Get Carter:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Tauris
2003
|
| Schriftenreihe: | The British film guide
6 |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010390193&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010390193&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 135 S. Ill. |
| ISBN: | 1860649106 |
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Datensatz im Suchindex
| _version_ | 1819299832316035072 |
|---|---|
| adam_text | Contents
Illustrations
/vi
Acknowledgements
/vii
Foreword by Mike Hodges
/viii
Film Credits
ι
ι
Carter in Context
3
2
From London Luxury to Terminal Beach
48
3
Death and Resurrection
90
Appendix: Scene Breakdown and Shooting
Schedule
117
Notes
127
Select Bibliography
136
Ger Carter
is now widely acknowledged to be the finest British
gangster film. Starring Michael Caine as Carter, Mike Hodges
bleak film set in the gritty underworld of north-east England
was released in
1971
to controversy and mixed reviews. Three
decades later
-
by which time the crime genre had been
re-invented by directors such as Guy Ritchie and
Quentin
Tarantino
in the US
-
the British Film Institute s millenial poll
voted Get Carter one of the twenty best British films of all time, giving a new
currency to its pessimistic vision of a doomed male within a decaying
social order.
Steve Chibnall relates Get Carter to other films of its genre such as Point Blank
and Dirty Harry, profiles the people involved in its making and analyses the film
in detail. With the co-operation of Hodges and access to rare documents
including an early draft of the script, Chibnall places the film in its social
context, describes its making and its critical reception. He completes the story
so far by looking at the two remakes: the
1972
blaxploitation film Hit Man and
the
2000
Stephen T. Kay movie of the same name set in the US, charting Get
Carter s changing status over the last three decades.
Steve Chibnall is leader of the Film Studies pathway and co-ordinator of the British
Cinema
&
Television Research Group,
De Montfort
University, Leicester. His books
include/ Lee Thompson and as co-editor, British Crime Cinema.
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| id | DE-604.BV017240394 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T11:16:37Z |
| institution | BVB |
| isbn | 1860649106 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-010390193 |
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| physical | 135 S. Ill. |
| publishDate | 2003 |
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| publisher | Tauris |
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| series | The British film guide |
| series2 | The British film guide |
| spellingShingle | Chibnall, Steve Get Carter The British film guide |
| title | Get Carter |
| title_auth | Get Carter |
| title_exact_search | Get Carter |
| title_full | Get Carter Steve Chibnall |
| title_fullStr | Get Carter Steve Chibnall |
| title_full_unstemmed | Get Carter Steve Chibnall |
| title_short | Get Carter |
| title_sort | get carter |
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