Zbigniew Bujarski: twórczość i osobowość
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Polnisch |
| Veröffentlicht: |
Kraków
Akad. Muzyczna
2006
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015641880&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015641880&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Zsfassung in engl. Sprache |
| Umfang: | 207 S., [16] Bl. Ill., Notenbeisp. |
| ISBN: | 8387182648 |
Internformat
MARC
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| 500 | |a Zsfassung in engl. Sprache | ||
| 600 | 1 | 7 | |a Bujarski, Zbigniew <1933- > |2 jhpk |
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| 650 | 7 | |a Kompozytorzy - Polska |2 jhpk | |
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Datensatz im Suchindex
| _version_ | 1819346363385643008 |
|---|---|
| adam_text | Spis
tresei
Od
autorki
........................................................................ 7
Uwagi wstępne
.................................................................. 9
I. ŻYCIE TWÓRCY
1.
Lata i przeżycia młodzieńcze
......................................... 13
2.
Lata doświadczeń i nauki
.............................................. 15
3.
Lata dojrzałości i stabilizacji zawodowej
........................ 21
II.
MUZYKA
1.
Inspiracje twórcze
......................................................... 25
2.
Twórczość muzyczna w znaczących utworach
............... 34
A. Początki. Eksperyment i poszukiwania
...................................... 37
W kręgu dodekafonii i swobodnego serializmu: Krzewy
ptonqce,
Kompozycja kameralna
..................................................................... 37
Sonoryzm a piękno brzmienia:
Contraria
...................................... 44
B.
Dojrzałość. Krystalizacja stylu indywidualnego i zwrot ku tradycji
.... 52
Odrodzenie melodyki, czyli pożegnanie sonoryzmu:
Musica domestica
per archi
..........;................................................................................... 52
Odnowienie gatunku koncertu instrumentalnego:
Concerto
per archil
............................................................................................ 59
Wypowiedź kameralna: Kwartet „Na otwarcie domu
....................... 65
Sonoryzm malarski
-
neoimpresjonizm: Ogrody
.................................. 72
C. Styl późny. Problematyka egzystencjalna
.................................. 81
Muzyka w muzyce: Pawana dla oddalonej
.................................... 81
„Liryka ulotna w muzyce: Pięć pieśni na sopran i orkiestrę
smyczkową
.................................................................................. 88
Oratorium na koniec wieku: StabatMater
........................................ 96
Nowa programowość. Odrodzenie gatunku poematu symfonicznego:
Peirene
.................................................................................................109
Aspekty- problemy
....................................................... 118
Technika wczesnej twórczości
.......................................................... 118
Krąg idei lat wczesnych
................................................................... 120
Przełom stylistyczny
........................................................................ 121
Odnawianie gatunków
..................................................................... 123
Odrodzenie melodyki. Nowa tonalność
............................................. 128
Forma
............................................................................................. 131
Krąg idei późniejszych. Przesłania
.................................................... 132
Zwrot ku tradycji
-
a indywidualność twórcy
.................................... 135
III. MALARSTWO
-
MUZYKA
1.
Przygoda z malarstwem. Szkic do charakterystyki.
Autorefleksja twórcy
..................................................... 139
Uwagi wstępne
................................................................................ 139
Komentarz do klasyfikacji
................................................................ 141
Wybrane problemy artystyczne
........................................................ 143
2.
Relacje malarstwa i muzyki w twórczości Bujarskiego
.... 149
Inspiracje malarskie w muzyce
........................................................ 150
Quasí-malarskie
cechy strukturalne muzyki
.................................... 158
Tematyka muzyczna w malarstwie
................................................... 160
Od notacji muzycznej do obrazu
...................................................... 161
IV.
TWÓRCZOŚĆ BUJARSKEEGO
WOBEC KATEGORII INTERPRETACYJNEJ EKPHRASIS
1.
Ekphrasis w literaturze i w muzyce
............................... 165
2.
Kompozytor
-
malarz
.................................................... 169
3.
Malarstwo
-
muzyka
..................................................... 170
4.
Czas i przestrzeń w malarstwie i w muzyce
................... 171
5.
Reminiscencje muzyczne w malarstwie
......................... 172
6.
Literatura
-
muzyka
..................................................... 173
Posłowie. Historia artysty niezależnego
............................. 178
ANEKSY
Teksty prezentowanych utworów wokalno-instrumentalnych 1
83
Katalog obrazów.....
............................................................ 189
Bibliografìa
........................................................................ 192
Utwory Zbigniewa Bujarskiego
......................................... 196
Indeks nazwisk
................................................................ 198
Summary
......................................................................... 200
6
Summary
The
oeuvre
and the personality of
Zbigniew Bujarski
(b.
1933) -
composer, painter, academic teacher, associated
since his early youth with
Kraków
and its Academy of Music
-
serve as the main theme of this book, with its emphasis on
the art of music and painting yet placed within the sphere of
individuality.
The four principal parts of the work, complete with intro¬
ductory remarks and documentary appendices, run as follows:
1.
The Life of the Artist,
2.
Music;
3.
Painting
-
Music;
4.
The
Work of
Zbigniew
Bujarski vs. the Interpretative Category of
Ekphrasis.
The artist s musical work (dealt with in greatest detail in
Chapter Two) is presented from two perspectives. On the one
hand, selected works under analysis serve to present the
metamorphoses of the composer s technique and style from his
experiments and experiences with dodecaphony through his
intense participation in the
sonorist
trend all the way to the
emergence of his individual style with Bujarski s symptomatic
return to tradition as a value. On the other, the chapter
discusses the basic aspects and problems significant from the
point of view of Bujarski s entire
oeuvre,
with a clear inclusion
of the semantic and ideological layers.
200
The choice of works for analysis has been based on their
significance and representativeness. They are all significant for
the composer s creative path and, at the same time, those that
present the moments and the essence of the metamorphoses of
his musical language, his composing technique, and the identity
of genre.
Zbigniew
Bujarski s painting is discussed basing on an
attempt at thematic classification made by the author, yet
also, perhaps more importantly, in the light of the composer s
self-reflection, which helped, in a way, to verify the proposed
approach.
Obviously, the following stage of the work was to identify
the relationships between Bujarski s two arts, both in painting
and in music.
The
oeuvre
of the composer-painter, with additional asso¬
ciations with the art of the literature (poetry, mythology),
proved to be a case requiring interpretation that employed the
category of ekphrasis, very much at home in literary studies
and used for some time in musical semiotics. The analysis of
Bujarski s works as well as his self-reflection seem to show
that his artistic personality constantly oscillates between the
arts, and, what is more, that they constantly interact in his
oeuvre.
In fact, this is what accounts for this artist s clear originality,
not to say his uniqueness.
Yet from the point of view of ideas
-
which are the basic
factor in Polish music of the latter half of the 20th century
-
it
is the artist s position
-
independent from external conditions,
historical and political, in his views as well as in technique
and style
-
that acquires a special significance. In his art,
Zbigniew
Bujarski does not recoil from presenting the complexity
of his place and time; his works present a truth on man, universe,
God; they speak of hope based on Christian foundations.
translated by Jan Rybicki
201
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| id | DE-604.BV022433727 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T12:55:18Z |
| institution | BVB |
| isbn | 8387182648 |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015641880 |
| oclc_num | 77513197 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 207 S., [16] Bl. Ill., Notenbeisp. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
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| publisher | Akad. Muzyczna |
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| spellingShingle | Malecka, Teresa 1944- Zbigniew Bujarski twórczość i osobowość Bujarski, Zbigniew <1933- > jhpk Bujarski, Zbigniew 1933-2018 (DE-588)103784268 gnd Kompozytorzy - Polska jhpk |
| subject_GND | (DE-588)103784268 |
| title | Zbigniew Bujarski twórczość i osobowość |
| title_auth | Zbigniew Bujarski twórczość i osobowość |
| title_exact_search | Zbigniew Bujarski twórczość i osobowość |
| title_full | Zbigniew Bujarski twórczość i osobowość Teresa Malecka |
| title_fullStr | Zbigniew Bujarski twórczość i osobowość Teresa Malecka |
| title_full_unstemmed | Zbigniew Bujarski twórczość i osobowość Teresa Malecka |
| title_short | Zbigniew Bujarski |
| title_sort | zbigniew bujarski tworczosc i osobowosc |
| title_sub | twórczość i osobowość |
| topic | Bujarski, Zbigniew <1933- > jhpk Bujarski, Zbigniew 1933-2018 (DE-588)103784268 gnd Kompozytorzy - Polska jhpk |
| topic_facet | Bujarski, Zbigniew <1933- > Bujarski, Zbigniew 1933-2018 Kompozytorzy - Polska |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015641880&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015641880&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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