Re-Membering the Black Atlantic: on the poetics and politics of literary memory
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch Deutsch |
| Veröffentlicht: |
Amsterdam [u.a.]
Rodopi
2006
|
| Schriftenreihe: | Cross cultures
84 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014715755&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014715755&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | The Atlantic slave trade continues to haunt the cultural memories of Africa, Europe and the Americas. There is a prevailing desire to forget. While victims of the African diaspora tried to flee the sites of trauma, enlightened Westerners preferred to be oblivious to the discomforting complicity between their enlightenment and chattel slavery. Recently, however, fiction writers have ventured to 're-member' the Black Atlantic. This book is concerned with how literature performs as memory. It sets out to chart systematically the ways in which literature and memory intersect, and offers readings of three seminal Black Atlantic novels. Each reading illustrates a particular poetic strategy of accessing the past and presents a distinct political outlook on memory. Novelists may choose to write back to texts, images or music: Caryl Phillips's Cambridge brings together numerous fragments of slave narratives, travelogues and histories to shape a brilliant montage of long-forgotten texts. David Dabydeen's A harlot's progress approaches slavery through the gateway of paintings by William Hogarth, Sir Joshua Reynolds and J.M.W. Turner. Toni Morrison's Beloved, finally, is steeped in black music, from spirituals and blues to the art of John Coltrane. Beyond differences in poetic strategy, moreover, the novels paradigmatically reveal distinct ideologies; their politics of memory variously promote an encompassing transcultural sense of responsibility, and aestheticist 'creative amnesia', and the need to preserve a collective 'black' identity.--Back cover. |
| Beschreibung: | Teilw. zugl.: Tübingen, Univ., Diss., 2003 u.d.T.: Eckstein, Lars: Der "Black Atlantic" im Gedächtnis der Literatur |
| Umfang: | XVI, 289 S. Ill., graph. Darst. |
| ISBN: | 9042019581 |
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| 520 | 3 | |a The Atlantic slave trade continues to haunt the cultural memories of Africa, Europe and the Americas. There is a prevailing desire to forget. While victims of the African diaspora tried to flee the sites of trauma, enlightened Westerners preferred to be oblivious to the discomforting complicity between their enlightenment and chattel slavery. Recently, however, fiction writers have ventured to 're-member' the Black Atlantic. This book is concerned with how literature performs as memory. It sets out to chart systematically the ways in which literature and memory intersect, and offers readings of three seminal Black Atlantic novels. Each reading illustrates a particular poetic strategy of accessing the past and presents a distinct political outlook on memory. Novelists may choose to write back to texts, images or music: Caryl Phillips's Cambridge brings together numerous fragments of slave narratives, travelogues and histories to shape a brilliant montage of long-forgotten texts. David Dabydeen's A harlot's progress approaches slavery through the gateway of paintings by William Hogarth, Sir Joshua Reynolds and J.M.W. Turner. Toni Morrison's Beloved, finally, is steeped in black music, from spirituals and blues to the art of John Coltrane. Beyond differences in poetic strategy, moreover, the novels paradigmatically reveal distinct ideologies; their politics of memory variously promote an encompassing transcultural sense of responsibility, and aestheticist 'creative amnesia', and the need to preserve a collective 'black' identity.--Back cover. | |
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Datensatz im Suchindex
| _version_ | 1819245202609537024 |
|---|---|
| adam_text | I
he Allunile slavo
trade continues
lo
hainii
the cultural memories
ol
Africa. Hiiropeaiul
lhe
Americas. There
isa
prevailing desire
lo Torgel:
While
iii
і
ι
us
oľthe
African diaspora tried to lice
lhe
siles
of
trauma,
cnlighicncd
Westerners
prcľcrred
lo he
obliv
ious
to lhe
discomforting
coniplicity
between their enlightenment and chattel slavery. Kecenlly.
however, liclion writers have ventured
lo
re-member ihc Hlack
.Alianti«.*.
This book is concerned
willi
how literature performs as memory.
Il sels
out to chart syslemalically the ways in which literature and memory
intersect, and offers readings of throe seminal IJIaek Atlantic novels.
I- ach reading illustrates a particular poetic strategy of accessing the
pasl and presents a distinct political outlook on memory. Novelists
may choose to write hack to leMs. images or music: Caryl Phillips*s
Camhridut· brings together numerous fragments
»»ľ
slave narratives,
travelogues and histories to shape a brilliant montage of long-
forgolten lexis. David Dahydecifs
./
Harlins
/Voy/v«
approaches
slavery through
lhe
gateway of paintings by William Hogarth. Sir
Joshua Reynolds and .I.MAY. Tumor,
loni
Morrison
s
ßclmvtl.
finally, is Mccped in black music, from spirituals and blues
lo
the art
of John
Coltrane. Hoyoiul dilìerences in
poetic strategy, moreover,
ilk· novels paradigmalically reveal distinct ideologies: Iheir politics
of memory variously promote an encompassing Iransciillural sense
Ы
responsibility, an acstheticisi creative amnesia , and the need to
preserve a collective black identity.
Contents
Illustrations
vii
Introduction
ix
Part I
Literary memory
1 Towards a Poetics of Mnemonic Strategy in Narrative Texts
3
Testimonies: recourse to mental mnemonic resources
12
Interlude: the testimony of Olaudah Equiano
25
Palimpsests: recourse to manifest mnemonic resources
35
Part II
Mnemonic Fictions of the Black Atlantic
2
Caryl Phillips, Cambridge
63
The poetics of memory: the art of montage
69
The politics of memory: empowering culture
98
3
David Dabydeen, A Harlot s Progress
117
The poetics of memory: the art of ekphrasis
127
The politics of memory: empowering the individual
155
4 Toni Morrison,
Beloved
177
The poetics of memory: the art of musicalization
187
The politics of memory: empowering the collective
223
Conclusion
235
Appendix: Source Passages Adapted in Cambridge
241
Bibliography
273
Acknowledgements
291
|
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| indexdate | 2024-12-20T12:34:58Z |
| institution | BVB |
| isbn | 9042019581 |
| language | English German |
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| series | Cross cultures |
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| spellingShingle | Eckstein, Lars 1975- Re-Membering the Black Atlantic on the poetics and politics of literary memory Cross cultures Dabydeen, David Criticism and interpretation Morrison, Toni Criticism and interpretation Phillips, Caryl Criticism and interpretation Literatur Literature Black authors History and criticism Englisch (DE-588)4014777-0 gnd Roman (DE-588)4050479-7 gnd Sklavenhandel Motiv (DE-588)4588625-8 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4050479-7 (DE-588)4588625-8 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | Re-Membering the Black Atlantic on the poetics and politics of literary memory |
| title_alt | Der "Black Atlantic" im Gedächtnis der Literatur |
| title_auth | Re-Membering the Black Atlantic on the poetics and politics of literary memory |
| title_exact_search | Re-Membering the Black Atlantic on the poetics and politics of literary memory |
| title_full | Re-Membering the Black Atlantic on the poetics and politics of literary memory Lars Eckstein |
| title_fullStr | Re-Membering the Black Atlantic on the poetics and politics of literary memory Lars Eckstein |
| title_full_unstemmed | Re-Membering the Black Atlantic on the poetics and politics of literary memory Lars Eckstein |
| title_short | Re-Membering the Black Atlantic |
| title_sort | re membering the black atlantic on the poetics and politics of literary memory |
| title_sub | on the poetics and politics of literary memory |
| topic | Dabydeen, David Criticism and interpretation Morrison, Toni Criticism and interpretation Phillips, Caryl Criticism and interpretation Literatur Literature Black authors History and criticism Englisch (DE-588)4014777-0 gnd Roman (DE-588)4050479-7 gnd Sklavenhandel Motiv (DE-588)4588625-8 gnd |
| topic_facet | Dabydeen, David Criticism and interpretation Morrison, Toni Criticism and interpretation Phillips, Caryl Criticism and interpretation Literatur Literature Black authors History and criticism Englisch Roman Sklavenhandel Motiv USA Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014715755&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014715755&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV004139094 |
| work_keys_str_mv | AT ecksteinlars rememberingtheblackatlanticonthepoeticsandpoliticsofliterarymemory AT ecksteinlars derblackatlanticimgedachtnisderliteratur |