Re-making the margin: the master of the David Scenes and Flemish manuscript painting around 1500
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Turnhout
Brepols
2013
|
| Schriftenreihe: | Ars nova
[11] |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020518337&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 783 S. zahlr. Ill. |
| ISBN: | 9782503516844 |
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Datensatz im Suchindex
| _version_ | 1819351788296339456 |
|---|---|
| adam_text | IMAGE 1
CONTENTS
PREFACE 11
NAMES AND TERMS USED IN THIS BOOK NAMES AND SHELF-MARKS OF MANUSCRIPTS
CONTAINING ISOLATED MOTIFS 13
NAMES AND SHELF-MARKS OF MANUSCRIPTS CONTAINING OTHER TYPES OF
FREE-STANDING MOTIFS 14 CONCISE DEFINITIONS OF IMPORTANT TERMS , 15
OVERVIEW OF GHENT-BRUGES BORDER-TYPES 17
COLOUR PLATES 21
PART O N E: T HE ISOLATED-MOTIF MANUSCRIPTS 85
1 INTRODUCTION: WHY MARGINAL MOTIFS MATTER 87
NOTES TO CHAPTER 1 91
2 DECORATIVE PROGRAMMES IN GHENT-BRUGES BOOKS OF HOURS 2.1 THE STANDARD
GHENT-BRUGES BOOK OF HOURS *
2.2 INTRODUCING THE ISOLATED-MOTIF MANUSCRIPTS
2.3 THE DECORATIVE SYSTEM OF ISOLATED MOTIFS 1^3
NOTES TO CHAPTER 2 1 7
3 THE ISOLATED MOTIFS EXAMINED INDIVIDUALLY 3.1 MODELS HI
3.2 MAMMALS 3.2.1 A WIDE VARIETY OF SPECIES AND POSES 113
3.2.2 DOGS H5
3.2.3 LIONS H7
3.2.4 HARES AND RABBITS H9
3.2.5 DEER 120
3.2.6 PIGS 121
3.2.7 COWS, ASSES, HORSES AND UNICORNS 122
3.2.8 SHEEP AND GOATS 124
3.2.9 CATS AND MICE 125
3.2.10 BEARS AND FOXES 125
3.2.11 AN UNIDENTIFIABLE ANIMAL 127
3.2.12 OTHER ANIMALS 128
3.2.13 TAKING STOCK OF THE ANIMALS 129
3.3 BIRDS 3.3.1 STANDARD BIRDS AND THEIR VARIANTS 130
3.3.2 PEACOCKS 132
3.3.3 CRANES, COCKS, DUCKS AND PARROTS 135
3.3.4 COLOURFUL SPECIES 136
3.3.5 BIRDS REFLECTING PRINTED SOURCES 138
IMAGE 2
CONTENTS
3.3.6 OWLS AND BIRD-CATCHING 139
3.3.7 THE BIRDS IN BRIEF 140
3.4 OBJECTS 3.4.1 JEWELS 141
3.4.2 PILGRIMS BADGES, STAFFS AND SCALLOP-SHELLS 143
3.4.3 SKULLS AND CROSS-BONES 145
3.4.4 PRECIOUS TABLEWARE AND MISCELLANEOUS OBJECTS 145
3.5 NARRATIVES AND DROLLERIES 3.5.1 WORK AND PLEASURE 147
3.5.2 HUNTING AND J OUSTING 152
3.5.3 EXOTIC PEOPLES 155
3.5.4 MONKEYS AND MIMICS 158
3.5.5 COMPOSITE CREATURES 160
3.6 FLOWERS AND SMALL CREATURES 3.6.1 FLORAL MOTIFS 165
3.6.2 THE CREATURES AMONG THE FLOWERS 169
3.6.3 COMPOSING STREWN-FLOWER BORDERS 171
3.7 BORDERS ON COLOURED GROUNDS 175
3.8 QUIRES AND MOTIFS 3.8.1 THE RELATIONSHIP BETWEEN QUIRE STRUCTURE AND
THE USE OF MODELS 180 3.8.2 THE HUTH HOURS AS A MODEL 187
3.9 A SPECIFIC REPERTOIRE OF MODELS 3.9.1 THE PROCESS OF DECORATING
BORDERS 192
3.9.2 LINKING THE MANUSCRIPTS BY MEANS OF ISOLATED MOTIFS 193
NOTES TO CHAPTER 3 200
4 PAGE LAYOUT 4.1 THE ORIGINS OF THE ISOLATED MOTIF 225
4.2 THE DISTRIBUTION OF THE MOTIFS OVER THE MARGINS 230
4.3 THE UNITY OF THE OPENING 233
4.4 THE USE OF UNCUT SHEETS 236
4.5 THE PAGE AS A SPATIAL ENTITY 238
NOTES TO CHAPTER 4 242
5 EXPLORING ISOLATED MOTIFS: THE BRUKENTHAL HOURS AND THE HOURS OF
JOANNA OF CASTILE 5.1 THE MINIATURES IN THE BRUKENTHAL HOURS 245
5.2 THE MINIATURES IN THE HOURS OF JOANNA OF CASTILE 251
5.3 THE MARGINAL DECORATION OF THE TWO MANUSCRIPTS 252
5.4 THE DAVID MASTER AND THE HUTH HOURS 260
NOTES TO CHAPTER 5 265
6 COLLABORATING ILLUMINATORS: THE NETWORK OF THE MASTER OF THE DAVID
SCENES 6.1 THE BEINECKE HOURS 269
6.2 THE BAILLENCOURT AND THE ESTENSE HOURS 272
6.3 THE WALTERS AND THE JAGIELLONSKA HOURS 275
IMAGE 3
CONTENTS
6.4 THE BOOK OF PENITENTIAL PSALMS AND THE SPECULUM-PSALTER 277
NOTES TO CHAPTER 6 2 ^2
7 SPREADING THE MOTIFS: OTHER ILLUMINATORS WHO PRODUCED ISOLATED-MOTIF
MANUSCRIPTS 7. 1 THE METTENYE HOURS 2,85
7.2 THE CROY-ARENBERG HOURS AND THE CROY PRAYER BOOK 287
7.3 THE DUTUIT HOURS 2 9 1
7.4 THE ROSSIANO HOURS
7.5 THE PLAYFUL HOURS NOTES TO CHAPTER 7 300
8 BORROWING IDEAS FROM OTHERS: SIMON BENING AND THE ISOLATED MOTIF 8.1
THE LEBER, FLOWERS AND MORGADES HOURS 303
NOTES TO CHAPTER 8 316
9 KEEPING UP WITH THE LATEST TRENDS: CORNELIA VAN WULFSCHKERCKE OF THE
CARMELITE CONVENT 9.1 THE VAN HOOFF PRAYER BOOK 319
9.2 THE STOWE HOURS 324
9.3 THE VIENNA HOURS 325
9.4 THE SZECHENYI HOURS 326
9.5 THEJ&G HOURS 327
9.6 OTHER MANUSCRIPTS PRODUCED IN CORNELIAS WORKSHOP 328
NOTES TO CHAPTER 9 339
10 THE GHENT-BRUGES NETWORK OF SUPPLY AND DEMAND 10.1 BORDER DECORATION
AS A MARKETING STRATEGY 345
10.2 LOCALISING THE ISOLATED-MOTIF MANUSCRIPTS 350
10.3 THE ORGANISATION OF PRODUCTION 10.3.1 THE TRANSMISSION OF MODELS
352
10.3.2 BORDER DECORATION: A DISTINCT SPECIALISM? 353
10.3.3 THE COORDINATION OF THE ILLUMINATION PROCESS 355
10.3.4 THE WORKSHOP AS A FLEXIBLE TEAM OF COLLABORATORS 359
10.4 THE BUYING PUBLIC 362
10.5 EXPLOITING THE MARGIN 368
NOTES TO CHAPTER 10 370
11 CATALOGUE OF THE ISOLATED-MOTIF MANUSCRIPTS 11.1 EXPLANATION OF THE
CATALOGUE DESCRIPTIONS 375
11.2 BAILLENCOURT 378
11.3 BEINECKE 382
11.4 BRUKENTHAL 386
11.5 CORRER 396
11.6 CROY 397
11.7 CROY-ARENBERG 404
IMAGE 4
CONTENTS
11.8 DUTUIT 406
11.9 ESTENSE 411
11.10 F L O W E R S M S. 415
11.11 J &G 420
11.12 JAGIELLONSKA 426
11.13 JOANNA 428
11.14 LEAVES 435
11.15 LEBER 437
11.16 METTENYE 442
11.17 MORGADES 449
11.18 PENIT.PS. 452
11.19 PLAYFUL 453
11.20 ROSSIANO 457
11.21 SPECULUM-PS. 460
11.22 STOWE 465
11.23 SZECHENYI 468
11.24 VANHOOFF 473
11.25 VIENNA 482
11.26 WALTERS 488
PART T W O: O T H ER T Y P ES OF F R E E - S T A N D I NG M O T I FS 493
I INTRODUCTION 495
NOTES TO CHAPTER I 497
II T HE MASTER OF THE DRESDEN PRAYER BOOK II. 1 THE G & A AND THE
EGERTON HOURS 499
11.2 THE NE DICESSERIS A ME PRAYER BOOK 502
11.3 THE STILLMAN HOURS 506
NOTES TO CHAPTER II 509
HI ISOLATED INSTANCES OF FREE-STANDING M O T I FS III. 1 THE CZARTORYSKI
HOURS 513
111.2 THE BROOKLYN HOURS 515
111.3 THE BOOK OF HOURS II 5465 IN BRUSSELS 516
111.4 THE LE SAUVAGE HOURS BY JENNIN MARKANT 517
III. 5 A BOOK OF HOURS BY THE MASTER OF ANTOINE ROLIN 518
III.6 THE PRAYER BOOK OF A BAVARIAN PRINCESS 519
NOTES TO CHAPTER III 520
IV MUSIC MANUSCRIPTS AND A MISSAL IV. 1 THE BURGUNDIAN-HABSBURG COURT
COMPLEX 523
IV.2 THE BAUDELOO MISSAL 525
IV.3 THREE PART BOOKS 525
NOTES TO CHAPTER IV 528
IMAGE 5
CONTENTS
V THE WORKSHOP OF THE MASTER OF CHARLES V
V. 1 THE HOURS OF MENCIA DE MENDOZA AND THE H & M HOURS 531
NOTES TO CHAPTER V 534
VI R E - U SE OF EARLIER MATERIAL VI.L THE PRAYER BOOK OF ISABELLE DE
BETHZ 535
NOTES TO CHAPTER VI 537
VII CATALOGUE ENTRIES TO PART T WO VII. 1 INTRODUCTORY NOTES 539
VII.2 BALTIMORE, WALTERS ART MUSEUM, MS. W. 425 (H & M HOURS) 540
VII.3 BERLIN, STAATLICHE MUSEEN ZU BERLIN, KUPFERSTICHKABINETT, MS. 78 B
14 (G &C A HOURS) 545 VII.4 BRUSSELS, KONINKLIJKE BIBLIOTHEEK VAN
BELGIE/BIBLIOTHEQUE ROYALE DE BELGIQUE, MS. II (BOOK OF HOURS) 546
VII.5 BRUSSELS, KONINKLIJKE BIBLIOTHEEK VAN BELGIE/BIBLIOTHEQUE ROYALE
DE BELGIQUE, MS. IV 90 (PART BOOK: SUPERIUS) AND MS. IV 1274 (ALTUS),
AND TOURNAI, BIBLIOTHEQUE DE LA VILLE, MS. 94 (TENOR) 550
VII.6 KRAKOW, BIBLIOTEKA CZARTORYSKICH, MS. CZART. 3025 (CZARTORYSKI
HOURS) 551 VII.7 LONDON, BRITISH LIBRARY, EGERTON MS. 1147 (EGERTON
HOURS) 556
VII.8 MADRID, INSTITUTO DE VALENCIA DE DON JUAN, MS. 26-111-41 (HOURS OF
MENCIA DE MENDOZA) 561
VII.9 NEW YORK, BROOKLYN MUSEUM OF ART, DEP. OF PRINTS, DRAWINGS &
PHOTOGRAPHS, MS. 19.74 (BROOKLYN HOURS) 564
VII. 10 NEW YORK, MORGAN LIBRARY & MUSEUM, MS. S.7 (STILLMAN HOURS) 567
VII. 11 THE HAGUE, KONINKLIJKE BIBLIOTHEEK, MS. 74 G 2 ( NE DICESSERIS A
ME PRAYER BOOK) 572 VII. 12 VALENCIENNES, BIBLIOTHEQUE MUNICIPALE, MS.
836 (PRAYER BOOK OF ISABELLE DE BETHZ) 578 VII. 13 VIENNA,
OSTERREICHISCHE NATIONALBIBLIOTHEK, COD. 2730 (PRAYER BOOK OF A BAVARIAN
PRINCESS) 582
BIBLIOGRAPHY 589
BLACK-AND-WHITE FIGURES 615
LIST OF COLOUR PLATES 749
LIST OF BLACK-AND-WHITE FIGURES 753
LIST OF COMPARATIVE ILLUSTRATIONS 763
LIST OF DRAWINGS 767
LIST OF TABLES 770
INDEX OF OBJECTS 771
GENERAL INDEX 779
|
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| spellingShingle | As-Vijvers, Anne Margreet W. 1969- Re-making the margin the master of the David Scenes and Flemish manuscript painting around 1500 Ars nova Meister der Davidszenen des Breviarium Grimani ca. 16. Jh. (DE-588)130599719 gnd Buchmalerei (DE-588)4008650-1 gnd |
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| title | Re-making the margin the master of the David Scenes and Flemish manuscript painting around 1500 |
| title_auth | Re-making the margin the master of the David Scenes and Flemish manuscript painting around 1500 |
| title_exact_search | Re-making the margin the master of the David Scenes and Flemish manuscript painting around 1500 |
| title_full | Re-making the margin the master of the David Scenes and Flemish manuscript painting around 1500 Anne Margreet W. As-Vijvers |
| title_fullStr | Re-making the margin the master of the David Scenes and Flemish manuscript painting around 1500 Anne Margreet W. As-Vijvers |
| title_full_unstemmed | Re-making the margin the master of the David Scenes and Flemish manuscript painting around 1500 Anne Margreet W. As-Vijvers |
| title_short | Re-making the margin |
| title_sort | re making the margin the master of the david scenes and flemish manuscript painting around 1500 |
| title_sub | the master of the David Scenes and Flemish manuscript painting around 1500 |
| topic | Meister der Davidszenen des Breviarium Grimani ca. 16. Jh. (DE-588)130599719 gnd Buchmalerei (DE-588)4008650-1 gnd |
| topic_facet | Meister der Davidszenen des Breviarium Grimani ca. 16. Jh. Buchmalerei Flandern Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020518337&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011744670 |
| work_keys_str_mv | AT asvijversannemargreetw remakingthemarginthemasterofthedavidscenesandflemishmanuscriptpaintingaround1500 |