Mittelalter-Rezeption im zeitgenössischen Musiktheater: Katalog und Fallstudien
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Deutsch |
| Veröffentlicht: |
Wiesbaden
Reichert
2009
|
| Schriftenreihe: | Imagines medii aevi
23 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017374012&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | X, 408 S. graph. Darst., Notenbeisp. |
| ISBN: | 3895006890 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Inhalt
Vorwort............................................................................................................................................
IX
1. Musiktheater und Mittelalter........................................................................................................1
1.1. Definitionen............................................................................................................................2
1.2. Librettologie - Libretto-Philologie......................................................................................8
1.3. Mittelalter-Rezeption...........................................................................................................13
1.4. Gegenstand und Zielsetzung der Arbeit...........................................................................18
2. Mittelalter-Rezeption im Musiktheater seit 1945....................................................................20
2.1. Quellen..................................................................................................................................22
2.1.1. Printmedien..................................................................................................................22
2.1.2. Internetseiten...............................................................................................................25
2.2. Aufbau des Katalogs............................................................................................................26
2.3. Katalog...................................................................................................................................27
2.3.1. Tabelle
I
- chronologisch.........................................................................................171
2.3.2. Tabelle
II
- nach Sujets............................................................................................185
2.4. Versuch einer Auswertung...............................................................................................199
3. Einzelanalysen...........................................................................................................................208
3.1. Theater der Klänge/ESTAMPIE:
Gregorius
auf dem Stein............................................208
3.1.1. Über das Stück...........................................................................................................208
3.1.2. Inhalt und Aufbau.....................................................................................................209
3.1.3. Die Quellen................................................................................................................212
3.1.3.1. Hartmann von Aue und Thomas Mann.........................................................212
3.1.3.2.
Gregorius
auf dem Stein und Thomas Mann......................................................216
3.1.4. Die Figuren................................................................................................................223
3.1.4.1. Die Erzählerfigur...............................................................................................223
Exkurs: Der nicht dargestellte Schluss.........................................................................225
3.1.4.2. Die Figurenerzähler...........................................................................................227
3.1.4.3. Probus und Liberius..........................................................................................230
3.1.4.4. Wandlungen -Die Hauptfiguren....................................................................233
3.1.5. Buße, Schuld und Gnade.........................................................................................240
3.1.6. Hartmann von Aue — Thomas Mann —
„Gregorius
auf dem Stein .................242
3.2. Wilfried Hiller/Felix Mitterer: Wolkenstein. Eine Lebensballade....................................245
3.2.1. Über das Stück...........................................................................................................245
3.2.2. Inhalt und Aufbau.....................................................................................................246
3.2.3. Die Figuren................................................................................................................249
3.2.3.1. Oswald.................................................................................................................250
3.2.3.2. Michael................................................................................................................252
3.2.3.3 Anna Hausmann/die
Salige
...............................................................................252
3.2.3.4. Die Mutter/Margarethe....................................................................................256
VI
___________________________________________________________
3.2.4. „Wolkenstein und das Mittelalter..........................................................................259
3.2.4.1. Die Musik............................................................................................................259
3.2.4.1.1. Die Lieder Oswalds von Wolkenstein....................................................259
3.2.4.1.2. Das
Nô-Theater
.........................................................................................265
3.2.4.2. Das Libretto........................................................................................................268
3.2.4.2.1. Oswald von Wolkenstein und sein historisches Umfeld......................268
3.2.4.2.2. Die Darstellung des Mittelalters...............................................................276
3.2.4.2.3. Stereotypen.................................................................................................280
3.2.5. „Wolkenstein und die Sage....................................................................................283
3.2.5.1. Die Sage von „Eisenhand ...............................................................................283
3.2.5.2. Die Seiser Alm und die „Verheißene Zeit ....................................................284
3.2.5.3. Die Sängerin von Karneid................................................................................285
3.2.6. „Wolkenstein - ein Künstlerdrama?.....................................................................287
3.3. Doreen Rother: König Rother............................................................................................292
3.3.1. Über das Stück...........................................................................................................292
3.3.2. Das Libretto...............................................................................................................293
3.3.2.1. Kürzungen..........................................................................................................293
3.3.2.2. Eingriffe in den Text.........................................................................................299
3.3.2.3. Neuerungen........................................................................................................304
3.3.3. Die Musik...................................................................................................................310
3.3.3.1. Musikalische Ebenen - die Besetzung............................................................310
3.3.3.2. Das originale Mittelalter - die Lieder Neidharts.........................................311
3.3.3.3. Mittelalter und Gegenwart —musikalische Ausgangspunkte........................313
3.3.3.4. Die Musik als Erzähler - Motivik und Charakterisierung...........................316
3.4. Simon Werle/Wang Fei, Carsten Hennig, Holger Klaus, Benjamin Lang, Jens
Michael Müller-Sagardia, Gerhard Veser: Der
Pangva/
........................................................319
3.4.1. Über das Stück...........................................................................................................319
3.4.2. Inhalt und Aufbau.....................................................................................................320
3.4.3. Der Parzival................................................................................................................324
3.4.3.1. Die Geschichte Parzivals..................................................................................324
3.4.3.2. Die (männlichen) Stimmen..............................................................................336
3.4.3.3. Die weibliche Stimme am Artushof................................................................338
3.4.3.4. Der Narr..............................................................................................................341
3.4.3.5. Parabel Parzival..................................................................................................343
4. Resümee.....................................................................................................................................346
5. Literaturverzeichnis..................................................................................................................350
5.1. Allgemeine Literatur.........................................................................................................350
5.1.1. Primärliteratur............................................................................................................350
5.1.2. Forschungsliteratur...................................................................................................350
5.2. Literatur zu
Gregorius
auf dem Stein...................................................................................380
5.2.1. Primärliteratur............................................................................................................380
5.2.2. Forschungsliteratur...................................................................................................380
5.3. Literatur zu Wolkenstein. Eine Lebensbalhde.....................................................................381
VII
5.3.1. Primärliteratur............................................................................................................381
5.3.2. Forschungsliteratur...................................................................................................382
5.3. Literatur zu König Rüther....................................................................................................386
5.3.1 Primärliteratur.............................................................................................................386
5.3.2 Forschungsliteratur....................................................................................................386
5.4. Literatur zu Der
Pariival.
...................................................................................................387
5.4.1. Primärliteratur............................................................................................................387
5.4.2. Forschungsliteratur...................................................................................................388
Anhang...........................................................................................................................................391
1. Protokoll des Vortrags von Doreen Rother.....................................................................391
2. Übersicht
1
.............................................................................................................................394
3. Übersicht
II
...........................................................................................................................396
|
| any_adam_object | 1 |
| author | Schindler, Andrea 1974- |
| author_GND | (DE-588)101444392X |
| author_facet | Schindler, Andrea 1974- |
| author_role | aut |
| author_sort | Schindler, Andrea 1974- |
| author_variant | a s as |
| building | Verbundindex |
| bvnumber | BV035454032 |
| classification_rvk | GE 7111 GE 8051 LR 54147 LR 54171 |
| ctrlnum | (OCoLC)363082242 (DE-599)BVBBV035454032 |
| dewey-full | 782.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1 |
| dewey-search | 782.1 |
| dewey-sort | 3782.1 |
| dewey-tens | 780 - Music |
| discipline | Germanistik / Niederlandistik / Skandinavistik Musikwissenschaft |
| era | Geschichte 1945-2008 gnd |
| era_facet | Geschichte 1945-2008 |
| format | Thesis Book |
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| id | DE-604.BV035454032 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T13:32:52Z |
| institution | BVB |
| isbn | 3895006890 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017374012 |
| oclc_num | 363082242 |
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| owner_facet | DE-473 DE-BY-UBG DE-20 DE-12 DE-29 DE-19 DE-BY-UBM DE-703 DE-83 DE-11 DE-739 |
| physical | X, 408 S. graph. Darst., Notenbeisp. |
| psigel | DHB_JDG_ISBN_1 |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Reichert |
| record_format | marc |
| series | Imagines medii aevi |
| series2 | Imagines medii aevi |
| spellingShingle | Schindler, Andrea 1974- Mittelalter-Rezeption im zeitgenössischen Musiktheater Katalog und Fallstudien Imagines medii aevi Deutsch (DE-588)4113292-0 gnd Literatur (DE-588)4035964-5 gnd Mittelalter (DE-588)4129108-6 gnd Musiktheater (DE-588)4040874-7 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4113292-0 (DE-588)4035964-5 (DE-588)4129108-6 (DE-588)4040874-7 (DE-588)4049716-1 (DE-588)4113937-9 |
| title | Mittelalter-Rezeption im zeitgenössischen Musiktheater Katalog und Fallstudien |
| title_auth | Mittelalter-Rezeption im zeitgenössischen Musiktheater Katalog und Fallstudien |
| title_exact_search | Mittelalter-Rezeption im zeitgenössischen Musiktheater Katalog und Fallstudien |
| title_full | Mittelalter-Rezeption im zeitgenössischen Musiktheater Katalog und Fallstudien von Andrea Schindler |
| title_fullStr | Mittelalter-Rezeption im zeitgenössischen Musiktheater Katalog und Fallstudien von Andrea Schindler |
| title_full_unstemmed | Mittelalter-Rezeption im zeitgenössischen Musiktheater Katalog und Fallstudien von Andrea Schindler |
| title_short | Mittelalter-Rezeption im zeitgenössischen Musiktheater |
| title_sort | mittelalter rezeption im zeitgenossischen musiktheater katalog und fallstudien |
| title_sub | Katalog und Fallstudien |
| topic | Deutsch (DE-588)4113292-0 gnd Literatur (DE-588)4035964-5 gnd Mittelalter (DE-588)4129108-6 gnd Musiktheater (DE-588)4040874-7 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Deutsch Literatur Mittelalter Musiktheater Rezeption Hochschulschrift |
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