Verfügbarkeit: Art turc | Technische Universität München

Art turc: 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings

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Bibliographische Detailangaben
Körperschaft:	International Congress of Turkish Art Genf (VerfasserIn)
Weitere beteiligte Personen:	Déroche, François 1952- (HerausgeberIn), Genequand, Charles (HerausgeberIn), Renda, Günsel 1936- (HerausgeberIn), Rogers, J. M. 1940- (HerausgeberIn)
Format:	Tagungsbericht Buch
Sprache:	Englisch Französisch Deutsch Türkisch
Veröffentlicht:	Genève Fondation Max Van Berchem 1999
Schlagwörter:	Kunst Architektur Kunsthandwerk Archäologie Türkei Osmanisches Reich Konferenzschrift > 1995 > Genf
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009357596&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	812 Seiten Illustrationen, Pläne
ISBN:	2051017638

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Datensatz im Suchindex

_version_	1819256954777763840
adam_text	ART TURC TURKISH ART 10th International Congress of Turkish Art 10e Congrès international d’art turc Genève-Geneva 17-23 September 1995 17-23 Septembre 1995 ACTES-PROCEEDINGS Comité éditorial : François Déroche (Paris), Charles Genequand (Genève), Günsel Renda (Ankara) et Michael Rogers (Londres) avec la collaboration d’Antoinette Harri et Allison Ohta Fondation Max Van Berchem Genève 1999 TABLE DES MATIERES Introduction (Ch. Genequand)................................................... 5 Foreword (G. Renda) ........................................................... 7 ICTA Committees................................................................ 9 * * * The archaeological approach to the study of Turkish arts (O. Ark, Ankara).. II The many gates of Ottomnan art (0. Grabar, Princeton)........................ 19 Ottoman architectural monuments in the Balkans: Losses and gains (M. Kiel, Utrecht)......................................................... 27 * * * The Ottoman woodwork of Jerusalem (M. Abu Khaeaf, Jerusalem).................. 39 The Cairene sabil-kuttab and its reinterpretation in Ottoman architecture (Z. Ahunbay, Istanbul)..................................................... 47 The restitution of the Halef Gazi zawiya in Tokat (I. Aksulu, Ankara)..... 53 Ottoman soldier-painters and their influence on modern art in Iraq and the Levant (W. Ali, Ankara).................................................... 61 The ornamental repertoire of Ottoman art on wood and stucco decoration during the age of Çelebi Mehmed (S. Alp, Ankara)........................... 67 Recent developments in Kubad-Abad excavations (1890-1995) (R. Ark, Ankara)..................................................................... 75 Problems relating to the social history context of the acquisition and posses- sion of books as part of collections of objets d’an, in the 18th century (T. Artan, Istanbul).......................................................... 87 The Tower of Justice of the Topkapı (N. Atasoy, Istanbul)................. 93 A Turkish embassy to Shah Abbas I. A reinterpretation of a Persian lacquer painting (E. Baer, Tel Aviv).............................................. 101 From İskender to Mehmed II: Change in royal imagery (S. Bağci, Ankara)... Ill Recently discovered stucco window lattices from the Anatolian Seljuk period (Ö. Bakirer, Ankara)....................................................... 127 Turkish embroideries with inscriptions from the late Ottoman period (H.Ö. Barişta, Ankara)..................................................... 135 The subject of style in Ottoman architecture at the end of the 19th century 810 TABLE DES MATIÈRES (A. Batur, Istanbul)...................................................... 143 New carpet designs discovered in Anatolia (S. Bayraktaroğlu, Ankara) .... 153 Yemen Fatihi Gazi Sinan Paşa vakfiyeleri ve tezyinatı ve Türk süsleme sana- tındaki yeri (S. Bayram, Ankara).......................................... 163 Les origines présumées du Kalila et Dimna de Genève (L. Benou- niche, Genève)............................................................ 177 A Turkish tent in the Kraków National Museum (B. Biedronska- Slotova, Kraków) ......................................................... 183 Painted and moulded masks on barbotine ware jars from south-astern Ana- tolia and their iconographie significance (L. Bulut, Izmir)............... 191 Nakkaş Osman in sixteenth century documents and literature (F. Çağ- man, Istanbul)............................................................ 197 Mustafa Reşit Paşa and the architect G.T. Fossati (C. Can, Istanbul)..... 207 The mausoleum of Tekesh in Kunya Urgench (S. G. Chmelnizkij, Berlin).... 217 Drawings by Colonel G.F. Rossini, military attaché of the Venetian embassy in Constantinople (G. Curatola, Venezia).................................. 225 Excavation of the Melik Mahmud Gazi hangah (darphane) at Aksaray (B. Deniz, Izmir)......................................................... 233 Provincial Ottoman architecture and the metropolitan style: Questions of meaning and originality (W. Denny, Amherst)............................... 243 A remarkable collection of mashq (U. Derman, Istanbul)................... 253 The illustrated Shaybânînâme in Vienna: Österreichische Nationalbiblio- thek Cod. Mixt. 188 (D. Duda, Wien)....................................... 261 Oriental carpets in Moldavia and Walachia (16th century) (M.E. Dunca- Moisin, Bucureşti)........................................................ 273 A medieval Anatolian architect: Keluk (A. Durukan, Ankara)............... 277 The case of Saadabad: Westernization of revivalism? (C. Erimtan, Oxford) .. 287 Usul-i mi’mari-yi ‘Osmânî: A source of revival in Ottoman architecture (A. Ersoy, Cambridge, Mass.).............................................. 291 Façade composition of Ottoman city-hans (B. Ersoy, Ankara)............... 297 A Timurid inscription in Anatolia (E. Eser, Ankara)...................... 305 Woven in stone and brick. Decorative programs in Seljuk and post-Seljuk architecture and their symbolic value (E.S. Ettinghausen, Princeton)__ 315 The 19th century official buildings of Kastamonu (K. Eyüpgİller, Istanbul). 327 Ottoman influences on Hungarian gold- and silversmiths (I. Gerelyes, Budapest)................................................................. 337 Le mécénat dans l’art turc : Du Sérail à la République (S. Germaner, Istanbul). 345 The residence of the paşas in Hungary and the recently discovered Paşasa- ray from Buda (G. Gero, Budapest)......................................... 353 Ottoman influences in the works of some Italian architects active in 19th century Istanbul (P. Girardelli, Roma).................................... 361 Makedonya’da tekke mimarisi ve özellikleri (M. Ibrahìmgìl, Ankara)....... 369 Official painters of the Ottoman palace (Z. Inankur, Istanbul)........... 381 Ottoman protraiture during the reigns of Mustafa III and Abdülhamid I (A.G. Irepoğlu, Istanbul)................................................. 389 Çırağan Palace: some significant and unknown documents from the Palace 811 399 409 415 421 435 443 457 463 473 477 489 497 509 517 529 537 547 555 559 567 579 587 599 607 615 TABLE DES MATIÈRES National Archives in Istanbul (F. Irez, Istanbul)...................... Vizierial undertakings in the making of Ottoman Istanbul (Ç. Kafesçio- ĞLU, New York, N. Y.).................................................. Darband’s bath-houses of the Ottoman period (A. Koudriatsev M. Gadjiev, Makhatchkala, Daghestan)...................................... A comparison between the caravanserais of Anatolia and Central Asia in the Middle Ages (I. Kuyulu, Izmir)........................................... Some remarks on a little known necropolis in the Uighur autonomous region of Xinjiang (People’s Republic of China) (M.A. Laia Com- neno, Roma).............................................................. A group of 17th century paintings used for picture recitation (B. Mahir, Istanbul)......................................................... The impact of Turkish decorative motifs on Polish handicrafts: Stove tiles (T. Majpa, Warszawa)............................................... Individualized sultans and sexy women. The works of Musavvir Hüseyin and their East-West context (H.G. Majer, München)........................ Présence de l’art ottoman dans les musées suisses (M. Martiniani- Reber, Genève)......................................................... Evaluation of the dormitory of the Halberdiers with tresses in the Topkapi Palace in terms of organisation theories (A. Menteş)..................... Domestic architecture, notables and power. A neighborhood in late Ottoman Damascus, An introduction (A.R. Moaz, Damascus).......................... Modernity and modern architecture in Kemalist Turkey (B. Nicolai, Berlin). The creative power of Turkish art (A. Odekan, Istanbul).................. The place of the Ottoman palace in the development of Turkish painting and the military painters (S. Öner, Istanbul).......................... Some considerations about the mausoleum of Sheikhzade Mustafa (Bursa) (H. Önkal, Izmir)...................................................... The peacock figure and its iconography in medieval Anatolian Turkish art (Y. Özbek, Kayseri) ................................................... Miletus wares found in İznik Roman theatre excavations (N. Özkul, Ankara). The portrait of Mehmed II: Gentile Bellini, the making of an imperial image (M.P. Pedani Fabris, Venezia).................................... The origins of the Seljukid double-headed eagle as a cosmological symbol (A.U. Peker, Ankara)................................................... Selim Ill’s portraits and the European connection (G. Renda, Ankara)..... The yuan wave border in the İznik vessels of the Calouste Gulbenkian Collec- tion (M. Queiroz Ribeiro, Lisboa)........................................ Catalogue of scripts by the seven masters (H. 2310): A Timurid calligraphy album at the Ottoman court (D.J. Roxburgh, Cambridge, Mass.)........... The transformed Shahnama: Romanticized heroic legends versus history (K. Rührdanz, Halle)................................. ................. The figurai representations of Karamanid period: An iconographie approach (N. Şaman Doğan, Ankara) .............................................. A 19th century interpretation of Çinili Köşk (Istanbul) in an orientalist man- ner (T. Saner, Istanbul)................................................. Ottoman costume albums in a cross-cultural context (L.M. Schick, Cam- 812 TABLE DES MATIÈRES bridge, Mass.).......................................................... 625 Sultan’s hamams of Ottoman palaces (N. Sİnemoğlu, Istanbul)................ 629 Die Bauleitung und Hiérarchie an einem Sultansgebâude nach den Bauinven- tarbüchern (inşaat defterleri) der Ayazmamosche in Istanbul (N. Sön- mez, Istanbul)............................................................. 639 An illuminated manuscript of the wandering scholar Ibn al-Jazari and the wandering illuminators between Tabriz, Shiraz, Herat, Bursa, Edirne, Istanbul in the 15th century (Z. Tanindi, Bursa)................. 647 Textiles of Asian origin arriving at the Ottoman palace from the 15th century onwards (H. Tezcan, Istanbul)................................... 657 A special group of Ottoman-Turkish standards from the 17th century (T. Tezcan, Istanbul)....................................................... 667 Location, expropriation and the Yeni Valide complex in Eminönü (L. Thys- Şenocak, Istanbul)...................................................... 675 The Ottoman contribution to 16th century Shirazi manuscript production (L. Uluç, New York)..................................................... 681 L’apport des fouilles d’Incir Khan à notre connaissance des caravansérails sel- djoukides (R.H. Ünal, Izmir) ........................................... 695 Amasya-Gökmedrese mosque, Some new conceptions (G. Urak, Ankara).... 707 The fortress of Ayâ Mâvra (Santa Maura) in Ottoman times (1479-1684), A preliminary survey of its building history (E.A. van Teijlingen, Utrecht). 717 Les tapis de Valère (Sion/Valais) (F. Vannotti, Sion)...................... 725 Ottoman Damascus of the 19th century, Artistic and urban development as an expression of changing times (S. Weber, Damascus)................. 731 Üç kanatlı tahtların menşei (M.M. Yamanlar, Tokyo)......................... 741 The theme of peasants and farmers in Turkish painting (Z. Yasa Yaman, Ankara).......................................................... 751 Anatolian Seljuk caravanserais and their use as state houses (A.T. Yavuz, Ankara).......................................................... 757 Two tombs from Nakhichevan and the architect Acemi bin Bubekr (T. Yazar, Ankara)...................................................... 767 Turkish aqueducs in Cyprus (N. Yildiz, Gazimagusa)......................... 775 Decorative elements of Asiatic-Buddhist roots in the Ottoman Near-East especially the peony style of the 15th century (J. Zick-Nissen, Berlin). 785 The origin of the heavy-armoured Ottoman sipahis (Z. Zygulski Jr, Krakow). 799
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genre	(DE-588)1071861417 Konferenzschrift 1995 Genf gnd-content
genre_facet	Konferenzschrift 1995 Genf
geographic	Türkei (DE-588)4061163-2 gnd Osmanisches Reich (DE-588)4075720-1 gnd
geographic_facet	Türkei Osmanisches Reich
id	DE-604.BV013693086
illustrated	Illustrated
indexdate	2024-12-20T10:51:56Z
institution	BVB
institution_GND	(DE-588)10020981-6
isbn	2051017638
language	English French German Turkish
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-009357596
oclc_num	85377103
open_access_boolean
owner	DE-12 DE-473 DE-BY-UBG DE-83 DE-19 DE-BY-UBM DE-Y3 DE-255
owner_facet	DE-12 DE-473 DE-BY-UBG DE-83 DE-19 DE-BY-UBM DE-Y3 DE-255
physical	812 Seiten Illustrationen, Pläne
publishDate	1999
publishDateSearch	1999
publishDateSort	1999
publisher	Fondation Max Van Berchem
record_format	marc
spellingShingle	Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings Kunst (DE-588)4114333-4 gnd Architektur (DE-588)4002851-3 gnd Kunsthandwerk (DE-588)4073883-8 gnd Archäologie (DE-588)4002827-6 gnd
subject_GND	(DE-588)4114333-4 (DE-588)4002851-3 (DE-588)4073883-8 (DE-588)4002827-6 (DE-588)4061163-2 (DE-588)4075720-1 (DE-588)1071861417
title	Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings
title_alt	10e Congrès international d'art turc 10th International Congress of Turkish Art Turkish art
title_auth	Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings
title_exact_search	Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings
title_full	Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings comité éditorial: François Déroche (Paris), Charles Genequand (Genève), Günsel Renda (Ankara) et Michael Rogers (Londres) ; avec la collaboration d'Antoinette Harri et Allison Ohta
title_fullStr	Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings comité éditorial: François Déroche (Paris), Charles Genequand (Genève), Günsel Renda (Ankara) et Michael Rogers (Londres) ; avec la collaboration d'Antoinette Harri et Allison Ohta
title_full_unstemmed	Art turc 10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings comité éditorial: François Déroche (Paris), Charles Genequand (Genève), Günsel Renda (Ankara) et Michael Rogers (Londres) ; avec la collaboration d'Antoinette Harri et Allison Ohta
title_short	Art turc
title_sort	art turc 10e congres international d art turc geneve 17 23 septembre 1995 actes turkish art 10th international congress of turkish art geneva 17 23 september 1995 proceedings
title_sub	10e Congrès international d'art turc, Genève, 17-23 septembre 1995 : actes = Turkish art : 10th International Congress of Turkish Art, Geneva, 17-23 September 1995 : proceedings
topic	Kunst (DE-588)4114333-4 gnd Architektur (DE-588)4002851-3 gnd Kunsthandwerk (DE-588)4073883-8 gnd Archäologie (DE-588)4002827-6 gnd
topic_facet	Kunst Architektur Kunsthandwerk Archäologie Türkei Osmanisches Reich Konferenzschrift 1995 Genf
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009357596&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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