Romantics and modernists in British cinema:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2010
|
| Schriftenreihe: | Edinburgh studies in film
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018861520&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | VI, 195 S. Ill. |
| ISBN: | 9780748640140 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819307034665811968 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
List of figures
ix
Introduction: romantics versus modernists?
1
1. 1929:
romantics and modernists on the cusp of sound
5
The documentary legacy: Drifters
7
The forging of the fugitive film: A. Cottage on Dartmoor
11
Transgressing triangles: Piccadilly and The Manxman
14
Blackmail and transition
18
Constructive and deconstructive: Number Seventeen
23
2.
The running man: Hitchcock s fugitives and The Bourne
Ultimatum
25
Jason s Waterloo: Hitchcock, Greengrass and deepest fears
25
The fugitive kind: pre-war, wartime, post-war
28
British Hitchcock: from romance thriller to post-romantic
fable
32
The poetics of treachery: Dickinson and
Cavalcanti
34
The triumph of the short film: Bon Voyage and
Aventure
malgache
Ъ1
Post-romantic fugitives: Stage Fright and Frenzy
40
Epilogue: the Frenzy murders
42
3.
Running man
2:
Carol Reed and his contemporaries
44
Fable versus romance: The Third Man and They Made Me a Fugitive
54
Reed and subterfuge: The Man Between and Our Man in Havana
57
Reed s successors
62
4.
David Lean: the troubled romantic and the end of empire
64
Forgotten Lean: the Ann Todd trilogy
64
Madeleine: the perverse unveiled
70
vi
Contents
The Sound Barrier, the faltering sublime and the end of empire
77
Enthusiast or fanatic? The paradox of Lean s Lawrence
79
5.
The trauma film from romantic to modern: A Matter of Life and
Death to Don t Look Now
86
Prelude: Thorold Dickinson and Anton Walbrook
88
Juxtaposition: A Matter of Life and Death and Dead of Night
89
Powellian trauma: Black Narcissus, The Small Back Room,
Peeping Tom
94
Female madness and modernism: The Innocents and Repulsion
101
The trauma double bill: Don t Look Now and The Wicker Man
108
The neo-romantic turn and death in Venice: Don t Ij)ok Now
110
Romantic symbol and modernist edit
112
6.
Joseph Losey and Michelangelo Antonioni: the expatriate eye
and the parallax view
115
Losey and Pinter: the modernist moment in The Servant and
Accident
119
Coda: Providence as Resnais s riposte to Losey
128
Antonioni s parallax view: Blow-Up and The Passenger
129
What s in a tide? The Passenger or Profession: Reporter
135
Coda: the native eye in Radio On
139
7.
Expatriate eye
2:
Stanley Kubrick and
Jerzy
Skolimowski
141
Freedom and fate: Barry Lyndon
148
Skolimowski and running water: or, Deep End and Cul-de-Sac
152
Rise and fall: The Shout, Moonlighting, Success is the Best Revenge
156
Bringing it all back home: Moonlighting and Success is the Best
Revenge
159
8.
Terence Davies and Bill Douglas: the poetics of memory
164
Mimetic modernism and family mysteries: the Douglas trilogy
167
Davies: the romantic imagist and the poetry of memory
171
Floating through space and time: The IumgDay Closes
173
The past as present: The House of Mirth and The Wings of the Dove
177
9.
Conclusion: into the new century
180
Select bibliography
185
Index
189
|
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| indexdate | 2024-12-20T14:04:10Z |
| institution | BVB |
| isbn | 9780748640140 |
| language | English |
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| spellingShingle | Orr, John 1943-2010 Romantics and modernists in British cinema Motion pictures / Great Britain / History Art and motion pictures / Great Britain Romanticism / Great Britain Modernism (Aesthetics) / Great Britain Motion pictures / Aesthetics Film Geschichte Ästhetik Art and motion pictures Great Britain Modernism (Aesthetics) Great Britain Motion pictures Aesthetics Motion pictures Great Britain History Romanticism Great Britain Film (DE-588)4017102-4 gnd |
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| title | Romantics and modernists in British cinema |
| title_auth | Romantics and modernists in British cinema |
| title_exact_search | Romantics and modernists in British cinema |
| title_full | Romantics and modernists in British cinema John Orr |
| title_fullStr | Romantics and modernists in British cinema John Orr |
| title_full_unstemmed | Romantics and modernists in British cinema John Orr |
| title_short | Romantics and modernists in British cinema |
| title_sort | romantics and modernists in british cinema |
| topic | Motion pictures / Great Britain / History Art and motion pictures / Great Britain Romanticism / Great Britain Modernism (Aesthetics) / Great Britain Motion pictures / Aesthetics Film Geschichte Ästhetik Art and motion pictures Great Britain Modernism (Aesthetics) Great Britain Motion pictures Aesthetics Motion pictures Great Britain History Romanticism Great Britain Film (DE-588)4017102-4 gnd |
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