The finale in Western instrumental music:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
Oxford Univ. Press
2001
|
| Ausgabe: | 1. publ. |
| Schlagwörter: | |
| Abstract: | The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types of finale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata, string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at the finales of all Shostakovich's string quartets, in which examples of most of the types may be found. |
| Umfang: | XI, 249 S. Notenbeisp. |
| ISBN: | 0198166958 |
Internformat
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| 245 | 1 | 0 | |a The finale in Western instrumental music |c Michael Talbot |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Oxford |b Oxford Univ. Press |c 2001 | |
| 300 | |a XI, 249 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types of finale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata, string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at the finales of all Shostakovich's string quartets, in which examples of most of the types may be found. | |
| 650 | 4 | |a Finales (Musique) - Histoire et critique | |
| 650 | 4 | |a Formes musicales | |
| 650 | 4 | |a Musique - Philosophie et esthétique | |
| 650 | 7 | |a Muzikale analyse |2 gtt | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Finales (Music) |x History and criticism | |
| 650 | 4 | |a Music |x Philosophy and aesthetics | |
| 650 | 4 | |a Musical form | |
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| 650 | 0 | 7 | |a Geschichte |0 (DE-588)4020517-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Instrumentalmusik |0 (DE-588)4129951-6 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1818956599195074560 |
|---|---|
| any_adam_object | |
| author | Talbot, Michael 1943- |
| author_GND | (DE-588)13639728X |
| author_facet | Talbot, Michael 1943- |
| author_role | aut |
| author_sort | Talbot, Michael 1943- |
| author_variant | m t mt |
| building | Verbundindex |
| bvnumber | BV013954946 |
| callnumber-first | M - Music |
| callnumber-label | ML448 |
| callnumber-raw | ML448 |
| callnumber-search | ML448 |
| callnumber-sort | ML 3448 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 12720 |
| ctrlnum | (OCoLC)45698815 (DE-599)BVBBV013954946 |
| dewey-full | 784.18 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.18 |
| dewey-search | 784.18 |
| dewey-sort | 3784.18 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV013954946 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T10:56:31Z |
| institution | BVB |
| isbn | 0198166958 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009549813 |
| oclc_num | 45698815 |
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| owner_facet | DE-12 DE-703 DE-20 DE-355 DE-BY-UBR |
| physical | XI, 249 S. Notenbeisp. |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Talbot, Michael 1943- Verfasser (DE-588)13639728X aut The finale in Western instrumental music Michael Talbot 1. publ. Oxford Oxford Univ. Press 2001 XI, 249 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types of finale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata, string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at the finales of all Shostakovich's string quartets, in which examples of most of the types may be found. Finales (Musique) - Histoire et critique Formes musicales Musique - Philosophie et esthétique Muzikale analyse gtt Musik Finales (Music) History and criticism Music Philosophy and aesthetics Musical form Finale (DE-588)4125225-1 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 s Finale (DE-588)4125225-1 s Geschichte (DE-588)4020517-4 s DE-604 |
| spellingShingle | Talbot, Michael 1943- The finale in Western instrumental music Finales (Musique) - Histoire et critique Formes musicales Musique - Philosophie et esthétique Muzikale analyse gtt Musik Finales (Music) History and criticism Music Philosophy and aesthetics Musical form Finale (DE-588)4125225-1 gnd Geschichte (DE-588)4020517-4 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| subject_GND | (DE-588)4125225-1 (DE-588)4020517-4 (DE-588)4129951-6 |
| title | The finale in Western instrumental music |
| title_auth | The finale in Western instrumental music |
| title_exact_search | The finale in Western instrumental music |
| title_full | The finale in Western instrumental music Michael Talbot |
| title_fullStr | The finale in Western instrumental music Michael Talbot |
| title_full_unstemmed | The finale in Western instrumental music Michael Talbot |
| title_short | The finale in Western instrumental music |
| title_sort | the finale in western instrumental music |
| topic | Finales (Musique) - Histoire et critique Formes musicales Musique - Philosophie et esthétique Muzikale analyse gtt Musik Finales (Music) History and criticism Music Philosophy and aesthetics Musical form Finale (DE-588)4125225-1 gnd Geschichte (DE-588)4020517-4 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| topic_facet | Finales (Musique) - Histoire et critique Formes musicales Musique - Philosophie et esthétique Muzikale analyse Musik Finales (Music) History and criticism Music Philosophy and aesthetics Musical form Finale Geschichte Instrumentalmusik |
| work_keys_str_mv | AT talbotmichael thefinaleinwesterninstrumentalmusic |