Art turc: 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings
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Format: | Tagungsbericht Buch |
Sprache: | Englisch Französisch Deutsch Türkisch |
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Genève
Fondation Max Van Berchem
1999
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Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009357596&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Umfang: | 812 Seiten Illustrationen, Pläne |
ISBN: | 2051017638 |
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Datensatz im Suchindex
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adam_text | ART TURC
TURKISH ART
10th International Congress of Turkish Art
10e Congrès international d’art turc
Genève-Geneva
17-23 September 1995
17-23 Septembre 1995
ACTES-PROCEEDINGS
Comité éditorial :
François Déroche (Paris), Charles Genequand (Genève),
Günsel Renda (Ankara) et Michael Rogers (Londres)
avec la collaboration d’Antoinette Harri et Allison Ohta
Fondation Max Van Berchem
Genève
1999
TABLE DES MATIERES
Introduction (Ch. Genequand)................................................... 5
Foreword (G. Renda) ........................................................... 7
ICTA Committees................................................................ 9
*
* *
The archaeological approach to the study of Turkish arts (O. Ark, Ankara).. II
The many gates of Ottomnan art (0. Grabar, Princeton)........................ 19
Ottoman architectural monuments in the Balkans: Losses and gains
(M. Kiel, Utrecht)......................................................... 27
*
* *
The Ottoman woodwork of Jerusalem (M. Abu Khaeaf, Jerusalem).................. 39
The Cairene sabil-kuttab and its reinterpretation in Ottoman architecture
(Z. Ahunbay, Istanbul)..................................................... 47
The restitution of the Halef Gazi zawiya in Tokat (I. Aksulu, Ankara)..... 53
Ottoman soldier-painters and their influence on modern art in Iraq and the
Levant (W. Ali, Ankara).................................................... 61
The ornamental repertoire of Ottoman art on wood and stucco decoration
during the age of Çelebi Mehmed (S. Alp, Ankara)........................... 67
Recent developments in Kubad-Abad excavations (1890-1995) (R. Ark,
Ankara)..................................................................... 75
Problems relating to the social history context of the acquisition and posses-
sion of books as part of collections of objets d’an, in the 18th century
(T. Artan, Istanbul).......................................................... 87
The Tower of Justice of the Topkapı (N. Atasoy, Istanbul)................. 93
A Turkish embassy to Shah Abbas I. A reinterpretation of a Persian lacquer
painting (E. Baer, Tel Aviv).............................................. 101
From İskender to Mehmed II: Change in royal imagery (S. Bağci, Ankara)... Ill
Recently discovered stucco window lattices from the Anatolian Seljuk period
(Ö. Bakirer, Ankara)....................................................... 127
Turkish embroideries with inscriptions from the late Ottoman period
(H.Ö. Barişta, Ankara)..................................................... 135
The subject of style in Ottoman architecture at the end of the 19th century
810
TABLE DES MATIÈRES
(A. Batur, Istanbul)...................................................... 143
New carpet designs discovered in Anatolia (S. Bayraktaroğlu, Ankara) .... 153
Yemen Fatihi Gazi Sinan Paşa vakfiyeleri ve tezyinatı ve Türk süsleme sana-
tındaki yeri (S. Bayram, Ankara).......................................... 163
Les origines présumées du Kalila et Dimna de Genève (L. Benou-
niche, Genève)............................................................ 177
A Turkish tent in the Kraków National Museum (B. Biedronska-
Slotova, Kraków) ......................................................... 183
Painted and moulded masks on barbotine ware jars from south-astern Ana-
tolia and their iconographie significance (L. Bulut, Izmir)............... 191
Nakkaş Osman in sixteenth century documents and literature (F. Çağ-
man, Istanbul)............................................................ 197
Mustafa Reşit Paşa and the architect G.T. Fossati (C. Can, Istanbul)..... 207
The mausoleum of Tekesh in Kunya Urgench (S. G. Chmelnizkij, Berlin).... 217
Drawings by Colonel G.F. Rossini, military attaché of the Venetian embassy
in Constantinople (G. Curatola, Venezia).................................. 225
Excavation of the Melik Mahmud Gazi hangah (darphane) at Aksaray
(B. Deniz, Izmir)......................................................... 233
Provincial Ottoman architecture and the metropolitan style: Questions of
meaning and originality (W. Denny, Amherst)............................... 243
A remarkable collection of mashq (U. Derman, Istanbul)................... 253
The illustrated Shaybânînâme in Vienna: Österreichische Nationalbiblio-
thek Cod. Mixt. 188 (D. Duda, Wien)....................................... 261
Oriental carpets in Moldavia and Walachia (16th century) (M.E. Dunca-
Moisin, Bucureşti)........................................................ 273
A medieval Anatolian architect: Keluk (A. Durukan, Ankara)............... 277
The case of Saadabad: Westernization of revivalism? (C. Erimtan, Oxford) .. 287
Usul-i mi’mari-yi ‘Osmânî: A source of revival in Ottoman architecture
(A. Ersoy, Cambridge, Mass.).............................................. 291
Façade composition of Ottoman city-hans (B. Ersoy, Ankara)............... 297
A Timurid inscription in Anatolia (E. Eser, Ankara)...................... 305
Woven in stone and brick. Decorative programs in Seljuk and post-Seljuk
architecture and their symbolic value (E.S. Ettinghausen, Princeton)__ 315
The 19th century official buildings of Kastamonu (K. Eyüpgİller, Istanbul). 327
Ottoman influences on Hungarian gold- and silversmiths (I. Gerelyes,
Budapest)................................................................. 337
Le mécénat dans l’art turc : Du Sérail à la République (S. Germaner, Istanbul). 345
The residence of the paşas in Hungary and the recently discovered Paşasa-
ray from Buda (G. Gero, Budapest)......................................... 353
Ottoman influences in the works of some Italian architects active in 19th
century Istanbul (P. Girardelli, Roma).................................... 361
Makedonya’da tekke mimarisi ve özellikleri (M. Ibrahìmgìl, Ankara)....... 369
Official painters of the Ottoman palace (Z. Inankur, Istanbul)........... 381
Ottoman protraiture during the reigns of Mustafa III and Abdülhamid I
(A.G. Irepoğlu, Istanbul)................................................. 389
Çırağan Palace: some significant and unknown documents from the Palace
811
399
409
415
421
435
443
457
463
473
477
489
497
509
517
529
537
547
555
559
567
579
587
599
607
615
TABLE DES MATIÈRES
National Archives in Istanbul (F. Irez, Istanbul)......................
Vizierial undertakings in the making of Ottoman Istanbul (Ç. Kafesçio-
ĞLU, New York, N. Y.)..................................................
Darband’s bath-houses of the Ottoman period (A. Koudriatsev M.
Gadjiev, Makhatchkala, Daghestan)......................................
A comparison between the caravanserais of Anatolia and Central Asia in the
Middle Ages (I. Kuyulu, Izmir)...........................................
Some remarks on a little known necropolis in the Uighur autonomous
region of Xinjiang (People’s Republic of China) (M.A. Laia Com-
neno, Roma)..............................................................
A group of 17th century paintings used for picture recitation (B.
Mahir, Istanbul).........................................................
The impact of Turkish decorative motifs on Polish handicrafts: Stove
tiles (T. Majpa, Warszawa)...............................................
Individualized sultans and sexy women. The works of Musavvir Hüseyin
and their East-West context (H.G. Majer, München)........................
Présence de l’art ottoman dans les musées suisses (M. Martiniani-
Reber, Genève).........................................................
Evaluation of the dormitory of the Halberdiers with tresses in the Topkapi
Palace in terms of organisation theories (A. Menteş).....................
Domestic architecture, notables and power. A neighborhood in late Ottoman
Damascus, An introduction (A.R. Moaz, Damascus)..........................
Modernity and modern architecture in Kemalist Turkey (B. Nicolai, Berlin).
The creative power of Turkish art (A. Odekan, Istanbul)..................
The place of the Ottoman palace in the development of Turkish painting
and the military painters (S. Öner, Istanbul)..........................
Some considerations about the mausoleum of Sheikhzade Mustafa (Bursa)
(H. Önkal, Izmir)......................................................
The peacock figure and its iconography in medieval Anatolian Turkish art
(Y. Özbek, Kayseri) ...................................................
Miletus wares found in İznik Roman theatre excavations (N. Özkul, Ankara).
The portrait of Mehmed II: Gentile Bellini, the making of an imperial
image (M.P. Pedani Fabris, Venezia)....................................
The origins of the Seljukid double-headed eagle as a cosmological symbol
(A.U. Peker, Ankara)...................................................
Selim Ill’s portraits and the European connection (G. Renda, Ankara).....
The yuan wave border in the İznik vessels of the Calouste Gulbenkian Collec-
tion (M. Queiroz Ribeiro, Lisboa)........................................
Catalogue of scripts by the seven masters (H. 2310): A Timurid calligraphy
album at the Ottoman court (D.J. Roxburgh, Cambridge, Mass.)...........
The transformed Shahnama: Romanticized heroic legends versus history
(K. Rührdanz, Halle)................................. .................
The figurai representations of Karamanid period: An iconographie approach
(N. Şaman Doğan, Ankara) ..............................................
A 19th century interpretation of Çinili Köşk (Istanbul) in an orientalist man-
ner (T. Saner, Istanbul).................................................
Ottoman costume albums in a cross-cultural context (L.M. Schick, Cam-
812
TABLE DES MATIÈRES
bridge, Mass.).......................................................... 625
Sultan’s hamams of Ottoman palaces (N. Sİnemoğlu, Istanbul)................ 629
Die Bauleitung und Hiérarchie an einem Sultansgebâude nach den Bauinven-
tarbüchern (inşaat defterleri) der Ayazmamosche in Istanbul (N. Sön-
mez, Istanbul)............................................................. 639
An illuminated manuscript of the wandering scholar Ibn al-Jazari and the
wandering illuminators between Tabriz, Shiraz, Herat, Bursa, Edirne,
Istanbul in the 15th century (Z. Tanindi, Bursa)................. 647
Textiles of Asian origin arriving at the Ottoman palace from the 15th
century onwards (H. Tezcan, Istanbul)................................... 657
A special group of Ottoman-Turkish standards from the 17th century (T.
Tezcan, Istanbul)....................................................... 667
Location, expropriation and the Yeni Valide complex in Eminönü (L. Thys-
Şenocak, Istanbul)...................................................... 675
The Ottoman contribution to 16th century Shirazi manuscript production
(L. Uluç, New York)..................................................... 681
L’apport des fouilles d’Incir Khan à notre connaissance des caravansérails sel-
djoukides (R.H. Ünal, Izmir) ........................................... 695
Amasya-Gökmedrese mosque, Some new conceptions (G. Urak, Ankara).... 707
The fortress of Ayâ Mâvra (Santa Maura) in Ottoman times (1479-1684), A
preliminary survey of its building history (E.A. van Teijlingen, Utrecht). 717
Les tapis de Valère (Sion/Valais) (F. Vannotti, Sion)...................... 725
Ottoman Damascus of the 19th century, Artistic and urban development
as an expression of changing times (S. Weber, Damascus)................. 731
Üç kanatlı tahtların menşei (M.M. Yamanlar, Tokyo)......................... 741
The theme of peasants and farmers in Turkish painting (Z. Yasa
Yaman, Ankara).......................................................... 751
Anatolian Seljuk caravanserais and their use as state houses (A.T.
Yavuz, Ankara).......................................................... 757
Two tombs from Nakhichevan and the architect Acemi bin Bubekr
(T. Yazar, Ankara)...................................................... 767
Turkish aqueducs in Cyprus (N. Yildiz, Gazimagusa)......................... 775
Decorative elements of Asiatic-Buddhist roots in the Ottoman Near-East
especially the peony style of the 15th century (J. Zick-Nissen, Berlin). 785
The origin of the heavy-armoured Ottoman sipahis (Z. Zygulski Jr, Krakow). 799
|
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author2 | Déroche, François 1952- Genequand, Charles Renda, Günsel 1936- Rogers, J. M. 1940- |
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author_GND | (DE-588)13299982X (DE-588)1082243558 (DE-588)142668648 (DE-588)129760498 |
author_corporate | International Congress of Turkish Art Genf |
author_corporate_role | aut |
author_facet | Déroche, François 1952- Genequand, Charles Renda, Günsel 1936- Rogers, J. M. 1940- International Congress of Turkish Art Genf |
author_sort | International Congress of Turkish Art Genf |
building | Verbundindex |
bvnumber | BV013693086 |
classification_rvk | EL 7600 |
ctrlnum | (OCoLC)85377103 (DE-599)BVBBV013693086 |
discipline | Außereuropäische Sprachen und Literaturen Literaturwissenschaft |
format | Conference Proceeding Book |
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genre | (DE-588)1071861417 Konferenzschrift 1995 Genf gnd-content |
genre_facet | Konferenzschrift 1995 Genf |
geographic | Türkei (DE-588)4061163-2 gnd Osmanisches Reich (DE-588)4075720-1 gnd |
geographic_facet | Türkei Osmanisches Reich |
id | DE-604.BV013693086 |
illustrated | Illustrated |
indexdate | 2024-12-20T10:51:56Z |
institution | BVB |
institution_GND | (DE-588)10020981-6 |
isbn | 2051017638 |
language | English French German Turkish |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-009357596 |
oclc_num | 85377103 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG DE-83 DE-19 DE-BY-UBM DE-Y3 DE-255 |
owner_facet | DE-12 DE-473 DE-BY-UBG DE-83 DE-19 DE-BY-UBM DE-Y3 DE-255 |
physical | 812 Seiten Illustrationen, Pläne |
publishDate | 1999 |
publishDateSearch | 1999 |
publishDateSort | 1999 |
publisher | Fondation Max Van Berchem |
record_format | marc |
spellingShingle | Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings Kunst (DE-588)4114333-4 gnd Architektur (DE-588)4002851-3 gnd Kunsthandwerk (DE-588)4073883-8 gnd Archäologie (DE-588)4002827-6 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4002851-3 (DE-588)4073883-8 (DE-588)4002827-6 (DE-588)4061163-2 (DE-588)4075720-1 (DE-588)1071861417 |
title | Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings |
title_alt | 10e Congrès international d'art turc 10th International Congress of Turkish Art Turkish art |
title_auth | Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings |
title_exact_search | Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings |
title_full | Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings comité éditorial: François Déroche (Paris), Charles Genequand (Genève), Günsel Renda (Ankara) et Michael Rogers (Londres) ; avec la collaboration d'Antoinette Harri et Allison Ohta |
title_fullStr | Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings comité éditorial: François Déroche (Paris), Charles Genequand (Genève), Günsel Renda (Ankara) et Michael Rogers (Londres) ; avec la collaboration d'Antoinette Harri et Allison Ohta |
title_full_unstemmed | Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings comité éditorial: François Déroche (Paris), Charles Genequand (Genève), Günsel Renda (Ankara) et Michael Rogers (Londres) ; avec la collaboration d'Antoinette Harri et Allison Ohta |
title_short | Art turc |
title_sort | art turc 10e congres international d art turc geneve 17 23 septembre 1995 actes turkish art 10th international congress of turkish art geneva 17 23 september 1995 proceedings |
title_sub | 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings |
topic | Kunst (DE-588)4114333-4 gnd Architektur (DE-588)4002851-3 gnd Kunsthandwerk (DE-588)4073883-8 gnd Archäologie (DE-588)4002827-6 gnd |
topic_facet | Kunst Architektur Kunsthandwerk Archäologie Türkei Osmanisches Reich Konferenzschrift 1995 Genf |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009357596&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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