cosmos and in
music
(192.);
Harmonics, acoustics and measuring the world
(196);
Mathematics as a disadvantaged discourse in a harmony of
Vorstellungsarten (2.03);
Mathematics and mathematicians in the
cosmos
(210)
Makarie and friends
(212);
Goethe s Tonlehre
(217)
CHAPTER SIX
Music as Based on Rhythm
2.2.1
Rhythm, the body and dance: Descartes and Mattheson
(12e);
Rhythm,
metre and pitch variation
(229);
Herder and rhythmic sequence in life
and art
(230);
Herder, Schiller and
Maas (233);
Goethe: The rhythm of
life and the dance of ideas
(238);
Rhythm as medium, theme and sequence
for depiction of a way of living
(244);
Herder s
schöne Folge
as structural
principle in
Wanderjahre
and Faust
(249);
Rhythm and repetition as
metaphors for ways of living: Faust
(252)
part three Conceptions of Music and Language: Renewed
Metaphorical Potential from Interactive Domains
265
CHAPTER SEVEN
Enhanced Communication i): Music and Language as Similar
277
Rousseau: Music, rhetoric and human utterance
(278);
Herder and
the timbre of musical sound:
Melodie
des Herzens
(г8о);
Music and
language equated in melody, as expression of (middle class) feeling
(284);
Klopstock and Rousseau: Song as sonorous special utterance in
literature
(290);
Goethe and amateur music-making
(2.93);
Goethe:
Simple song and sophisticated writing
(295);
Goethe: Fresh impetus
from Italy, song as
wechselrede (304);
Goethe: special utterance in
an ambiguous medium
(309)
CHAPTER EIGHT
Enhanced Communication ii): Music as Contrast and
Complement to Language
313
Music as needing the help of language
(314);
Music as having qualities
complementary to language
(316);
A range of Romantic views: Music
as superior to language, music as other-worldly medium
(32.0);
Other
Romantic views which connect with eighteenth-century thought:
Music goes where language fears to tread
(324);
The origins of language
and music as origins of articulated sound: Rousseau, Herder and
Schiller
(327);
The development of a manifold language for writing:
i) Sound, silence and rhetoric
(330);
A manifold language :
ii) Klopstock
(333);
A manifold language :
iii)
Music
+
language
+
dance
=
broadband communication
(335);
Goethe: Language, sound,
silence
-
and sense
(339);
Goethe, manifold language : Living sense in
living formulation
(345);
The perils of manifold language : Confusion,
contradiction and signifying nothing
(356);
Music as element
(359);
Music as mediator between language and extremes of experience
(362)
part four The Synthesis of These Conceptions of Music
365
CHAPTER NINE
Music as Harmony ii): Music as All-Encompassing Dynamic Whole
369
Leibniz and the structure of harmonious wholeness: Simultaneous and
sequential connections
(376);
The living cosmos and its dynamic units:
a chain of being and a non-Darwinian evolution
(378);
Shaftesbury s
relocation of the human individual to the heart of the harmonious
cosmos
(384);
Man as beholder, laudator and creator of cosmic harmony
in Nature: The human voice becomes part of cosmic polyphony
(386);
Cosmic harmony and science
(391);
Cosmic harmony, science and the
future of Man
(396)
CHAPTER TEN
Music as Harmony
iii):
Harmony as Sequence,
Melodie
[...]
in
ihrem weiten Inbegrif 403
Goethe s sequences
(408);
Harmonious sequences and ideal endings:
i)
Novelle (411);
Harmonious sequences and ideal endings:
ü) Grablegung, Bergschluchten (416);
Harmonious sequence and the
end of metaphor
(430)
Conclusion
443
Bibliography
473
Index
489
Index of Goethe s Works
509
Index of Herders Works
513
Index of Schiller s Works
515
This study focuses on beliefs about music current in
eighteenth-century Germany. Of particular interest are
the conceptual metaphors through which major writers
(Goethe, Schiller, Herder and Klopstock) used music as
analogy and medium for perceptions of the world in their
writing. The book surveys traditional metaphors (music
as harmony/disharmony, music as like/unlike language,
music as structured by mathematical proportion or by
rhythm) inherited from Greek and French thought and
looks at ways in which these writers also assimilated and
developed contemporary ideas (especially from Leibniz,
the French Rationalists,
Rameau
and Rousseau). German
writers of this epoch had a remarkably rich and varied
range of ideas of music at their disposal, some of which
could also be realised in multi-media genres. With the help
of
moder
η
theory from several fields, the study aims to show
how they deployed these resources in ways both like and
unlike the practice of Romantic writers with whom they
overlapped at the end of the century.
|
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| id | DE-604.BV037199024 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T14:46:27Z |
| institution | BVB |
| isbn | 9783034302371 |
| language | English |
| lccn | 2010044926 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-021113301 |
| oclc_num | 706994685 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-703 DE-384 DE-22 DE-BY-UBG DE-188 |
| owner_facet | DE-12 DE-11 DE-703 DE-384 DE-22 DE-BY-UBG DE-188 |
| physical | XV, 511 S. Ill. |
| psigel | DHB_JDG_ISBN_1 |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Lang |
| record_format | marc |
| series | Britische und irische Studien zur deutschen Sprache und Literatur |
| series2 | Britische und irische Studien zur deutschen Sprache und Literatur |
| spellingShingle | Tudor, Jo M. Sound and sense music and musical metaphor in the thought and writing of Goethe and his age Britische und irische Studien zur deutschen Sprache und Literatur Goethe, Johann Wolfgang von 1749-1832 Faust (DE-588)4128140-8 gnd Goethe, Johann Wolfgang von 1749-1832 (DE-588)118540238 gnd Geschichte Musik Music Philosophy and aesthetics History 18th century Musikästhetik (DE-588)4040808-5 gnd Musik Motiv (DE-588)4114652-9 gnd Musikphilosophie (DE-588)4123809-6 gnd Musikanschauung (DE-588)4170810-6 gnd |
| subject_GND | (DE-588)4128140-8 (DE-588)118540238 (DE-588)4040808-5 (DE-588)4114652-9 (DE-588)4123809-6 (DE-588)4170810-6 |
| title | Sound and sense music and musical metaphor in the thought and writing of Goethe and his age |
| title_auth | Sound and sense music and musical metaphor in the thought and writing of Goethe and his age |
| title_exact_search | Sound and sense music and musical metaphor in the thought and writing of Goethe and his age |
| title_full | Sound and sense music and musical metaphor in the thought and writing of Goethe and his age J. M. Tudor |
| title_fullStr | Sound and sense music and musical metaphor in the thought and writing of Goethe and his age J. M. Tudor |
| title_full_unstemmed | Sound and sense music and musical metaphor in the thought and writing of Goethe and his age J. M. Tudor |
| title_short | Sound and sense |
| title_sort | sound and sense music and musical metaphor in the thought and writing of goethe and his age |
| title_sub | music and musical metaphor in the thought and writing of Goethe and his age |
| topic | Goethe, Johann Wolfgang von 1749-1832 Faust (DE-588)4128140-8 gnd Goethe, Johann Wolfgang von 1749-1832 (DE-588)118540238 gnd Geschichte Musik Music Philosophy and aesthetics History 18th century Musikästhetik (DE-588)4040808-5 gnd Musik Motiv (DE-588)4114652-9 gnd Musikphilosophie (DE-588)4123809-6 gnd Musikanschauung (DE-588)4170810-6 gnd |
| topic_facet | Goethe, Johann Wolfgang von 1749-1832 Faust Goethe, Johann Wolfgang von 1749-1832 Geschichte Musik Music Philosophy and aesthetics History 18th century Musikästhetik Musik Motiv Musikphilosophie Musikanschauung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021113301&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021113301&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000010258 |
| work_keys_str_mv | AT tudorjom soundandsensemusicandmusicalmetaphorinthethoughtandwritingofgoetheandhisage |