Rethinking curating: art after new media
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, Mass. [u.a.]
MIT Press
2010
|
| Schriftenreihe: | Leonardo books
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018967368&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | XV, 354 Seiten Illustrationen |
| ISBN: | 9780262013888 9780262528429 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1822521261240090624 |
|---|---|
| adam_text |
Contents
Acknowledgments
ix
Series Foreword
xi
Foreword by Steve Dietz
xiii
1
Introduction
1
What Is New Media Art?
2
What Is Curating?
10
The Structure of the Book
11
1 Art After New Media—Histories, Theories, and Behaviors
17
2
The Art Formerly Known as "New Media"
19
The Hype of the New
22
New Media Art
—
Modernist or
Avant-Garde? 27
From Postmodernism to
a Postmedium
Condition
29
Art Example: Cornelia
Sollfrank,
Net Art Generators), and Female Extension
32
Rethinking Curating
38
Exhibition Example: Harwood@Mongrel, Uncomfortable Proximity
43
Summary: Curating in
a Postmedium
Condition?
47
3
Space and Materiality
51
Dematerialization
—
From Conceptual Art to Systems Art
52
How New Media Art Is Different
60
Art Example: Thomson
&
Craighead, Light from Tomorrow
67
Rethinking Curating
69
Exhibition Example: Let's Entertain and Art Entertainment Network, WaikerArt Center
73
Summary: Dematerialized or Just Distributed?
83
4
Time
87
Time-Based Arts
—
Video and Performance
88
How New Media Art Is Different
92
Art Example: Rachel Reupke, Pico
Mirador
94
vi
Contents
Rethinking Curating
99
Exhibition Example:
Medialounge,
the Media Centre
103
Summary: Curating in Real Time?
109
5
Participative Systems
111
Interaction, Participation, and Collaboration
112
How New Media Art Is Different
117
Art Example: Harrell Fletcher and Miranda July, Learning to Love You More
120
Rethinking Curating
124
Exhibition Example: Serious Games, Laing Art Gallery
134
Summary: How Participatory Are These Systems?
138
II Rethinking Curating
—
Contexts, Practices, and Processes
145
6
Introduction to Rethinking Curating
147
Curating in Context
—
In and Out of the Institution
148
Models and Modes
—
The Practice of Curating
153
Summary: Curating Now
—
Distributed Processes?
157
7
On Interpretation, on Display, on Audience
161
Education, Interpretation, and Curating
162
Example:
Tate
Media
164
On Display
170
Audiences
177
Summary: A Useful Confusion?
184
8
Curating in an Art Museum
189
Why Would a New Media Artist Want to Exhibit in an Art Museum?
189
The Building or the Immaterial Systems?
192
Working across Departments
194
Example:
010101,
San Francisco Museum of Modern Art
194
Documentation and Archiving
200
On Collections
202
Summary: Networking the Museum
210
9
Other Modes of Curating
215
Festivals
—
New, Hybrid, and (Upwardly?) Mobile
216
Example:
Vuk Ćosić,
Documenta
Done and Net.art per me
218
Arts Agencies and Public Art
—
Located, Engaged, and Flexible
224
Example: New Media Scotland
227
Publishing and Broadcast
—
Distributed, Reproducible, and Networked
230
Example: Kate Rich
233
The Lab
—
Experimental, Interdisciplinary, and Research-Led
234
Example: V2_, Rotterdam
238
Summary: From Production to Distribution and Beyond
242
Contents
vii
10
Collaboration
in Curating
247
Artist-Run—
Alternative
Spaces
and Independent Organizations
247
Swapping Roles
—
Artists as Curators
253
Example: NODE.London
260
Collaborative Practices
—
Networks and Audiences
266
Summary: Artist-Led or Audience-Led?
275
III Conclusions
281
11
Conclusions: Histories, Vocabularies, Modes
283
A Set of Histories
285
Critical Vocabularies—Which Verbs, Which Systems?
288
Beyond Novelty
—
Curatorial Modes
299
The Task at Hand
—
Translation
302
References
307
Index
339
Exhibitions Index
353 |
| any_adam_object | 1 |
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| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Book |
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| spelling | Graham, Beryl Verfasser (DE-588)134041917 aut Rethinking curating art after new media Beryl Graham and Sarah Cook ; foreword by Steve Dietz Cambridge, Mass. [u.a.] MIT Press 2010 XV, 354 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Leonardo books Includes bibliographical references and index New media art Museums Curatorship Museumskunde (DE-588)4170787-4 gnd rswk-swf Medienkunst (DE-588)4113418-7 gnd rswk-swf Medienkunst (DE-588)4113418-7 s Museumskunde (DE-588)4170787-4 s DE-604 Cook, Sarah 1974- Verfasser (DE-588)14102139X aut Dietz, Steve wpr Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018967368&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Graham, Beryl Cook, Sarah 1974- Rethinking curating art after new media New media art Museums Curatorship Museumskunde (DE-588)4170787-4 gnd Medienkunst (DE-588)4113418-7 gnd |
| subject_GND | (DE-588)4170787-4 (DE-588)4113418-7 |
| title | Rethinking curating art after new media |
| title_auth | Rethinking curating art after new media |
| title_exact_search | Rethinking curating art after new media |
| title_full | Rethinking curating art after new media Beryl Graham and Sarah Cook ; foreword by Steve Dietz |
| title_fullStr | Rethinking curating art after new media Beryl Graham and Sarah Cook ; foreword by Steve Dietz |
| title_full_unstemmed | Rethinking curating art after new media Beryl Graham and Sarah Cook ; foreword by Steve Dietz |
| title_short | Rethinking curating |
| title_sort | rethinking curating art after new media |
| title_sub | art after new media |
| topic | New media art Museums Curatorship Museumskunde (DE-588)4170787-4 gnd Medienkunst (DE-588)4113418-7 gnd |
| topic_facet | New media art Museums Curatorship Museumskunde Medienkunst |
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