Hitchcock's motifs:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam
Amsterdam Univ. Press
2005
|
| Schriftenreihe: | Film culture in transition
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014630088&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 490 S. Ill. |
| ISBN: | 9053567720 9053567739 |
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Datensatz im Suchindex
| _version_ | 1819316439377510400 |
|---|---|
| adam_text | HITCHCOCK S MOTIFS MICHAEL WALKER AMSTERDAM UNIVERSITY PRESS CONTENTS
ACKNOWLEDGEMENTS INTRODUCTION PART 1HITCHCOCK, MOTIFS AND MELODRAMA
INTRODUCTION THREE MOTIFS HORNE MOVIES CIGARETTE CASE/LIGHTER MILK
MELODRAMA AND HITCHCOCK S MOTIFS AN ELABORATED MOTIF: THE BED SCENE IN
REBECCA AND MARNIE A MELODRAMATIC MOTIF: HANDS DIAGRAMMATIC
REPRESENTATIONS OVERVIEW OF THE KEY MOTIFS PART 1I THE KEY MOTIFS BED
SCENE COUPLES AND BEDS BEDS AND THE POLICE BLONDES AND BRUNETTES BLONDES
VERSUS BRUNETTES BLOND ALLURE/BLOND ICONOGRAPHY BLONDES, BRUNETTES AND
VIOLENCE BLONDES, BRUNETTES AND THE POLICE 13 15 25 26 26 26 29 30 35 43
46 50 57 6} 67 69 7 77 8} 86 8 CAMEO APPEARANCES CAMEOS AND THE POLICE
CHILOREN CHILDREN S CAMEOS FAMILY MEMBERS CHILDREN AND VIOLENCE CHILDREN
AND THE POLICE HITCHCOCK S MOTIFS 87 96 98 98 102 105 110 CONFINED
SPACES BATHROOMS AND WASHROOMS CONFINEMENT AND CONCEALMENT CAGES AND
BARS: FEARS OF IMPRISONMENT WASHROOMS AND THE POLICE THECORPSE THE
HEROINES THE HEROES THE VILLAINS CORPSES AND THE POLICE DOGS AND CATS
DOGS AND THE POLICE DOUBLES DOUBLES AND THE POLICE ENDINGS AND THE
POLICE ENTRY THROUGH A WINDOW ENTRY THROUGH A WINDOW AND THE POLICE
EXHIBITIONISM I VOYEURISM I THE LOOK EXHIBITIONISM / VOYEURISM SPY FILMS
/ THE LOOK EXHIBITIONISM, VOYEURISM AND THE POLICE FOOD AND MEALS FOOD
AND MARRIAGE FOOD AND SEX FOOD AND MURDER 111 112 115 118 122 123 124
129 134 139 142 145 146 153 154 158 162 164 164 171 177 179 180 184 187
CONTENTS ---- ---- FOOD AND GUILT CHICKENS AND EGGS TABLE TALK AND
FASCISM FOOD AND THE POLICE GUILT AND CONFESSION CATHOLIC OVERTONES
GUILT AND HITCHCOCK S VILLAINS TRANSFERENCE OF GUILT GUILT, CONFESSION
AND THE POLICE HANDCUFFS AND BONDAGE HANDS MALE HANDS/FEMALE HANDS HELD
WRISTS DAMAGED HANDS HOLDING HANDS HANDS AND THE POLICE HEIGHTS AND
FALLING HEIGHTS, FALLING AND THE POLICE HOMOSEXUALITY CRITICAL POSITIONS
GAY UNDERCURRENTS ESPIONAGE AND THE LOOK IVOR NOVELLO HOMOSEXUALITY AND
THE POLICE JEWELLERY GREED STATUS FEMALE DESIRE FEMALE BEAUTY/MALE POWER
MALE MURDEROUSNESS JEWELLERY AND THE POLICE KEYS AND HANDBAGS KEYS KEYS
AND HANDBAGS 9 190 194 196 200 201 201 207 210 21 3 214 220 221 225 229
23 1 236 238 247 248 248 25 1 255 259 261 262 263 263 264 264 265 268
269 270 275 10 HITCHCOCK S MOTIFS HANDBAGS HANDBAGS AND KEYS KEYS,
HANDBAGS AND THE POLICE 277 280 284 L1GH1 (S) VAMPIRES AND BLINDING
MURDER AND HOMOSEXUALITY LIGHTS AND THE POLICE THE MACGUFFIN THE
MACGUFFIN AND THE POLICE MOTHERS AND HOUSES MOTHERS AND THE POLICE
PORTRAITS, PAINTINGS AND PAINTERS PORTRAITS PAINTINGS MODEM ART PAINTERS
PORTRAITS, PAINTINGS AND THE POLICE PUBLIC DISTURBANCES PUBLIC
DISTURBANCES AND THE POLICE SPECTACLES SPECTACLES AND THE POLICE
STAIRCASES HITCHCOCKIAN LEVELS POLITICAL VARIATIONS SINISTER STAIRCASES
FREUDIAN OVERTONES COUPLES AND STAIRCASES STAIRCASES AND THE POLICE
TRAINS AND BOATS I PLANES AND BUSES TRAINS BOATS PLANES BUSES 286 286
290 295 296 306 307 318 319 320 32 7 328 32 9 334 335 343 344 349 350
355 359 363 366 368 37 1 373 374 378 381 384 CONTENTS TRAINS AND BOATS
AND THE POLICE WATER AND RAIN WATER RAIN WATER AND THE POLICE APPENDIX
I: TV EPISODES BEDSCENE CHILOREN CONFINED SPACES THE CORPSE DOUBLES FOOD
AND MURDER / ENDINCS AND THE POLICE LICHTS BOATS APPENDIX 11: ARTICLES
ON HITCHCOCK S MOTIFS APPENDIX 11I: DEFINITIONS DIEGESIS
POINT-OF-VIEWEDITING REFERENCES FILMOGRAPHY LIST OF ILLUSTRATIONS INDEX
OF HITCHCOCK S FILMS AND THEIR MOTIFS GENERAL INDEX 11 387 388 388 393
4 401 42 43 45 47 408 410 412 4 1 4 416 418 418 418 421 431 463
467 481
|
| any_adam_object | 1 |
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| building | Verbundindex |
| bvnumber | BV021309513 |
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| discipline | Allgemeines Anglistik / Amerikanistik |
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| genre_facet | Biografie |
| id | DE-604.BV021309513 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T12:33:04Z |
| institution | BVB |
| isbn | 9053567720 9053567739 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014630088 |
| oclc_num | 185150752 |
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| owner_facet | DE-M472 DE-12 DE-B170 DE-11 DE-19 DE-BY-UBM DE-Po75 |
| physical | 490 S. Ill. |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Amsterdam Univ. Press |
| record_format | marc |
| series2 | Film culture in transition |
| spellingShingle | Walker, Michael Hitchcock's motifs Hitchcock, Alfred <1899-1980> - teman och motiv sao Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Film - teman och motiv sao Motiv i film sfit Regissörer sfit Motiv (DE-588)4040360-9 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)118551647 (DE-588)4040360-9 (DE-588)4017102-4 (DE-588)4006804-3 |
| title | Hitchcock's motifs |
| title_auth | Hitchcock's motifs |
| title_exact_search | Hitchcock's motifs |
| title_full | Hitchcock's motifs Michael Walker |
| title_fullStr | Hitchcock's motifs Michael Walker |
| title_full_unstemmed | Hitchcock's motifs Michael Walker |
| title_short | Hitchcock's motifs |
| title_sort | hitchcock s motifs |
| topic | Hitchcock, Alfred <1899-1980> - teman och motiv sao Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Film - teman och motiv sao Motiv i film sfit Regissörer sfit Motiv (DE-588)4040360-9 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Hitchcock, Alfred <1899-1980> - teman och motiv Hitchcock, Alfred 1899-1980 Film - teman och motiv Motiv i film Regissörer Motiv Film Biografie |
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