Verfügbarkeit: American art to 1900 | Technische Universität München

American art to 1900: a documentary history

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Bibliographische Detailangaben
Beteiligte Personen:	Burns, Sarah (VerfasserIn), Davis, John 1961- (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Berkeley [u.a.] Univ. of California Press 2009
Schlagwörter:	Geschichte 1600-1900 Art, American > Sources Kunst USA Quelle
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017156433&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Includes index
Umfang:	1082 S. Ill.
ISBN:	9780520245266 9780520257566

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Datensatz im Suchindex

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adam_text	CONTENTS Introduction ι ι. THE COLONIAL ERA 9 ART IN AN AGE OF PURITANISM 9 The Well-Dressed Puritan 9 Icons and the Metaphor of Painting 11 Cotton Mather on Art 12 Thomas Smith s Reflection on Death 14 DISSENTING OPINIONS: ALTERNATIVES TO PURITAN PRACTICE I5 Quaker Rules on Tombstones 15 John Valentine Haidt s Theory of Painting 16 Art and the Spanish Conquest 20 ADVERTISEMENTS 25 Peter Pelham Scrapes a Mezzotint 25 Runaway Limners 26 John Durand 28 Work for Women 28 Public Spectacle 30 EARLY RESPONSES TO PORTRAITS 32 PIONEERING ARTISTS 34 John Smibert Documents 34 Benjamin West on William Williams 38 TASTE AND THEORY 40 Of the Knowledge of Painting 40 The Use and Advantages of the Fine Arts 40 POEMS ON PORTRAITS 42 TRAINING AND THE LURE OF EUROPE 44 John Singleton Copley: Ambition and Practicality 44 Charles Willson Peale in London and Philadelphia 53 2. REVOLUTION AND EARLY REPUBLIC 57 DEFINING ART 57 John Adams on the Arts 57 Public Art for the New Republic: Charles Willson Peak s Triumphal Arch 59 The Place of the Arts in American Society 62 An Early Scheme for a Museum of Sculpture 64 Sculptors for the Capitol 66 Wertmüller s Danaë and Nudities 68 Native Subjects vs. Continental Taste 70 A Plan for Government Patronage of History Painting 73 citizens: documents on portrait painting 76 Bushrod Washington Commissions a Portrait 76 George Washington: The Image Industry JJ Ralph Earl and Reuben Moulthrop: Connecticut Itinerant Painters 81 Joshua Johnson Advertises 84 Gilbert Stuart: Eyewitness Accounts 85 President Monroe Discusses American Artists 90 Charles Willson Peak s Advice to Rembrandt Peale 92 Chester Harding, Self-Made Artist 93 ARTISTIC IDENTITY, ARTISTIC CHOICES 96 Benjamin West: A New World Genius Conquers the Old 96 Benjamin West, Patriarch of American Painting 100 John Trumbull Paints Revolutionary History 102 Washington Allston s Southern Roots 106 Washington Allston and the Miraculous Sublime 107 Washington Allston in Boston 108 Washington Allston s Secret Technique 114 Washington Allston s Idealism 115 John Vanderlyn s Bid for Fame 124 John Vanderlyn Paints an American Epic 125 John Vanderlyn s Panorama 127 Samuel Morse s The House of Representatives 129 Rembrandt Peak s The Court of Death 130 THE ESTABLISHMENT OF ARTISTIC CATEGORIES 133 Landscape 13З Charles Willson Peak s Moving Pictures 133 Timothy Dwight Views Greenfield Hill 134 The American Gothic Landscapes of Charles Brockden Brown 136 The Earliest Guide to Sketching Landscape 138 Still Life 140 Raphaelle Peak 140 Genre 14З John Lewis Krímmel 143 EARLY INSTITUTIONS 145 Philadelphia 145 Charles Willson Peak s Museum 145 The Columbianum 149 Quaker City Arts Organizations, с i8io 150 New York 162 The American Academy of the Fine Arts 162 Boston 171 John Browere s Gallery 171 3. ANTEBELLUM AMERICA: VALUES AND INSTITUTIONS 175 ART IN A DEMOCRATIC NATION 175 The Importance of the Genres 175 Art in a Mercantile Culture 183 Charles Fraser Considers Art, Society, and the Future 186 William Dunlap Champions the Arts 189 Ralph Waldo Emerson s Living Art 192 The Anti- American School 197 Joel Headley Waves the Flag of American Art 199 On Mechanics and the Useful Arts 202 BUILDING INSTITUTIONS 206 The National Academy of Design 206 The Founding 206 The Early Years 209 Growing Polarization 215 The American Art- Union 222 COLLECTORS AND PATRONS 234 Thomas Cole and His Patrons 234 Thomas Cole Laments the Taste of the Times 240 William Sidney Mount Chooses a Subject 243 Instructions for Collectors 244 James Fenimore Cooper Commissions a Statue 248 Art and Private Property 250 4. ANTEBELLUM AMERICA: LANDSCAPE, LIFE, AND SPECTACLE 255 THE AMERICAN LANDSCAPE 255 Literary Landscapes 255 James Fenimore Cooper s Forest Primeval 255 Educating the Gaze: Benjamin Silliman on Monte Video 257 The Glory of an American Autumn 258 Romantic Nature 260 For the Birds: John James Audubon and American Nature 260 Thomas Cole and the American Landscape 264 The Poetry of Landscape: Thomas Cole in Verse 271 Thomas Cole and the Course of Empire 273 American Sites: Tourist Literature 276 Tourists in the Landscape 276 The Railroad in the Landscape 282 Transcendental Nature 286 Emerson s Transcendent Natural World 286 Nature, Wild and Tame 290 Asher B. Durand Formulates the American Landscape 290 The Hudson River School in Public 297 Facing Nature: Jasper Cropsey and Sanford Gifford 300 The National Landscape in Repose: John Frederick Kensett 305 Fitz Henry Lane, Marine Painter Extraordinaire 307 AMERICAN LIFE 3O9 Ralph Waldo Emerson on Native and National Art 309 William Sidney Mount and the Celebration of National Character 310 William Sidney Mount s Thoughts on Art, Life, and Travel Abroad 313 The Significance of Bumps on the Skull 316 Walt Whitman on American Painting 318 David Gilmour Blythe on Modern Times 319 Lilly Martin Spencer: Making It in New York 322 ARTISTS OF COLOR AND THE REPRESENTATION OF RACE 328 The Public Display of Slavery 328 William Sidney Mount s Ambivalence on Race 331 Frederick Douglass on African American Portraiture 332 The Verses of Dave the Potter 333 J. P. Ball s Panorama of Slavery 335 An Imaginary Picture Gallery 336 Eastman Johnson s Negro Life at the South 343 artists: advice and careers 347 Rufus Porter s Recipe for Mural Painting 347 Thomas Seir Cummings on Miniature Painting 348 A Folk Artist Overcomes a Disability 352 Thomas Sully s Hints to Young Painters 355 5. ANTEBELLUM AMERICA: PUBLIC ART AND POPULAR ART 359 THE U.S. GOVERNMENT AS PATRON: DECORATION OF THE CAPITOL 359 Horatio Greenough s George Washington 359 Lobbying for Capitol Commissions 367 The Liberty Cap as a Symbol of Slavery 372 Artists Weigh In on Art in the Capitol 374 ART IN PUBLIC 376 Hiram Powers s The Greek Slave 376 The Public Display of the Nude 382 George Templeton Strong Visits the National Academy 383 Too Many Portraits? 384 Henry James Remembers a New York Childhood 387 POPULAR ART, EDIFICATION, AND ENTERTAINMENT 388 Responses to the Daguerreotype 388 Taste and Print Culture 393 Daniel Huntington s Mercy s Dream 395 Gift Books and Sentimental Culture 400 High and Low: Taste in Painting 403 Currier & Ives: Art Hand in Hand with Business 404 Oliver Wendell Holmes on Stereographs 405 The American Museum 408 6. ANTEBELLUM AMERICA: EXPANDING HORIZONS 413 INTERNATIONAL TRAVEL AND EXCHANGE 4I3 Düsseldorf and the Düsseldorf Gallery 413 The Lure of Italy 416 MANIFEST DESTINY 424 MANUFACTURING HISTORY 428 American History, Pro and Con 428 The American Spirit of Emanuel Leutze 431 Emanuel Leutze s Clash of Civilizations 434 Washington Crossing the Delaware: Birth of an Icon 436 ART ON AND OF THE FRONTIER 439 The Noble Savage /Vanishing Race 439 George Catlin Portrays the Native Americans 439 Prince Max and Karl Bodmer among the Mandan 448 American Indians as Spectacle 452 American Indians as Pictorial Material 453 Western Life 454 George Caleb Bingham: Western Life and Western Politics 454 Critics on Bingham, East and West 456 Life on the Mississippi in John Banvard s Panorama 459 William Jewett s Letters from California 461 FREDERIC CHURCH S SUBLIME LANDSCAPES 463 Heart of the Andes 463 After Icebergs with a Painter 469 7. THE 1860s 473 TAKING STOCK 473 The Photograph and the Face 473 A Sunny View of American Progress in Art 478 James Jackson Jarves s The Art-Idea 479 Henry T. Tuckerman s Book of the Artists 485 Sculpture in Mid-century America 490 LANDSCAPE AT A CROSSROADS: NATURE SEEN THROUGH TELESCOPE AND MICROSCOPE 493 The American Pre-Raphaelites 493 Albert Bierstadt s Great Picture 502 Variations on a Scene: John Frederick Kensett, Albert Bierstadt, and Thomas Hill 505 Too Many Landscapes 508 civil war 511 The War and the Artist 511 A Southern View of the Arts during War 517 Photographs of Antietam 519 Sanitary Fairs 521 History Painting and the War 523 Winslow Homer s Prisoners from the Front 526 race 528 Sojourner Truth Inspires a Sculptor 528 John Quincy Adams Ward s Freedman 530 Anne Whitney s Africa 533 Postwar Painting and Race 535 ART AFTER CONFLICT 537 Memorializing the War 537 The National Academy of Design: Praise and Condemnation 541 Settling In: Artists in Their Studios 545 The Conditions of Art in America 549 Dissatisfaction with Artists 552 What Does Art Teach Us? 556 Is Religious Art Still Relevant? 557 8. THE GILDED AGE: LIFE AND LANDSCAPE AT HOME 563 NATIONALISM AND HOME SUBJECTS 563 Eugene Benson s French Gospel for Truly American Art 563 Home Subjects and Patriotic Painting 565 Eastman Johnson s Formula for Success 569 Art in the South 571 MODES OF REALISM 572 Winslow Homer, All-America η 572 Damnable Ugly: Henry James on Winslow Homer 574 Winslow Homer s Working Methods 578 Winslow Homer s Sea Change 582 Winslow Homer s Savage Nature and Primal Scenes 585 Thomas Eakins in Europe 589 Thomas Eakins s The Gross Clinic 592 Mariana Griswold Van Rensselaer Meets Thomas Eakins 597 Eadweard Muybridge s Serial Photographs 599 RACE AND REPRESENTATION 6O2 Robert Scott Duncanson and Passing 602 Edward Bannister and George Bickles: Discrimination and Acceptance 602 Winslow Homer: Painting Race 605 Henry Ossawa Tanner 608 landscapes: east and west 612 The Old Northeast 612 Armchair Tourism and Picturesque America 612 Poetry in Paint: Art in Boston 615 George Inness and the Spiritual in Art 620 George Inness and the Landscape of the Mind 623 The New West 627 William Henry Jackson: Photographing the West 627 Thomas Moran and the Western Sublime 630 Frederic Remington s Wild West 634 Cultural Intersections: Native Art and the White Imperial Gaze 637 9. THE GILDED AGE: ART WORLDS AND ART MARKETS 643 ART ON THE MARKET 643 French Art in New York 643 Buy American 644 Art as Commodity 646 Artists Broker Their Work 650 American Artists: Starving or Selling Out 652 Art World Diaries: Jervis McEntee and J. Carroll Beckwith 655 STUDIO LIFE AND ART SOCIETY 665 New Men and Women in New York 665 Artists and Models 668 William Merritt Chase s Super-Studio 672 Elizabeth Bisland Roving the Studios 676 The Tile Club: Play as Work 679 Artists in Their Summer Havens 681 Varnishing Day 683 10. THE GILDED AGE: EDUCATION, INSTITUTIONS, AND EXHIBITIONS 689 EDUCATION 689 A Cautionary Essay on Art Instruction 689 Boston 693 William Morris Hunt s Talks on Art 693 The Massachusetts Drawing Act of 1870 697 Chicago 700 Sculpture at the Art Institute of Chicago 700 New York 701 Labor and Art on the Lower East Side 701 Lemuel Wilmarth on the Life Class 703 Breaking Away: The Art Students League 705 Philadelphia 709 The School of the Pennsylvania Academy of the Fine Arts 709 The Pennsylvania Museum and School of Industrial Art 718 San Francisco 721 A Deaf Art Student in San Francisco 721 ART INSTITUTIONS 724 Young Turks: The Formation of the Society of American Artists 724 The Need for American Museums 731 George Inness on Art Organizations 736 THE PHILADELPHIA CENTENNIAL AND THE COLONIAL REVIVAL 738 E. L. Henry Dreams of the Past 738 The Centennial Exhibition 739 The Colonial Revival Landscape 744 11. COSMOPOLITAN DIALOGUES 747 INTERNATIONALISM 747 The Tariff Controversy 747 Internationalist Backlash 749 The Return from Europe 752 Friedrich Pecht: A German Critic on American Art 754 Americans Abroad 755 ART EDUCATION 759 Germany 759 The Munich School 759 France 764 Will Low Remembers Barbizon 764 J. Alden Weir Writes Home about Jean-Léon Gérôme 767 Elizabeth Boott Studies with Thomas Couture 770 Kenyon Cox Struggles in Paris 774 May Alcott Nieriker s Tips for Study in Paris 778 Student Life at the Ecole des Beaux-Arts 780 A Midwesterner in the City of Light 783 THE NUDE 785 Kenyon Cox s Lonely Campaign for the Nude 785 Anthony Comstock vs. Knoedler & Co. 788 Augustus Saint-Gaudens Resigns 792 ARCH-EXPATRIATES 794 James McNeill Whistler, Expatriate Extraordinaire 794 Art on Trial: James McNeill Whistler vs. John Ruskin 796 James McNeill Whistler s Platform 803 James McNeill Whistler and the Critics 806 John Singer Sargent, Man of the World 813 NEW WOMEN IN ART 821 Women Sculptors in the Eternal City 821 A Feminist Looks at Harriet Hosmer 826 Women Artists, Woman s Sphere 828 Mary Cassatt, Modern Woman 833 Cecilia Beaux: Becoming the Greatest Woman Painter 838 Should Women Artists Marry? 842 The Art Workers Club for Women 843 Advice for Women Photographers 844 12. NEW MEDIA, NEW TASTEMAKERS, NEW MASSES 849 CRITICAL VOICES 849 Eugene Benson 849 Earl Shinn on Criticism 852 Mariana Griswold Van Rensselaer Assesses the Progress of American Art 854 Sylvester Koehler Reflects on a Decade of American Art 857 William Howe Downes and Frank Torrey Robinson s Critical Conversations 864 THE LITTLE MEDIA 869 Watercolor 869 The American Taste for Watercolor 869 A Child s View of the Watercolor Show 871 Pastel 877 The Society of American Painters in Pastel 877 James Wells Champney on Pastels 881 Etching 883 The First American Etching 883 Two Views on Etching 884 Women Etchers: Mary Nimmo Moran 889 Otto Bacher on Whistler in Venice 891 Wood Engraving 893 POPULAR ART AND ITS CRITIQUE 896 The Nation vs. Prang & Co. 896 John Rogers, the People s Sculptor 903 The Trouble with Monuments 906 William Harnett s After the Hunt and The Old Violin 907 The Gap between Professionals and the Public 911 John George Brown, the Public s Favorite 914 in the magazines: the new illustrators 916 In Defense of Illustration 916 Howard Pyle s Credo 918 Charles Dana Gibson, Ail-American Illustrator 920 Women in Illustration 921 AMATEUR OR ARTIST? DEBATES ON PHOTOGRAPHY 923 Amateurs 923 Pictorialism 928 13. BEAUTY, VISION, AND MODERNITY 94г THE AESTHETIC MOVEMENT 941 Oscar Wilde s American Tour 941 Advice to Decorators 947 Poking Fun at Aestheticism 953 Aesthetic and Industrious Women 953 Japonisme 960 John La Farge s Revolution in Stained Glass 967 impressionism: critical reception 968 American Artists Confront Impressionism 968 French Impressionism Comes to America 970 impressionism: american practices 978 The Americanization of Impressionism 978 William Merritt Chase, Seeing Machine 982 Childe Hassam on Painting Street Scenes 985 impressionism: eclectic practices 988 Genealogies of Tonalism 988 Thomas Wilmer Dewing, Choice Spirit 993 Praise for John Twachtman 994 Refinement in Boston: Edmund Tárbeli 996 The Sensuous Color of John La Farge 997 ART COLONIES 998 Summer Colonies 998 Vacationing with Art in Shinnecock Hills 1002 Living the Life of Art in Cornish 1004 beyond the threshold: visionaries and dreamers 1007 William Rimmer: Angels and Demons 1007 Elihu Vedder, Mystical Joker 1010 Albert Pinkham Ryder: The Myth of the Romantic Primitive 1013 14. IMPERIAL AMERICA 1021 THE WORLD S COLUMBIAN EXPOSITION 1021 Experiencing the Fair 1021 Popular Art at the Fair 1027 MURAL PAINTING 1029 Edwin Howland Blashfield Defines Mural Painting 1029 Kenyon Cox Negotiates a Commission 1034 PUBLIC SCULPTURE IO35 Farragut Monument 1035 The National Sculpture Society 1040 Karl Bitter on Sculpture for the City 1041 A Victory Monument over Fifth Avenue 1045 RETROSPECTIVES AND PROSPECTS IO46 California vs. the East Coast 1046 The Clarke Sale Cements the Value of American Art 1047 American Art Poised for a New Century 1050 Surveying the Century: Samuel Isham and Charles Caffin 1056 Acknowledgments 1061 List of Illustrations 1063 Index 1065
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title	American art to 1900 a documentary history
title_auth	American art to 1900 a documentary history
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title_full	American art to 1900 a documentary history Sarah Burns and John Davis
title_fullStr	American art to 1900 a documentary history Sarah Burns and John Davis
title_full_unstemmed	American art to 1900 a documentary history Sarah Burns and John Davis
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topic_facet	Art, American Sources Kunst USA Quelle
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017156433&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT burnssarah americanartto1900adocumentaryhistory AT davisjohn americanartto1900adocumentaryhistory

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