Film architecture and the transnational imagination: set design in 1930s European cinema
Gespeichert in:
| Beteiligte Personen: | , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
[Amsterdam]
Amsterdam Univ. Press
2007
|
| Schriftenreihe: | Film culture in transition
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016150234&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 316 S. Ill. |
| ISBN: | 9789053569801 9789053569849 |
Internformat
MARC
| LEADER | 00000nam a22000002c 4500 | ||
|---|---|---|---|
| 001 | BV022945656 | ||
| 003 | DE-604 | ||
| 005 | 20140505 | ||
| 007 | t| | ||
| 008 | 071031s2007 xx a||| |||| 00||| eng d | ||
| 020 | |a 9789053569801 |9 978-90-5356-980-1 | ||
| 020 | |a 9789053569849 |9 978-90-5356-984-9 | ||
| 035 | |a (OCoLC)154690008 | ||
| 035 | |a (DE-599)BSZ273232355 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-M472 |a DE-154 |a DE-634 |a DE-Po75 | ||
| 050 | 0 | |a PN1995.9.S4 | |
| 082 | 0 | |a 791.4302/5094 |2 22 | |
| 100 | 1 | |a Bergfelder, Tim |e Verfasser |0 (DE-588)133343715 |4 aut | |
| 245 | 1 | 0 | |a Film architecture and the transnational imagination |b set design in 1930s European cinema |c Tim Bergfelder ; Sue Harris ; Sarah Street |
| 264 | 1 | |a [Amsterdam] |b Amsterdam Univ. Press |c 2007 | |
| 300 | |a 316 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Film culture in transition | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1920-1940 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Group work in art | |
| 650 | 4 | |a Motion pictures |x Setting and scenery |z Europe | |
| 650 | 4 | |a Motion pictures |z Europe |x History |y 20th century | |
| 650 | 4 | |a Transnationalism | |
| 650 | 0 | 7 | |a Filmarchitektur |0 (DE-588)4154353-1 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Europa | |
| 651 | 7 | |a Europa |0 (DE-588)4015701-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Europa |0 (DE-588)4015701-5 |D g |
| 689 | 0 | 1 | |a Filmarchitektur |0 (DE-588)4154353-1 |D s |
| 689 | 0 | 2 | |a Geschichte 1920-1940 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Harris, Sue |e Verfasser |4 aut | |
| 700 | 1 | |a Street, Sarah |e Verfasser |4 aut | |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016150234&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n DHB | |
| 940 | 1 | |q DHB_JDG_ISBN_1 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-016150234 | |
Datensatz im Suchindex
| _version_ | 1819336369509498880 |
|---|---|
| adam_text | Film Architecture and the Transnational
Imagination
Set Design in 1930s European Cinema
Tim Bergfelder
Sue Harris
Sarah Street
AMSTERDAM UNIVERSITY PRESS
Contents
Acknowledgements 9
1 Introduction: Understanding and Interpreting Set Design in
Cinema 11
The Invisible Set 11
Design, Film Narrative and Beyond 18
Journeys into the Haptic: Film and Architecture 21
Travelling to/through the Cinema of the 1930s 25
2 European Set Design in the 1920s and 1930s:
Cultural Contexts and Professional Practices 31
Germany 32
The Metaphysics of Decor: Kracauer and Eisner s Legacy 32
Eclecticism and Adaptability: Professional Backgrounds and Training
Patterns among German Set Designers 35
From Wagner to Reinhardt: Staging the Gesamtkunstwerk 37
From Metaphysics to Studio Reality: Contexts, Strategies, and
Practices of Set Design in German Cinema of the 1920s and 1930s 40
Conceptions of Space and Narrative in Hollywood and Germany 43
Approaches to Set Design in Weimar Film: Painting versus
Architecture 46
France 56
New Agendas in French Design in the 1920s 56
Enter Lazare Meerson 62
The Emigre Eye on France 64
Production Contexts: The Transition to Sound in French Cinema 65
Working Practices in French Studios in the 1930s 71
Set as Performance in French Cinema 79
Great Britain 80
Looking to the Continent: Design Practices in Britain 80
Adapting the Concept of Total Design for British Cinema 82
Film Architecture and the Transnational Imagination
Professional Backgrounds and Expertise: The Rise of the Architect-
Designer in Britain 93
Working Practices in Britain: Sketches, Designs and Drawings 100
Designers in the Context of the British Studio System 103
Conclusion 104
3 Imagining Space in Late Weimar Cinema 109
Past, Future, and Present - The Changing Settings of Weimar Cinema 111
The Composite City: Narrative and Set Design in ASPHALT 117
ANGST: Lifestyle Design and Suburban Melodrama 126
Underworld UK: Andrei Andreiev and the Imaginary London in
DIE BUCHSE DER PANDORA and DIE 3-GROSCHENOPER 138
Stardom, Genre, and Space: Brigitte Helm in
DIE WUNDERBARE LUGE DER NINA PETROWNA 145
Instabilities of Genre and Space: Exotic Iconography in DIE HERRIN
VON ATLANTIS/THE MISTRESS OF ATLANTIS/L ATLANTIDE 156
4 French Cinema in the 1930s: Space, Place, and
National Identity 169
Paris and the Challenge to Popular Memory 173
The Set as Star: Fantasies of Place and Space 183
The Set and the Star: Josephine Baker on Screen 191
Beyond France to Europe and the Colonies: Voyages of Discovery 198
Journeys in Time: The Historic Film 213
Build them High! The Project-Specific Set 220
Conclusion 223
5 Set Design, Style, and Genre in 1930s British Cinema 225
Designing the Past 225
Tudor England: THE PRIVATE LIFE OF HENRY VHI and FIRE OVER
ENGLAND 226
Revolutionary France in THE SCARLET PIMPERNEL and
THE RETURN OF THE SCARLET PIMPERNEL 231
17th Century Flanders in LA KERMESSE HEROIQUE and Holland in
REMBRANDT 234
Designing Russia in THE RISE OF CATHERINE THE GREAT and
KNIGHT WITHOUT ARMOUR 242
Transforming the Restrictive Domestic Space in
KNIGHT WITHOUT ARMOUR 244
Contents 7
The Hyperbolic/Ornate Historical Interior Space:
THE SCARLET EMPRESS and THE RISE OF CATHERINE THE GREAT 247
Conclusions on Designing Russia 249
Designing the Future 250
Alfred Junge and Art Deco 254
Conclusion 266
Notes 271
Bibliography 297
Index of Film Titles 305
Index of Names and Subjects 311
|
| any_adam_object | 1 |
| author | Bergfelder, Tim Harris, Sue Street, Sarah |
| author_GND | (DE-588)133343715 |
| author_facet | Bergfelder, Tim Harris, Sue Street, Sarah |
| author_role | aut aut aut |
| author_sort | Bergfelder, Tim |
| author_variant | t b tb s h sh s s ss |
| building | Verbundindex |
| bvnumber | BV022945656 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.S4 |
| callnumber-search | PN1995.9.S4 |
| callnumber-sort | PN 41995.9 S4 |
| callnumber-subject | PN - General Literature |
| ctrlnum | (OCoLC)154690008 (DE-599)BSZ273232355 |
| dewey-full | 791.4302/5094 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/5094 |
| dewey-search | 791.4302/5094 |
| dewey-sort | 3791.4302 45094 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-2000 Geschichte 1920-1940 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1920-1940 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02013nam a22005412c 4500</leader><controlfield tag="001">BV022945656</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20140505 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">071031s2007 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789053569801</subfield><subfield code="9">978-90-5356-980-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789053569849</subfield><subfield code="9">978-90-5356-984-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)154690008</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ273232355</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-154</subfield><subfield code="a">DE-634</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995.9.S4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4302/5094</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bergfelder, Tim</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)133343715</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Film architecture and the transnational imagination</subfield><subfield code="b">set design in 1930s European cinema</subfield><subfield code="c">Tim Bergfelder ; Sue Harris ; Sarah Street</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Amsterdam]</subfield><subfield code="b">Amsterdam Univ. Press</subfield><subfield code="c">2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">316 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film culture in transition</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1920-1940</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Group work in art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Setting and scenery</subfield><subfield code="z">Europe</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Europe</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Transnationalism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmarchitektur</subfield><subfield code="0">(DE-588)4154353-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Europa</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmarchitektur</subfield><subfield code="0">(DE-588)4154353-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1920-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harris, Sue</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Street, Sarah</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016150234&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">DHB</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">DHB_JDG_ISBN_1</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-016150234</subfield></datafield></record></collection> |
| geographic | Europa Europa (DE-588)4015701-5 gnd |
| geographic_facet | Europa |
| id | DE-604.BV022945656 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T13:05:56Z |
| institution | BVB |
| isbn | 9789053569801 9789053569849 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016150234 |
| oclc_num | 154690008 |
| open_access_boolean | |
| owner | DE-12 DE-M472 DE-154 DE-634 DE-Po75 |
| owner_facet | DE-12 DE-M472 DE-154 DE-634 DE-Po75 |
| physical | 316 S. Ill. |
| psigel | DHB_JDG_ISBN_1 |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Amsterdam Univ. Press |
| record_format | marc |
| series2 | Film culture in transition |
| spellingShingle | Bergfelder, Tim Harris, Sue Street, Sarah Film architecture and the transnational imagination set design in 1930s European cinema Film Geschichte Group work in art Motion pictures Setting and scenery Europe Motion pictures Europe History 20th century Transnationalism Filmarchitektur (DE-588)4154353-1 gnd |
| subject_GND | (DE-588)4154353-1 (DE-588)4015701-5 |
| title | Film architecture and the transnational imagination set design in 1930s European cinema |
| title_auth | Film architecture and the transnational imagination set design in 1930s European cinema |
| title_exact_search | Film architecture and the transnational imagination set design in 1930s European cinema |
| title_full | Film architecture and the transnational imagination set design in 1930s European cinema Tim Bergfelder ; Sue Harris ; Sarah Street |
| title_fullStr | Film architecture and the transnational imagination set design in 1930s European cinema Tim Bergfelder ; Sue Harris ; Sarah Street |
| title_full_unstemmed | Film architecture and the transnational imagination set design in 1930s European cinema Tim Bergfelder ; Sue Harris ; Sarah Street |
| title_short | Film architecture and the transnational imagination |
| title_sort | film architecture and the transnational imagination set design in 1930s european cinema |
| title_sub | set design in 1930s European cinema |
| topic | Film Geschichte Group work in art Motion pictures Setting and scenery Europe Motion pictures Europe History 20th century Transnationalism Filmarchitektur (DE-588)4154353-1 gnd |
| topic_facet | Film Geschichte Group work in art Motion pictures Setting and scenery Europe Motion pictures Europe History 20th century Transnationalism Filmarchitektur Europa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016150234&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bergfeldertim filmarchitectureandthetransnationalimaginationsetdesignin1930seuropeancinema AT harrissue filmarchitectureandthetransnationalimaginationsetdesignin1930seuropeancinema AT streetsarah filmarchitectureandthetransnationalimaginationsetdesignin1930seuropeancinema |