Verfügbarkeit: La ceramica "corinzia" decorata a matrice

La ceramica "corinzia" decorata a matrice: tipologia, cronologia ed iconografia di una produzione ceramica greca di età imperiale

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Bibliographische Detailangaben
Beteilige Person:	Malfitana, Daniele (VerfasserIn)
Format:	Buch
Sprache:	Italienisch
Veröffentlicht:	Bonn Habelt 2007
Schriftenreihe:	Rei Cretariae Romanae Fautorum acta Supplementum ; 10
Schlagwörter:	Geschichte Reliefkeramik Funde Römisches Reich
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016165561&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	217, XXV S. Ill.
ISBN:	9783774935457

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Datensatz im Suchindex

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adam_text	INDICE Abbreviazioni bibliografiche ...................................................................................................................................... 7 Sigle di riviste, periodici e lessici ............................................................................................................................... 27 PREMESSA ............................................. .................................................................................................................. 29 I. GLI STUDI ..................................................................................................................................................... 31 II. LE CARATTERISTICHE TECNICHE ...................................................................................................... 35 II. 1. Le argille e le vernici ......................................................................................................................... 35 IL 2. Osservazioni sulle tecniche di fabbricazione ..................................................................................... 35 II. 3. La decorazione ................................................................................................................................... 36 III. LAMORFOLOGIA ...................................................................................................................................... 39 III. 1. La tipologia: approccio metodologico ............................................................................................... 39 III. 1. a. La forma 1: la coppa/pisside ............................................................................................ 40 III. 1. b. La forma 2: la coppa/piatto .............................................................................................. 41 III. I.e. La forma 3: la trulla ......................................................................................................... 42 III. 2. Strumenti per l elaborazione della tipologia ...................................................................................... 42 III. 2. a. I tipi della forma 1............................................................................................................. 42 III. 2. b. I tipi della forma 2............................................................................................................. 87 III. 2. e. I tipi della forma 3......................................................................................,...................... 87 IV. LA DESTINAZIONE D USO ....................................................................................................................... 91 V. GLI ASPETTI DIMENSIONALI ................................................................................................................ 93 V. 1. Coppe/pissidi di forma 1.................................................................................................................... 94 V. 2. Coppe/piatti di forma 2...................................................................................................................... 95 V. 3. Trullae di forma 3.............................................................................................................................. 95 VI. IL REPERTORIO ICONOGRAFICO ....................................................................................................... 97 VI. 1. I soggetti attestati ............................................................................................................................... 97 VI. 2. I punzoni ............................................................................................................................................ 97 VI. 2. a. Grappo I: fatiche di Èrcole ............................................................................................... 97 VI. 2. b. Gruppo II: scene di combattimento (Amazzonomachie ?)............................................... 101 VI. 2. e. Grappo III: scene dionisiache ........................................................................................... 105 VI. 2. d. Grappo IV: scene di theoxenia ......................................................................................... 108 VI. 2. e. Grappo V: scene paesaggistiche ........................................................................................ 110 VI. 2. f. Grappo VI: decorazione fitomorfa .................................................................................... Ili VI. 2. g. Grappo VII: scene «omeriche» ......................................................................................... Ili VI. 3. Gli schemi compositivi ...................................................................................................................... Ili VI. 3. a. Grappo I: fatiche di Èrcole ............................................................................................... 112 VI. 3. b. Grappo II: scene di combattimento (Amazzonomachie ?)............................................... 113 VI. 3. e. Grappo III: scene dionisiache ........................................................................................... 114 VI. 4. La decorazione secondaria ................................................................................................................. 118 VI. 4. a. Elementi vegetali utilizzati all interno dello spazio figurato ............................................ 118 VI. 4. b. Elementi decorativi utilizzati alla base del fregio figurato ed in corrispondenza del punto di raccordo tra corpo e base del vaso ...................................................................... 119 VI. 5. I significati ......................................................................................................................................... 123 VI. 5. a. Approcci metodologici ...................................................................................................... 123 VI. 5. b. Corinto romana. il contesto cultuale, religioso e sociale .................................................. 124 VI. 5. e. Coppe/pissidi «abbinate» .................................................................................................. 126 VI. 5. d. Strategie di lettura ............................................................................................................. 128 VI. 5. e. Un caso di damnatio memoriae? ...................................................................................... 131 VI. 5. f. Èrcole, Dioniso, Pan: complementarietà delle figure ........................................................ 133 Indice VII. CRONOLOGIA E CONTESTI .................................................................................................................... 135 VII. 1. L inquadramento cronologico ............................................................................................................ 135 VII. 2. I contesti cronologici e le associazioni .............................................................................................. 135 VII. 3. Osservazioni sui contesti di provenienza ........................................................................................... 138 VIII. IL CENTRO DI PRODUZIONE .................................................................................................................. 141 VIII. 1. Analisi di laboratorio ......................................................................................................................... 141 VIII. 1. a. Chemical analysis of some Roman Corinthian bowls (by Gerwulf Schneider) ............... 142 VIII. 1. b. Petrographical analyses (by Patrick Degryse) .................................................................. 143 VIII. 2. Aspetti della produzione ................................................................................................................... 144 VIII. 2. a. Un caso di specializzazione artigianale? ........................................................................... 145 VIII. 2. b. Un modello produttivo ...................................................................................................... 145 IX. LA DISTRIBUZIONE ................................................................................................................................... 147 IX. 1. I mercati e la diffusione ..................................................................................................................... 147 IX. 2. Il quadro generale .............................................................................................................................. 148 X. CONCLUSIONI ............................................................................................................................................. 153 ENGLISH SUMMARY............................................................................................................................................ 157 CATALOGO ............................................................................................................................................................. 161 Criteri e strattura del catalogo ..................................................................................................................................... 161 Grappo I: fatiche di Èrcole ........................................................................................................................................ 162 Grappoli: scene di combattimento ............................................................................................................................. 166 Grappo III: scene dionisiache .................................................................................................................................... 177 Grappo IV: scene di theoxenìa ................................................................................................................................... 199 Grappo V: scene paesaggistiche ................................................................................................................................. 201 Gruppo VI: decorazione fitomorfa .............................................................................................................................. 201 Grappo VII: scene «omeriche» ................................................................................................................................... 201 Grappo VIII : scene non identificabili ........................................................................................................................ 202 Addendum................................................................................................................................................................... 208 INDICI ....................................................................................................................................................................... 211 Indice delle provenienze ............................................................................................................................................. 211 Distribuzione dei luoghi di rinvenimento per aree geografiche .................................................................................. 214 Indice delle figure nel testo ......................................................................................................................................... 215 Indice dei musei e delle collezioni .............................................................................................................................. 216 TAVOLE (a cura di Giovanni Fragalà) ...................................................................................................................... 219
any_adam_object	1
author	Malfitana, Daniele
author_facet	Malfitana, Daniele
author_role	aut
author_sort	Malfitana, Daniele
author_variant	d m dm
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dewey-full	738.0937
dewey-hundreds	700 - The arts
dewey-ones	738 - Ceramic arts
dewey-raw	738.0937
dewey-search	738.0937
dewey-sort	3738.0937
dewey-tens	730 - Sculpture and related arts
discipline	Kunstgeschichte Klassische Archäologie
era	Geschichte gnd
era_facet	Geschichte
format	Book
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series	Rei Cretariae Romanae Fautorum acta
series2	Rei Cretariae Romanae Fautorum acta : Supplementum
spellingShingle	Malfitana, Daniele La ceramica "corinzia" decorata a matrice tipologia, cronologia ed iconografia di una produzione ceramica greca di età imperiale Rei Cretariae Romanae Fautorum acta Reliefkeramik (DE-588)4177704-9 gnd Funde (DE-588)4071507-3 gnd
subject_GND	(DE-588)4177704-9 (DE-588)4071507-3 (DE-588)4076778-4
title	La ceramica "corinzia" decorata a matrice tipologia, cronologia ed iconografia di una produzione ceramica greca di età imperiale
title_auth	La ceramica "corinzia" decorata a matrice tipologia, cronologia ed iconografia di una produzione ceramica greca di età imperiale
title_exact_search	La ceramica "corinzia" decorata a matrice tipologia, cronologia ed iconografia di una produzione ceramica greca di età imperiale
title_full	La ceramica "corinzia" decorata a matrice tipologia, cronologia ed iconografia di una produzione ceramica greca di età imperiale Daniele Malfitana
title_fullStr	La ceramica "corinzia" decorata a matrice tipologia, cronologia ed iconografia di una produzione ceramica greca di età imperiale Daniele Malfitana
title_full_unstemmed	La ceramica "corinzia" decorata a matrice tipologia, cronologia ed iconografia di una produzione ceramica greca di età imperiale Daniele Malfitana
title_short	La ceramica "corinzia" decorata a matrice
title_sort	la ceramica corinzia decorata a matrice tipologia cronologia ed iconografia di una produzione ceramica greca di eta imperiale
title_sub	tipologia, cronologia ed iconografia di una produzione ceramica greca di età imperiale
topic	Reliefkeramik (DE-588)4177704-9 gnd Funde (DE-588)4071507-3 gnd
topic_facet	Reliefkeramik Funde Römisches Reich
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016165561&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV006181457
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