Cinema and national identity in a divided Germany: 1979 - 1989 ; the split screen
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Deutsch |
| Veröffentlicht: |
Lewiston [u.a.]
Mellen
2000
|
| Schriftenreihe: | Studies in history and criticism of film
2 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009255043&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | VIII, 319 S. Ill. |
| ISBN: | 0773476407 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CINEMA AND NATIONAL IDENTITY IN A
DIVIDED GERMANY 1979-1989
THE SPLIT SCREEN
Hans Joachim Meurer
Studies in History and Criticism of Film
Volume 2
The Edwin Mellen Press
Lewiston*Queenston«Lampeter
Contents
Foreword i
Preface by Professor Barton Byg v
Acknowledgements ix
PARTI: CONCEPTS AND METHODS
1 Introduction 1
1 1 The crucial role of methodology
1 2 Towards a materialist perspective on national identity
1 3 The three parts of the project: an outline
1 4 The research process: methods and limitations
1 5 The focus on key trends in German cinema
2 The discourse of German cinema 15
2 1 The concept of national cinema
2 2 Was there a German national cinema after the war?
2 3 The national discourse in post-war German cinema
2 4 Discursive gaps in the national discourse
2 5 The dominant concern with unity and coherence
3 The mediation of national identity 43
3 1 East and West Germany in relational perspective
3 2 The concept of national audio-visual space
3 3 Diverging conceptions of German national identity
3 4 Diverging cultural frameworks for film production
3 5 Bourgeois versus socialist culture
PART U: EAST AND WEST GERMAN CINEMA (1979-89)
4 Political pressures on production 71
4 1 The social relations of cultural production
4 2 The West German project of a national Autorenkino
4 3 The Tendenzwende in West German film production
4 4 The East German project of a socialist national cinema
4 5 The return to Stalinist repression in GDR film production
4 6 The influence of state policies in the eighties
5 The central role of distribution 109
5 1 Access to the channels of consumption
5 2 The intemationalisation of distribution in the FRG
5 3 West German identity and capitalist mass culture
5 4 The state monopoly on distribution in the GDR
5 5 East German identity and socialist mass culture
5 6 Government policies and their effect on distribution
6 The organisation of exhibition 139
6 1 Towards an exhibition-led concept of national cinema
6 2 The business command on exhibition in West Germany
6 3 The endorsement of bourgois cultural values in the FRG
6 4 The government command on exhibition in the GDR
6 5 The affirmation of communist cultural values in the GDR
6 6 The synchronisation of German film culture in the eighties
PART HI: DISCOURSES OF NATIONAL IDENTITY
7 Bourgeois politics of the self 171
7 1 Discourses of national identity in German cinema
7 2 The bourgeois appropriation of the German past
7 3 Peppermint Frieden and the aesthetics of fascism
7 4 The dispute over West German identity in the eighties
7 5 Stammheim and the illusion of political normality
7 6 Exclusion of the Other, fixation on the Self
8 Socialist politics of the other 203
8 1 Political debates and socio-cultural practice
8 2 The disintegration of East German identity in the eighties
8 3 Das Fahrrad and the fallacy of an egalitarian society
8 4 The socialist re-appropriation of the German past
8 5 Chimborazo and the aesthetics of historic failure
8 6 Fixation on the Other, exclusion of the Self
9 Conclusion 235
9 1 Structures of conflict in post-war German cinema
9 2 The geo-political process of cultural differentiation
9 3 The search for a specific national-historical identity
9 4 The split screen: German cinema, Self and Other
Appendix A: Glossary 247
Appendix B: Films 249
Appendix C: Tables 281
Appendix D: Bibliography 295
Appendix E: Index 317
|
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| id | DE-604.BV013553096 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T10:49:20Z |
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| isbn | 0773476407 |
| language | German |
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| physical | VIII, 319 S. Ill. |
| publishDate | 2000 |
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| series | Studies in history and criticism of film |
| series2 | Studies in history and criticism of film |
| spellingShingle | Meurer, Hans Joachim Cinema and national identity in a divided Germany 1979 - 1989 ; the split screen Studies in history and criticism of film Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4011890-3 (DE-588)4011889-7 |
| title | Cinema and national identity in a divided Germany 1979 - 1989 ; the split screen |
| title_auth | Cinema and national identity in a divided Germany 1979 - 1989 ; the split screen |
| title_exact_search | Cinema and national identity in a divided Germany 1979 - 1989 ; the split screen |
| title_full | Cinema and national identity in a divided Germany 1979 - 1989 ; the split screen Hans Joachim Meurer |
| title_fullStr | Cinema and national identity in a divided Germany 1979 - 1989 ; the split screen Hans Joachim Meurer |
| title_full_unstemmed | Cinema and national identity in a divided Germany 1979 - 1989 ; the split screen Hans Joachim Meurer |
| title_short | Cinema and national identity in a divided Germany |
| title_sort | cinema and national identity in a divided germany 1979 1989 the split screen |
| title_sub | 1979 - 1989 ; the split screen |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film Deutschland DDR Deutschland Bundesrepublik |
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