The plays, screenplays and films of David Mamet:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2008
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Readers' guides to essential criticism
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016596312&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | IX, 178 S. |
| ISBN: | 9780230555358 9780230555341 0230555349 0230555357 |
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Datensatz im Suchindex
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| adam_text | Contents
Introduction 1
The Introduction provides an overview of this Guide, and a short
history of Mamet criticism.
CHAPTER ONE 8
Early Plays: Lakeboat (1970), The Duck Variations (1972), Sexual
Perversity in Chicago (1974)
Opposing views of the plays by C. W. E. Bigsby and Dennis Carroll;
Guido Almansi, Carla J. McDonough, Robert Storey and Philip C. Kolin
on language; Michael Hinden, Varun Begley and Bruce Barton on set-
ting and staging; David Savran, David Skeele and Douglas Bruster on
Sexual Perversity and genre.
CHAPTER TWO 17
American Buffalo (1975)
Stage history and early critical reception; Thomas L. King, Johan Cal-
lens, William Little and Jon Dietrick on money; Carla J. McDonough,
Hersh Zeifman and Robert Vorlicky on gender; Jeanette R. Malkin,
Christopher C. Hudgins, Stanton B. Garner, Deborah R. Geis, Bruce
Barton and Toby Silverman Zinman on language.
CHAPTER THREE 27
A Life in the Theatre (1977), The Water Engine (1977), Mr. Happiness
(1977)
C. W. E. Bigsby and Deborah R. Geis on metatheatre; Pascale Hubert-
Liebler on power; Johan Callens on ‘remediation’.
V
Vi CONTENTS
CHAPTER FOUR 34
Other 1970s Plays: The Woods (1977), Reunion (1976), Dark Pony
(1977), Children’s Plays, Squirrels (1974), Marranos (1975), Lone
Canoe(1979)
Contrasting views of C. W. E. Bigsby and Dennis Carroll on Mamet’s
1970s plays; Thomas R Adler on the children’s plays; Leslie Kane on
Marranos; Carroll on Lone Canoe.
CHAPTER FIVE 42
The Screenplays, 1981-9: The Postman Always Rings Twice (1981),
The Verdict (1982), The Untouchables (1987), We’re No Angels (1989)
Problems posed to literary criticism by the screenplay form; discus-
sions of adaptations and production histories; the high valuation
placed on The Verdict in screenwriting manuals.
CHAPTER SIX 50
Edmond (1982)
Intertextual comparisons to other works; debates about realism and
expressionism; Edmond as Everyman, seventies man and eighties
man; Carla J. McDonough and others on gender and ontology.
CHAPTER SEVEN 58
Glengarry Glen Ross (1983)
C. W. E. Bigsby, Matthew C. Roudané, Richard Brucher, David Kennedy
Sauer, Steven Price and Elizabeth Klaver on American ideology, ethics
and nostalgia; Linda Dorff and others on money and business; Tony
J. Stafford, Leslie Kane and Deborah R. Geis on race and ethnicity;
Hersh Zeifman, Carla J. McDonough, Robert Vorlicky and Jeanne-
Andrée Nelson on gender; Vorlicky and others on language; absent
characters; Robert I. Lublin and Christopher C. Hudgins on the 1992
film adaptation.
CHAPTER EIGHT
Prairie du Chien (1978), The Shawl (1985)
CONTENTS vii
70
Dennis Carroll, Deborah R. Geis and llkka Joki on Prairie du Chien;
Bruce Barton on The Shawl as ‘organic’ theatre; other discussions
of The Shawl by Philip C. Kolin, Henry I. Schvey, Dennis Carroll and
C. W. E. Bigsby.
CHAPTER NINE 75
House of Games (1987)
Psychoanalytical interpretations by William F. Van Wert, Ann C. Hall
and Diane M. Borden; feminist approaches by Bruce Barton, Laura
Kipnis and Marina deBellagente LaPalma; Elizabeth Klaver, Steven
Price and Roger Ebert on semiotics and the confidence game.
CHAPTER TEN 85
Speed-the-Plow (1988)
Leslie Kane on ethnicity; Ruby Cohn and Christopher C. Hudgins on
language; David Radavich on homosocial desire; feminist critiques
by Carla J. McDonough, Marcia Blumberg, Jeanne-Andrée Nelson,
Katherine H. Burkman and Ann C. Hall, and counter-arguments by
Janet V. Haedicke and Steven Price.
CHAPTER ELEVEN 92
Things Change (1988)
Dennis Carroll and Gay Brewer on myth and fairy tale; Leslie Kane
on ethics and ethnicity; difficulties with thematic interpretations of
Mamet’s films; discussion of the critical neglect of Things Change.
CHAPTER TWELVE 98
The ‘Bobby Gould’ Plays (c.1989)
Toby Silverman Zinman’s imaginary chronology of Bobby Gould; Leslie
Kane on autobiography and ethnicity; Jeanne-Andrée Nelson on
scapegoating; Howard Pearce’s approach via philosophy.
viii CONTENTS
CHAPTER THIRTEEN 104
Homicide (1991)
The ‘tough Jew’ and other approaches to race and ethnicity by
J. Hoberman, Philip Hanson, Joel Streicker and Ranen Omer; William
Van Wert, Adam Zachary Newton and others on conspiracy theories;
cinematic analyses by Laurence Roth and Bruce Barton.
CHAPTER FOURTEEN 112
Oleanna (1992)
Preliminary discussion of the controversy prompted by the first pro-
ductions; contrasting views of realism, ‘truth’ and postmodernity by
Sandra Tome and David Sauer; Thomas H. Goggans on subtext and
Leslie Kane on ethnicity; Roger Bechtel and Marc Silverstein on the
culture wars surrounding ‘political correctness’ and American higher
education; Stanton B. Garner, Richard C. Raymond, Katherine H. Burk-
man, Carla J. McDonough and Kellie Bean on sexual harassment
and misogyny; Richard Badenhausen, Verna Foster, Jean Jacques
Weber, Steven Ryan, Craig Stewart Walker, Christine MacLeod and
Kenneth Womack on power, language and pedagogy; brief discussion
of Mamet’s 1994 film adaptation.
CHAPTER FIFTEEN 123
The Cryptogram (1994)
Leslie Kane on autobiography and ethnicity; Janet V. Haedicke and
Martin Schaub on American domestic realism; Howard Pearce and
Thomas P Adler on signification and mystification; Linda Dorff on
misogyny and homophobia.
CHAPTER SIXTEEN 128
The Spanish Prisoner (1997), The Edge (1997), Wag the Dog (1997)
The Spanish Prisoner compared to Hitchcock s films and to House of
Games , Temenuga Trifonova’s cinematic analysis of the confidence
game; high valuations of The Edge by Claire Magaha, Leslie Kane and
Thomas P Adler; Tom Stempel on Wag the Dog and authorship.
CONTENTS be
CHAPTER SEVENTEEN 135
The Winslow Boy (1999) and after: State and Main (2000), Heist
(2001), Spartan (2004), Boston Marriage (1999)
Irene Morra and Ira Nadel on The Winslow Boy and Edwardiana; Yannis
Tzioumakis on ‘industrial auteurism’; paucity of criticism on the later
films and plays.
Conclusion 141
Christopher (C. W. E.) Bigsby, Thomas P. Adler and llkka Joki on the
novels; Steven Ryan and Franz Wieselhuber on teleplays; concluding
remarks on developing themes in criticism, including Jewish iden-
tity and masculinity, the authorial personae and postmodernity, and
Matthew C. Roudane and Michael L. Quinn on Mamet and American
culture.
NOTES 148
SELECT BIBLIOGRAPHY 164
INDEX
174
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| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
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| spellingShingle | Price, Steven 1964- The plays, screenplays and films of David Mamet Mamet, David Criticism and interpretation Mamet, David 1947- (DE-588)11901730X gnd Dramatists, American 20th century Rezeption (DE-588)4049716-1 gnd Drehbuch (DE-588)4127976-1 gnd Drama (DE-588)4012899-4 gnd Film (DE-588)4017102-4 gnd |
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| title | The plays, screenplays and films of David Mamet |
| title_auth | The plays, screenplays and films of David Mamet |
| title_exact_search | The plays, screenplays and films of David Mamet |
| title_full | The plays, screenplays and films of David Mamet Steven Price |
| title_fullStr | The plays, screenplays and films of David Mamet Steven Price |
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