Verfügbarkeit: Ikona dekadencji | Technische Universität München

Ikona dekadencji: wybrane problemy europejskiej recepcji Bizancjum od XVII do XX wieku

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Bibliographische Detailangaben
Beteilige Person:	Marciniak, Przemysław 1976- (VerfasserIn)
Format:	Buch
Sprache:	Polnisch
Veröffentlicht:	Katowice Wydawn. Uniw. Śląskiego 2009
Ausgabe:	Wyd. 1.
Schriftenreihe:	Prace naukowe Uniwersytetu Śląskiego w Katowicach 2719
Schlagwörter:	Geschichte 1500-2000 Geschichtsbild Byzantinisches Reich
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018951145&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018951145&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Zsfassung in engl. u. neugriech. Sprache u.d.T.: The icon of decadence
Umfang:	229, [3] s. il. (w tym kolor.). - Ill. 24 cm.
ISBN:	9788322618929

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Datensatz im Suchindex

_version_	1819334115014475776
adam_text	Spis treści Wstęp ........................... 7 Stan badań i metodologia ................. 11 Rozdział I Prolegomena Byzantina ................... 17 Manekiny, szkielety, wysuszone dzieła. Inspiracje sztuką bizan¬ tyńską ......................... 19 Bizancjum w dyskursie politycznym i publicznym. Francja — Ro¬ sja — Grecja ...................... 25 Rozdział II Językowy i historiograficzny obraz Bizancjum ......... 41 Dekadencja à la Byzance ................. 51 Na tropach bizantyńskiej dekadencji ............ 65 Historycy XIX wieku ................... 78 Rozdział III Bizancjum i literatura .................... 83 Początki ........................ 88 Legenda Belizariusza ................... 93 Kariera pewnej dekadencji, czyli dziewiętnastowieczne Bizan¬ cjum .......................... 98 Anglik w Bizancjum, czyli Hrabia Robert z Paryża ...... 105 Mit upadku Konstantynopola ............... 107 Mélange à trois: Teodora, Victorien i Charles ......... 122 - 5 - W poszukiwaniu straconego Bizancjum — motywy bizantyńskie w literaturze XX wieku .................. 128 Rozdział IV Bizancjum z twarzą Moskala. Polska recepcja kultury bizantyń¬ skiej ............................ 135 Rozdział V Średniowieczne Gotham City. Bizancjum w kulturze masowej XX wieku ......................... 157 Zakończenie ........................ 179 Bibliografia ......................... 185 Skróty zastosowane w wykazie bibliograficznym ....... 185 Źródła ......................... 186 Opracowania ...................... 191 Indeks osobowy (opracowali Sylwia i Radosław Marciniak) .... 213 Summary .......................... 225 Περίληψη.......................... 228 Przemysław Marciniak The Icon of decadence Selected problems of the European reception of Byzantium from the seventeenth to twentieth centuries Summary The absence of Byzantium is how Averil Cameron, eminent British Byzantinist, entitled her essay about the presence (or perhaps rather the absence) of Byzantium in modern public discourse. It is difficult to disagree with Cameron s diagnosis, which shows how Byzantium has been ignored and disregarded throughout the centuries. In the same way, the reception and use of Byzantine culture in the visual arts, in literature and in music is paltry when compared to the use made of classical culture. Historical conditions have shaped the image and perception of Byzan¬ tium in various cultures in different ways. But there are a small number of common ways of understanding and interpreting Byzantium. There is Greece, where Byzantium and the Byzantine legacy is an integral, though sometimes unwelcome, part of history. Secondly, Russia and the Balkan states whose histories were intertwined with that of the Byzantine Em¬ pire, provide an alternate way of viewing and using Byzantium. Russian views of Byzantium changed considerably through the centuries. From the sixteenth-century myth of the third Rome to the nineteenth-century very negative views of Byzantine heritage (but at the same time the Russian tsars dreamt about the conquest of Constantinople) to the return to neobyzantine, imperial, ideology in today s Russia. The third way of view¬ ing Byzantium embraces those countries that somehow encountered By¬ zantium in their past. However, within this group Byzantium was per¬ ceived in very different ways. Approaches by French or English writers and thinkers to Byzantine history were decidedly different to those of Pol¬ ish writers, who looked at Byzantium through the Russian mirror. Finally, the last way of looking is reserved for those countries for whom Byzantine culture serves as a source of literary motifs, and is an example of an exotic country par excellence — for instance the Japanese author 15 -Ikona... — 225 ~ Nanami Shiono s book Konstantinopuru no karnaku (originally published in 1972), was published in English translation as The Fall of Constantino¬ ple in December 2006. Two periods of history were crucial in shaping the image of Byzantium in the modern world — the Enlightenment and nineteenth century. It does not mean that Byzantine history has not been used — and abused — earlier or later. Yet, majority of generalisations and stereotypes concerning Byzan¬ tium were conceived in the eighteenth century and reinforced (and some¬ times corrected) in the nineteenth. My work therefore concentrates on the eighteenth and nineteenth centuries. This book is divided into five chapters, with an introduction and sum¬ mary. The introduction deals with the general issues such as chronological range of the material used, and the methodological approach (Harold Blo¬ om, Victor Turner, ideological myths and so on). The first chapter, entitled Prolegomena Byzantina , is made up of two parts — the first concerns the reception of Byzantine art in modern times. As well as discussing a few works of art inspired by persons and events from Byzantine history, I focus mainly on the opinions on Byzantine art expressed by art historians and philosophers in the nineteenth century. The second part of the introduction is devoted to the presence of Byzantium in the political and public discourse in the three following countries — France, Russia, and Greece. The second chapter, The image of Byzantium in language and histori¬ ography , addresses two main issues — the use of the word Byzantinism and its derivatives in most European languages as well as the image of the Byzantine Empire in historiography between the eighteenth and twentieth centuries. I have stressed the influence of the scholars of the Enlighten¬ ment, especially Edward Gibbon, in shaping the image of Byzantium in la¬ ter times. It has to be remembered, however, that very often opinions found in the works of earlier historians, mainly Gibbon s history, were repeated by others without due consideration for the context in which these texts were created. The central part of my work is the chapter Byzantium and literature . Here I analyse a number of texts, from the seventeenth to the twentieth centuries. I examine the works of the so-called school-theatre , whose plots drew on Byzantine history, works dealing with the story of Belisarius, the texts of the French decadents and finally some of the twentieth century works such as the poetry of Yeats and Umberto Eco s novel Baudolino. The aim of this chapter is to show which sources the authors used and what pic¬ ture of Byzantium they created in their works. The next chapter, Byzantium with a Russian face concentrates on the reception of Byzantium in Polish culture. The most important feature of the reception of the Eastern Empire in Poland in the nineteenth century (more accurately, that part of Poland under Russian rule) was the equation of By¬ zantium with Russia in popular imagination. - 226 - The last chapter, Medieval Gotham City discusses the presence of By¬ zantium in modern popular culture. I have discussed examples taken from literature (mainly science-fiction and fantasy) and pop music. I have also addressed the issue of Byzantium in cinema. I examine the films which were inspired by events from Byzantine history, including the only film on the fall of Constantinople, shot in 1913 in France, as well as a parody of Turkish films dealing with Byzantine history, entitled Kahpe Byzans — Perfidious Byzantium . In the Summary I show how the reception of Byzantium developed through the centuries up to our own times and how strong, even today, are the prejudices against Byzantium that were born during the Enlighten¬ ment. 15*
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indexdate	2024-12-20T14:05:53Z
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physical	229, [3] s. il. (w tym kolor.). - Ill. 24 cm.
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series	Prace naukowe Uniwersytetu Śląskiego w Katowicach
series2	Prace naukowe Uniwersytetu Śląskiego w Katowicach
spellingShingle	Marciniak, Przemysław 1976- Ikona dekadencji wybrane problemy europejskiej recepcji Bizancjum od XVII do XX wieku Prace naukowe Uniwersytetu Śląskiego w Katowicach Geschichtsbild (DE-588)4071769-0 gnd
subject_GND	(DE-588)4071769-0 (DE-588)4009256-2
title	Ikona dekadencji wybrane problemy europejskiej recepcji Bizancjum od XVII do XX wieku
title_auth	Ikona dekadencji wybrane problemy europejskiej recepcji Bizancjum od XVII do XX wieku
title_exact_search	Ikona dekadencji wybrane problemy europejskiej recepcji Bizancjum od XVII do XX wieku
title_full	Ikona dekadencji wybrane problemy europejskiej recepcji Bizancjum od XVII do XX wieku Przemysław Marciniak
title_fullStr	Ikona dekadencji wybrane problemy europejskiej recepcji Bizancjum od XVII do XX wieku Przemysław Marciniak
title_full_unstemmed	Ikona dekadencji wybrane problemy europejskiej recepcji Bizancjum od XVII do XX wieku Przemysław Marciniak
title_short	Ikona dekadencji
title_sort	ikona dekadencji wybrane problemy europejskiej recepcji bizancjum od xvii do xx wieku
title_sub	wybrane problemy europejskiej recepcji Bizancjum od XVII do XX wieku
topic	Geschichtsbild (DE-588)4071769-0 gnd
topic_facet	Geschichtsbild Byzantinisches Reich
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018951145&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018951145&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
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