Sound and Communication: an aesthetic cultural history of Sanskrit Hinduism
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Medienkombination Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin [u.a.]
de Gruyter
2011
|
| Schriftenreihe: | Religion and Society
41 |
| Schlagwörter: | |
| Links: | http://deposit.dnb.de/cgi-bin/dokserv?id=3082335&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016984913&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XXIII, 1112 S. 230 mm x 155 mm CD (12 cm) |
| ISBN: | 9783110181593 3110181592 9783110240030 |
Internformat
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| 245 | 1 | 0 | |a Sound and Communication |b an aesthetic cultural history of Sanskrit Hinduism |c Annette Wilke ; Oliver Moebus |
| 264 | 1 | |a Berlin [u.a.] |b de Gruyter |c 2011 | |
| 300 | |a XXIII, 1112 S. |c 230 mm x 155 mm |e CD (12 cm) | ||
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Datensatz im Suchindex
| _version_ | 1819259161483935744 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
FOREWORD
V
I
.
METHODOLOGY
........................................................................
1
1
HINDUISM
AS
A
CULTURE
OF
SOUND
.............................................
1
1.1
NOTES
ON
THEORY,
METHOD
AND
SCOPE
OF
INQUIRY
.................
11
1.2
APPLIED
AESTHETICS
OF
RELIGION
............................................
25
1.3
SANSKRIT
HINDUISM
AND
PHONOCENTRISM
OF
SANSKRIT
CULTURE
...38
1.3.1
POST
ORIENTALISM:
RELIGION
AND
SANSKRIT
HINDUISM
........
45
1.4
TEXTS
IN
PRACTICE
AND
THE
PERFORMATIVITY
OF
TEXTS
...............
52
1.4.1
RITUAL
SOUND
SPACES
AND
SOCIAL
SEMIOTICS
......................
53
1.4.2
RELIGIOUS
READINGS
AND
HOLY
HEARING
..............................
58
1.4.3
PROGRAM
FOR
A
SONIC
LITERARY
HISTORY
AND
THEORY
...........
66
1.5
COMMUNICATION
AND
RECEPTION
OF
SOUNDING
TEXTS
.............
71
1.5.1
RELIGION
AS
SYMBOLIC
COMMUNICATION
AND
SOCIOLOGY
OF
RELIGIOUS
EXPERIENCE
..........................................
72
1.5.2
AESTHETICS
OF
RECEPTION
AND
RELIGION
..............................
79
1.5.3
RELIGIOUS
AESTHETICS
AND
ACOUSTIC
PIETY
.........................
88
1.5.3.1
MODES
AND
MULTI-DIMENSIONALITY
OF
ACOUSTIC
PIETY
92
1.5.3.2
ANIMATED
SOUND
EXPLAINED
...........................
102
1.5.4
REVIEW
AND
OUTLOOK
FOR
THE
SONIC
PARADIGM
AND
SOUND
AS
SYMBOLIC
FORM
...................................
125
XVI
TABLE
OF
CONTENTS
1.6
ORIENTATION
ON
SCRIPTURES
AND
ORIENTATION
ON
SOUNDS
-
RELIGIONS
COMPARED
..................................................
130
1.6.1
STONE
TABLETS
AND
BOOKS
THAT
COME
TO
LIFE
....................
136
1.6.2
MEMORY
TECHNIQUES
AND
INTERNALIZATION
.........................
144
1.6.3
ACOUSTIC
PIETY
IN
INDIA
AND
EUROPE
.................................
151
1.6.4
HISTORICAL
AND
CULTURAL
DISSONANCES
IN
SEMI-LITERATE
ZONES
.................................................................
157
1.7
THE
POWER
OF
THE
MEDIA
AND
THEIR
CULTURAL
CONTINGENCY
...
175
1.7.1
ORALITY-LITERACY
DEBATE
AND
SANSKRIT
CULTURE
.................
179
1.7.2
ORALITY
OR
LITERACY
IN
ANCIENT
INDIA?
...............................
191
1.7.3
SONALITY
AS
A
THIRD
SPACE:
NEW
ASPECTS
FOR
DEBATE
......
197
1.7.4
MEDIA
PRACTICE
AS
AESTHETIC
PRACTICE
...............................
207
1.7.5
RELIGIOUS
PRACTICES
AND
LITERATURES
AS
PERCEPTION-
GENERATING
NETWORKS
.........................................
217
1.8
LITERATI
IN
INDIA
AND
EUROPE
................................................
225
1.8.1
AUDIBLE
ABSTRACTIONS:
PANINI
S
GRAMMAR
AS
TRENDSETTER
OF
SCIENCE
.......................................
227
1.8.2
SCIENTIFIC
PRACTICE
AND
AESTHETIC
STYLE
OF
INDIAN
MATHEMATICIANS
AND
ASTRONOMERS
...................
228
1.8.3
THE
INDIAN
LITURGICAL
MODEL
AND
THE
GREEK
LOGOCENTRIC
MODEL
...........................................
243
1.8.4
PUBLIC
SCHOLARLY
DISPUTES
IN
MEDIEVAL
EUROPE
AND
INDIA
-
CHURCH
AND
STATE
POLITICS
.....................
250
1.8.5
SCIENCE
AND
RELIGION
-
CORRELATION
SPACES,
DISCURSIVE
FORMATIONS,
PRAGMATIC
FUNCTIONS
....................
254
1.9
FROM
MEDIA
TECHNOLOGY
TO
THE
SYMBOLIC
FORMS
AS
CULTURAL
MEDIA
..........................................................
267
1.10
SOUND
RITUALS
OF
THE
GODDESS
LANGUAGE
-
SYMBOLIC
FORMS
OF
LANGUAGE
AND
SOUND
.................................
278
1.10.1
THE
LANGUAGE-COW
AND
RESOURCES
OF
THE
BRAHMINS
....
288
1.10.2
MYTHOS
AND
LOGOS
-
ON
THE
COEXISTENCE
OF
PARTICIPATION
AND
EMANCIPATION
........................
296
1.10.2.1
PARTICIPATORY
AND
EMANCIPATORY
WORLD
ORIENTATIONS
...................................................
297
1.10.2.2
MAGIC
AND
MYTH
.............................................
305
TABLE
OF
CONTENTS
XVII
1.10.3
MYTHICAL-TERMINOLOGICAL
SYNTHESES
.............................
310
1.10.3.1
THE
LANGUAGE
GODDESS
AS
SUBSTANCE
AND
METAPHOR:
CODE-SWITCHING
STRATEGIES
......
310
1.10.3.2
THE
COSMIC
LANGUAGE
AND
OTHER
UNIVERSAL
MYTHS
............................................
315
1.11
CONSIDERATIONS
OF
CULTURAL
THEORY
ON
EMANCIPATION
AND
PARTICIPATION
AS
GUIDING
HEURISTIC
DIFFERENCE
..........
320
IL
HISTORY
................................................................................
331
2
THE
VEDA
AS
A
BASIC
PARADIGM
FOR
SACRED
LANGUAGE
AND
SACRED
SOUND
......................................................................
331
2.1
PERFORMANCE
AND
AURA
........................................................
331
2.1.1
AESTHETIC
MESSAGE
AND
FORMS
OF
RECEPTION
..................
334
2.1.2
MNEMONIC
TECHNIQUES
AND
TRANSMISSION
.....................
344
2.2
THE
VEDA
AS
CULTURAL
MEMORY:
ETERNAL
KNOWLEDGE
AND
THE
EVER
FRESH
VEDAS
.................................................
347
2.3
EVOCATION
AND
EXPRESSION:
THE
EARLY
RGVEDA
....................
359
2.3.1
HYMNS,
THE
FOOD
OF
THE
GODS
..........................................
360
2.3.2
LOWING
OF
CATTLE
AND
CROAKING
OF
FROGS
.........................
361
2.3.3
THE
BRAHMAN
AS
POETIC
MAGIC
.........................................
363
2.3.4
THE
KEEPER
OF
THE
BRAHMAN
.............................................
367
2.3.5
LANGUAGE
AS
A
GODDESS
....................................................
370
2.3.5.1
THE
LANGUAGE
SPEAKS
:
THE
VAG
AMBHRNL
HYMN
..............................................
373
2.3.5.2
SIFTED
WORDS
-
THE
BRHASPATI
AHGIRASA
HYMN
.............................................................
376
2.4
PROFESSIONALISATION
OF
THE
SACRIFICIAL
LANGUAGE:
LATE
SAMHITA
AND
BRAHMANAS
.....................................................
378
2.4.1
THE
VOICE
AND
THE
INEXHAUSTIBLE
:
THE
LATE
RGVEDA....
382
2.4.2
THE
RIDDLE
IN
THE
HYMN
OF
DIRGHATAMAS
.........................
384
2.4.2.1
THE
NEW
BRAHMAN
.........................................
384
XVIII
TABLE
OF
CONTENTS
2.4.2.2
THE
THOUSAND-SYLLABLED
BUFFALO
COW
........
387
2.4.3
METRICAL
MAGIC
WITH
NUMBERS
........................................
390
2.4.4
SOUND
RITUALS
FOR
THE
VEDIC
NEW
YEAR
..........................
394
2.4.4.1
THE
GREAT
LITANY
.............................................
395
2.4.4.2
THE
SYLLABLE
OF
LIFE
........................................
397
2.4.4.3
EARTH-DRUM
AND
LIFE-HARP
-
ESCHATOLOGICAL
CARNE
VAL
MUSIC
..............................................
401
2.5
SEMANTICIZATION
AND
LANGUAGE
ACT:
THE
YAJUR-VEDA
........
404
2.5.1
MANTRAS
AS
SPEECH
ACTS
AND
LANGUAGE
ACTS
...................
406
2.5.2
THE
DISCIPLINED
SPIRIT
AND THE
DIONYSIC
..........................
409
2.5.3
COSMOGONIC
FUNCTION
OF
LANGUAGE
.................................
414
2.5.4
ETYMOLOGY
AS
AN
INTERPRETATION
OF
REALITY
.......................
416
2.6
SOUND
RITUALS:
THE
SAMA-VEDA
...........................................
423
2.6.1
MIMETIC
MAGIC
................................................................
427
2.6.2
CATERWAULING
AND
HOWLING
STORMS
..............................
430
2.6.3
INCORPOREAL
SONGS
........................................................
432
2.6.4
THE
INEXPRESSIBLE
SYLLABLE
OM
....................................
435
2.6.5
HUMMING
PITHECANTHROPOI
AND
SOSOSOOOONGING
.......
438
2.6.6
HOW
TO
SING
ONESELF
INTO
THE
OTHER
WORLD
....................
440
2.7
OM
IN
THE
EARLIER
UPANISADS
...............................................
443
2.7.1
OM
AS
ESSENCE
(CHANDOGYA-UPANISAD)
.......................
445
2.7.2
LANGUAGE
SKEPTICISM
(TAITTIRIYA-UPANISAD)
...................
448
2.8
OM
IN
THE
LATER
UPANISADS
..................................................
450
2.8.1
OM
AS
TOOL
FOR
CONTEMPLATION
(MUNDAKA-UPANISAD)...
450
2.8.2
OM
AS
SUPERSTRUCTURE
(MANDUKYA-UPANISAD)
................
452
3
COMPOSITION
AND
DECOMPOSITION:
ANALYTICAL
STUDIES
AND
POPULARIZATIONS
OF
THE
VEDA
-
RATIONALITY
AND
AESTHETICS
OF
POST-VEDIC
LITERATURES
AND
PERFORMING
ARTS
...........
457
3.1
THE
NOSTALGIA
OF
THE
BARDS
.................................................
457
3.2
THEISTIC
TOPPING
OF
THE
VEDA
IN
LITANIES
AND
PURANAS
...462
TABLE
OF
CONTENTS
XIX
3.2.1
THE
HUNDRED
AND
THE
THOUSAND
NAMES
OF
THE
UNIVERSAL
GOD
...................................................
463
3.2.2
HEARING
THAT
BRINGS
DELIVERANCE
...................................
468
3.3
AUXILIARY
VEDIC
STUDIES:
SYSTEMATICS
AND
ABSTRACTIONS
....472
3.3.1
GRAMMARIANS
..................................................................
474
3.3.1.1
PATANJALI
S
ARGUMENTS
IN
SUPPORT
OF
GRAMMAR
........................................................
474
3.3.1.2
THE
PHONETIC
ALPHABET
..................................
477
3.3.1.3
SUTRA TECHNIQUE
AND
PANINI
S
META-LANGUAGE
.............................................
480
3.3.1.4
SIVASUTRANI
AND
THE
CODE
SYSTEMS
IT
INSPIRED
..........................................................
483
3.3.1.5
GROWTH
AND
OTHER PARTICIPATORY
SURVIVALS
....................................................
489
3.3.2
PHONETICIANS
.....................................................................
492
3.3.2.1
TRAINING
THE
MIND
THROUGH
SOUNDS
...............
493
3.3.2.2
PHONETICS
AND
AESTHETICS
...............................
500
3.4
THEATER
AS
THE
FIFTH
VEDA
AND
THE
THEORY
OF
AESTHETIC
MOODS
........................................................
504
3.4.1
PHENOMENOLOGY
OF
MOODS
...............................................
505
3.4.2
SEMANTICIZATION
OF
GESTURES
............................................
510
3.4.3
EXPRESSIVE
VOCALIZATION
..................................................
513
3.4.4
ONOMATOPOEIC
CODES:
THE
LANGUAGE
OF
DRUMS
...............
516
3.5
ENTERTAINING
LEARNING
IN
THEATER
AND
REMYTHIFICATION
OF
THE
SCIENCE
OF
GRAMMAR
IN
LIGHT
READING
...............
519
4
PLURALISM
AND
THE
SEARCH
FOR
ORIENTATION:
DE-SACRALIZATION
AND
RE-SACRALIZATION
OF
LANGUAGE
IN
POETICS,
LINGUISTICS,
AND
METAPHYSICS
..........................................................
525
4.1
COURTLY
POETRY:
ORNATE
AND
EXPRESSIVE
SPEECH
..................
530
4.1.1
THE
LANGUAGE
WORKSHOP
OF
THE
....................................
530
4.1.1.1
LANGUAGE
ORNAMENTATION
..............................
532
4.1.2
THE
SCHOOL
OF
SUGGESTION
...............................................
541
4.2
BRAHMANICAL
AGGIORNAMENTO:
RATIONALIST
CHALLENGES
AND
THE
RISE
OF
VEDA
HERMENEUTICS
................................
548
XX
TABLE
OF
CONTENTS
4.3
THE
PURVA-MIMAMSA
AND
THEIR
THEORY
OF
THE
ETERNAL
VALIDITY
OF
WORDS
AND
SOUNDS
.................................
551
4.3.1
PHILOSOPHICAL
FUNDAMENTALS
AND
PRAGMATIC
RATIONALITY..
556
4.3.2
ON
THE
THEORY
OF
THE
ETERNITY
OF
LINGUISTIC
STATEMENTS
..
562
4.3.2.1
ETERNAL
EXISTENCE
OF
PHONEMES
......................
562
4.3.2.2
ETERNAL
EXISTENCE
OF
WORDS
...........................
564
4.3.3
ARELIGIOUS
RELIGION
..........................................................
569
4.4
THE
UTTARA-MIMAMSA
AND
THEIR
COMMUNICATION
OF
THE
NON-VERBAL
................................................................
584
4.4.1
ON
THE
LIMITS
OF
LANGUAGE
..............................................
589
4.4.2
EXEGESIS
AND
TEACHING
METHOD
OF
TAT
TVAM
ASI
............
595
4.4.3
REVELATION
AND
REASON
..................................................
604
4.5
BHARTRHARI
S
LINGUISTIC
TURN
AND
HIS
METAPHYSICS
OF
LANGUAGE
..................................................................
615
4.5.1
LINGUISTIC
THEORY
............................................................
618
4.5.2 METAPHYSICAL
THEORY
.......................................................
624
4.5.3
THE
COMMUNICATIVE
GLOBAL
NETWORK
OF
MEANINGS
.......
629
4.5.4
CULTURE
AND
LANGUAGE
......................................................
641
4.5.5
THE
THREE
DIMENSIONS
OF
LANGUAGE
...............................
646
5
PERFORMANCE
AND
SENSUALITY:
THE
SOUND
UNIVERSES
OF
TANTRA
AND
DEVOTIONALISM
............................................
664
5.1
THE
TANTRIC
WEAVING
FRAME
:
NOTES
ON
DEFINITION,
ACTORS
AND
POLITICS
....................................................
674
5.2
SEX
AND
CRIME
WITH
THE
TANTRISTS:
OTHERING
DISCOURSES
IN
EAST
AND
WEST
........................................................
684
5.3
MANTRAS
AS
DIVINE
SELF-REVELATION
.....................................
690
5.4
POWER
RELIGION
AND
OCCULT
SOUNDS
....................................
692
5.4.1
THE
HEAVENLY
EAR
...........................................................
695
5.4.2
THE
SINGING
SKULL
AND
THE
BIRTH
OF
BIJA
MANTRAS
..........
697
5.4.3
CLANKING
ETHER,
OMINOUS
NOISES
AND
NON-STRUCK
SOUND
.........................................
702
TABLE
OF
CONTENTS
XXI
5.4.4
MIMETIC
SOUND
MAGIC
....................................................
707
5.5
THE
MANTRA
OF
THE
SYNTHETIC
TANTRAS
..................................
713
5.5.1
THE
MANTRIC
FIRST
AID
KIT
...........................................
713
5.5.2
MORPHOLOGY
OF
THE
SEED
SOUNDS
..................................
717
5.5.3
MANTRA
RITUALS
................................................................
721
5.5.3.1
ENCODING
AND
VISUALIZATION
OF
MANTRAS
.......
722
5.5.3.2
SOMATIC
APPLICATIONS:
NYASA
.........................
726
5.5.3.3
GRAPHIC
APPLICATIONS:
YANTRA
AND
MANDALA
...
729
5.6
PHONEMATIC
COSMOGONIES
.................................................
738
5.6.1
ENERGY
.............................................................................
738
5.6.2
ORIGINAL
MATTER
AND
ORIGINAL
SOUND
.............................
740
5.6.3
LANGUAGE
CREATION
AND
WORLD
CREATION
..........................
746
5.6.4
THE
COMMUNICATIVE
BRAHMAN
AS
A
COILED
SNAKE
AND
ENERGETIC
PRESENCE
IN
THE
BODY
........................
749
5.7
MANTRAS
AS
CONTEMPLATIVE
INSTRUMENTS
..............................
751
5.7.1
THE
COSMO-GRAMMAR
OF
THE
SRIVIDYA
.............................
752
5.7.2
THE
LANGUAGE
GODDESS
ON
THE
SHOULDERS
OF
THE
HERMENEUTIST
.....................................................
754
5.7.3
1103.333
...
MILLISECONDS
OF
ETERNITY
..............................
756
5.8
ABHINAVAGUPTA
-
LANGUAGE
AS
REFLECTED
PRESENCE
............
762
5.8.1
POETIC
BIOGRAPHY
AND
SUBJECTIVE
LANDSCAPE
...................
766
5.8.2
HOLISTIC
PERCEPTION
AND
COSMIC
LANGUAGE
......................
771
5.8.3
PHENOMENOLOGY
OF
THE
ALPHABET
.....................................
775
5.8.3.1
THE
INNER
TRINITY
(A,
I,
U)
................................
778
5.8.3.2
THE
TRINITY
RELEVANT
TO
SOTERIOLOGY
(A,
H,
M)
..
783
5.8.4
THE
FOUR
LEVELS
OF
LANGUAGE
..........................................
788
5.8.5
THE
AUDIBLE
PEACOCK
S
TAIL
.............................................
790
5.9
DIVINE
ATMOSPHERES:
TEXT
AND
MUSIC
IN
THE
DEVOTIONAL
TRADITIONS
.................................................................
792
5.9.1
HEARING
AND
SENSING
THE
BUFFALO-DEMON-SLAYER
............
794
5.9.2
INDIVIDUAL
MUSICAL
FORMS
OF
THE
FLOOD
OF
BEAUTY
799
5.9.3
THE
DISAPPEARANCE
OF
LANGUAGE
IN
MUSIC
......................
804
XXII
TABLE
OF
CONTENTS
6
SENSORY
SUBSTANCE:
NADA-BRAHMAN
IN
EAST
AND
WEST
......
809
6.1
A
LITTLE
RESEARCHED
SYMBOLIC
FORM
AND
IST
TRANSRELIGIOUS
IMPACT
................................................
810
6.2
THE
NADA-BRAHMAN
AS
A
MEANS
OF
HEALING
FOR
WESTERN
EYE-PEOPLE
:
THE
WORLD
IS
SOUND
IN
NEW
AGE
...
818
6.3
THE
NADA-BRAHMAN
AS
AN
INDIGENOUS
CATEGORY:
THE
WORLD
IS
SOUND
IN
THE
INDIAN
MIDDLE
AGES
..........
830
6.3.1
MUSIC
AS
A
YOGA
FOR
EVERYBODY
AND
THE
SOUND
MYSTICISM
OF
THE
INDIAN
MUSICOLOGISTS
.............
836
6.3.2
DEVELOPMENTS
IN
THE
TERM
BRAHMAN
AND
THE
TRANSFORMATIONS
OF
THE
LANGUAGE
GOODESS
......
847
6.3.3
THE
YOGIC
TANTRIC
LEGACY
AND
ITS
RECODING
..................
856
6.3.4
DEVOTIONAL
NADA-YOGA
IN
SOUTH
INDIAN
CLASSICAL
MUSIC
862
6.3.5
CULTIVATION
OF
GREAT
TRANSCENDENCIES
AND
SOCIAL
SENSE
SYSTEMS
..................................................
870
6.3.6
FROM
THE
LIMINAL
TO
THE
SUBLIME
AND
POPULAR
................
879
6.3.7
CONFLUENCE
OF
TRADITIONS
IN
THE
NADA-BRAHMAN
AND
TRANSRELIGIOSITY
.................................................
887
6.3.8
THE
MOOD
OF
NADA-BRAHMAN
..........................................
902
6.3.9
THE
TAMPURA
AS
TOTAL
REPRESENTATION
OF
THE
NADA
BRAHMAN
...........................................................
905
6.3.10
CULTURAL
BOUNDARIES
AND
DELIMITING
CULTURE
..................
914
6.3.11
MUSIC
OF
THE
UNIVERSE
AND
NADA-BRAHMAN
.....................
947
6.3.11.1
GLASS
BEAD
GAME
IN
EUROPE
AND
INDIA
.....
983
6.3.11.2
TRANSNATIONALIZATION
OF
THE
NADA-BRAHMAN....
991
6.4
CONCLUDING
THESES
ON
INDIA
S
SIGNIFICANCE
FOR
MODERN
SPIRITUALITY
...............................................................
1016
TABLE
OF
CONTENTS
XXIII
7
APPENDIX:
MUSIC
CD
-
ACCOMPANYING
TEXT
...................
1042
PRIMARY
SOURCES
.......................................................................
1051
SECONDARY
SOURCES
...................................................................
1061
INDEX
........................................................................................
1097
|
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| author | Wilke, Annette 1953- Moebus, Oliver |
| author_GND | (DE-588)135639069 |
| author_facet | Wilke, Annette 1953- Moebus, Oliver |
| author_role | aut aut |
| author_sort | Wilke, Annette 1953- |
| author_variant | a w aw o m om |
| building | Verbundindex |
| bvnumber | BV035178102 |
| classification_rvk | BE 8032 |
| ctrlnum | (OCoLC)633964272 (DE-599)DNB987973215 |
| dewey-full | 294.54 |
| dewey-hundreds | 200 - Religion |
| dewey-ones | 294 - Religions of Indic origin |
| dewey-raw | 294.54 |
| dewey-search | 294.54 |
| dewey-sort | 3294.54 |
| dewey-tens | 290 - Other religions |
| discipline | Sprachwissenschaft Theologie / Religionswissenschaften |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Kit Book |
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| id | DE-604.BV035178102 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T13:24:57Z |
| institution | BVB |
| isbn | 9783110181593 3110181592 9783110240030 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016984913 |
| oclc_num | 633964272 |
| open_access_boolean | |
| owner | DE-384 DE-473 DE-BY-UBG DE-703 DE-19 DE-BY-UBM DE-12 DE-29 |
| owner_facet | DE-384 DE-473 DE-BY-UBG DE-703 DE-19 DE-BY-UBM DE-12 DE-29 |
| physical | XXIII, 1112 S. 230 mm x 155 mm CD (12 cm) |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | de Gruyter |
| record_format | marc |
| series | Religion and Society |
| series2 | Religion and Society |
| spellingShingle | Wilke, Annette 1953- Moebus, Oliver Sound and Communication an aesthetic cultural history of Sanskrit Hinduism Religion and Society Hinduismus (DE-588)4024955-4 gnd Kultur (DE-588)4125698-0 gnd Sanskrit (DE-588)4051642-8 gnd Klang (DE-588)4030933-2 gnd Religiöse Erfahrung (DE-588)4076649-4 gnd |
| subject_GND | (DE-588)4024955-4 (DE-588)4125698-0 (DE-588)4051642-8 (DE-588)4030933-2 (DE-588)4076649-4 |
| title | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism |
| title_auth | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism |
| title_exact_search | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism |
| title_full | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism Annette Wilke ; Oliver Moebus |
| title_fullStr | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism Annette Wilke ; Oliver Moebus |
| title_full_unstemmed | Sound and Communication an aesthetic cultural history of Sanskrit Hinduism Annette Wilke ; Oliver Moebus |
| title_short | Sound and Communication |
| title_sort | sound and communication an aesthetic cultural history of sanskrit hinduism |
| title_sub | an aesthetic cultural history of Sanskrit Hinduism |
| topic | Hinduismus (DE-588)4024955-4 gnd Kultur (DE-588)4125698-0 gnd Sanskrit (DE-588)4051642-8 gnd Klang (DE-588)4030933-2 gnd Religiöse Erfahrung (DE-588)4076649-4 gnd |
| topic_facet | Hinduismus Kultur Sanskrit Klang Religiöse Erfahrung |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=3082335&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016984913&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV023546466 |
| work_keys_str_mv | AT wilkeannette soundandcommunicationanaestheticculturalhistoryofsanskrithinduism AT moebusoliver soundandcommunicationanaestheticculturalhistoryofsanskrithinduism |