An introduction to the psychology of hearing:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
San Diego [u.a.]
Acad. Press
1997
|
| Ausgabe: | 4. ed. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007748957&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XVII, 373 S. Ill., graph. Darst. |
| ISBN: | 0125056273 0125056249 |
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Datensatz im Suchindex
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| adam_text | Titel: An introduction to the psychology of hearing
Autor: Moore, Brian C. J.
Jahr: 1997
Contents
Preface to the First edition xi
Preface to the Second Edition xiii
Preface to the Third Edition xv
Preface to the Fourth Edition xvii
1 The nature of sound and the structure and function of the
auditory system 1
1 Introduction 1
2 The physical characteristics of sounds 1
A The nature of sound 1
B Fourier analysis and spectral representations 3
C The measurement of sound level 9
D Beats 12
3 The concept of linearity 12
4 Filters and their properties 13
5 Basic structure and function of the auditory system 17
A The outer and middle ear 17
B The inner ear and the basilar membrane 19
C The transduction process and the hair cells 27
D Cochlear echoes 29
6 Neural responses in the auditory nerve 31
A Spontaneous firing rates and thresholds 32
B Tuning curves and iso-rate contours 32
C Rate versus level functions 34
D Neural excitation patterns 36
E Phase locking 38
F Two-tone suppression 40
G Phase locking to complex sounds 42
7 Neural responses at higher levels in the auditory system 43
8 General summary and conclusions 46
Further reading 48
2 The perception of loudness 49
1 Introduction 49
2 Absolute thresholds 49
3 Equal-loudness contours 53
4 The scaling of loudness 57
5 Models of loudness 59
6 Temporal integration 61
7 The detection of intensity changes and the coding of
loudness 63
A The dynamic range of the auditory system 65
B Weber s law 69
C The near miss to Weber s law 70
8 Loudness adaptation, fatigue and damage risk 72
A Post-stimulatory auditory fatigue 73
B Auditory adaptation 77
9 Abnormalities of loudness perception in impaired hearing:
loudness recruitment and pathological adaptation 78
A Loudness recruitment 79
B Pathological adaptation 84
10 General conclusions 85
Further reading 88
3 Frequency selectivity, masking and the critical band 89
1 Introduction 89
2 The critical band concept 90
A Fletcher s band-widening experiment, the power
spectrum model and critical ratios 90
B The loudness of complex sounds 93
C The threshold of complex sounds 94
D Two-tone masking 96
E Sensitivity to phase 97
F The discrimination of partials in complex tones 100
G Interim summary 103
3 Estimating the shape of the auditory filter 103
A Psychophysical tuning curves 103
B The notched-noise method 105
C Some general observations on auditory filters 109
4 Masking patterns and excitation patterns Ill
5 The nature of the critical band and mechanisms of masking .. 114
A The origin of the auditory filter 114
B Temporal effects 115
C The mechanism of masking — swamping or suppression? . 117
D The neural code used for signal detection 118
6 Comodulation masking release: spectro-temporal pattern
analysis in hearing 121
A Initial demonstrations of comodulation masking release . 121
B The role of within-channel cues 123
C Factors influencing the magnitude of CMR 124
D Models to explain CMR 124
E Experimental tests of the models 125
F General implications of CMR 126
7 Profile analysis 127
8 Non-simultaneous masking 128
9 Evidence for lateral suppression from non-simultaneous
masking 133
10 Frequency selectivity in impaired hearing 138
11 General conclusions 140
12 Appendix: signal detection theory 142
A Introduction 142
B The basic idea of signal detection theory 143
Further reading 147
4 Temporal processing in the auditory system 148
1 Introduction 148
2 Temporal resolution measured by the discrimination
of stimuli with identical magnitude spectra: broadband
sounds 149
A The detection of gaps in broadband noise 149
B The discrimination of time-reversed signals 150
C Temporal modulation transfer functions 150
3 Temporal resolution measured by the discrimination
of stimuli with identical magnitude spectra: effects of centre
frequency 151
4 Detection of temporal gaps in narrowband sounds 153
A Detection of gaps in bands of noise 153
B Detection of gaps in sinusoids 157
5 Modelling temporal resolution 160
A The nature of the decision device 161
B The characteristics of the temporal integrator 162
C Models incorporating compressive nonlinearities 165
6 A modulation filter bank? 166
A Masking in the modulation domain with broadband
carriers 166
B Modulation detection interference 169
C Accounting for TMTFs with a modulation filter bank .. 170
7 Duration discrimination 171
8 Temporal analysis based on across-channel processes 172
A The discrimination of Huffman sequences 172
B Detection of onset and offset asynchrony in
multicomponent complexes 173
C Judgement of temporal order 174
9 General conclusions 174
Further reading 176
5 Pitch perception 177
1 Introduction 177
2 Theories of pitch perception 177
3 The perception of the pitch of pure tones 178
A The frequency discrimination of pure tones 178
B The perception of musical intervals 185
C The variation of pitch with level 186
D General conclusions on the pitch perception of pure
tones 187
4 The pitch perception of complex tones 188
A Pattern recognition models 189
B Temporal models 192
5 Experimental evidence relevant to the pattern recognition
and temporal models 196
A The existence region of the tonal residue 196
B The principle of dominance 198
C Evidence for the role of central mechanisms in the
perception of complex tones 199
D Pitches based upon purely timing information 202
6 A schematic model for the pitch perception of complex tones . 204
7 The perception of pitch in music 208
A Octaves, musical intervals and musical scales 208
B Absolute pitch 210
8 General summary 211
Further reading 212
6 Space perception 213
1 Introduction 213
2 The localization of pure tones 214
A Cues for localization 215
B Performance in localization and lateralization task 216
C Binaural beats 220
3 The localization of complex sounds 221
A The acuity of lateralizing transients 221
B Acuity as a function of frequency 222
C Onset disparities versus ongoing disparities 223
D Time-intensity trading 223
E Binaural adaptation 224
F Binaural interference 226
4 The cone of confusion and the role of head movements 227
5 Monaural localization and the role of the pinnae 228
6 The precedence effect 231
7 General conclusions on sound localization 234
8 Binaural masking level differences 235
9 The sluggishness of the binaural system 239
10 Models of binaural processing 240
11 The influence of vision on auditory localization 241
12 The perception of distance 242
13 General conclusions 243
Further reading 244
7 Auditory pattern and object perception 245
1 Introduction 245
2 Timbre perception and object identification 245
A Time-invariant patterns and timbre 246
B Time-varying patterns 247
3 Information used to separate auditory objects 249
A Fundamental frequency 251
B Onset disparities 252
C Contrast with previous sounds 254
D Correlated changes in amplitude or frequency 256
E Sound location 258
4 The perception of temporal patterns 259
A The perception of rhythm 259
B Auditory streaming 260
C Judgement of temporal order 261
5 General principles of perceptual organization 263
A Similarity 263
B Good continuation 264
C Common fate 265
D Disjoint allocation 266
E Closure 266
F The figure-ground phenomenon and attention 268
6 General conclusions 269
Further reading 271
8 Speech perception 272
1 Introduction 272
2 The nature of speech sounds 273
3 Speech perception — what is special about speech? 280
A The rate at which speech sounds occur 280
B The variable nature of acoustic cues 281
C Categorical perception 283
D Evidence for brain specialization 286
E Evidence for a speech mode from sinewave speech
and other phenomena 287
F Duplex perception 288
G Cue trading 291
H Audiovisual integration 292
I Interim summary of work on the special nature of
speech perception 293
4 Models of speech perception 293
A The motor theory 293
B Invariant feature or cue-based approaches 294
C The TRACE model 295
5 The search for invariant acoustic cues and the multiplicity
of cues 296
6 The resistance of speech to corrupting influences 301
7 General conclusions 303
Further reading 305
9 Practical applications 306
1 Introduction 306
2 Applications of psychoacoustic research in the alleviation
of hearing loss 306
A Hearing aid design 306
B Cochlear implants 309
3 The psychoacoustics of hi-fi sound reproduction 311
A The interpretation of specifications 312
B Amplifiers 314
C Loudspeakers 315
D Cassette players and recorders 319
E Compact disc players and digital audio tape (DAT)
players/recorders 321
F Perceptual coders 323
G Loudspeaker cable 325
H General conclusions 325
4 The evaluation of concert hall acoustics 325
5 General summary and concluding remarks 328
References 330
Glossary 358
Index 365
|
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| author | Moore, Brian C. J. |
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| discipline | Physik Biologie Sprachwissenschaft Psychologie Literaturwissenschaft |
| edition | 4. ed. |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-12-20T10:13:55Z |
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| publisher | Acad. Press |
| record_format | marc |
| spellingShingle | Moore, Brian C. J. An introduction to the psychology of hearing Ouïe Perception auditive Auditory Perception Auditory perception Hearing Hearing physiology Psychoacoustics Psychologie (DE-588)4047704-6 gnd Psychophysik (DE-588)4176251-4 gnd Physiologie (DE-588)4045981-0 gnd Tonpsychologie (DE-588)4185692-2 gnd Hören (DE-588)4025405-7 gnd Lautwahrnehmung (DE-588)4125741-8 gnd Psychoakustik (DE-588)4176198-4 gnd |
| subject_GND | (DE-588)4047704-6 (DE-588)4176251-4 (DE-588)4045981-0 (DE-588)4185692-2 (DE-588)4025405-7 (DE-588)4125741-8 (DE-588)4176198-4 |
| title | An introduction to the psychology of hearing |
| title_auth | An introduction to the psychology of hearing |
| title_exact_search | An introduction to the psychology of hearing |
| title_full | An introduction to the psychology of hearing Brian C. J. Moore |
| title_fullStr | An introduction to the psychology of hearing Brian C. J. Moore |
| title_full_unstemmed | An introduction to the psychology of hearing Brian C. J. Moore |
| title_short | An introduction to the psychology of hearing |
| title_sort | an introduction to the psychology of hearing |
| topic | Ouïe Perception auditive Auditory Perception Auditory perception Hearing Hearing physiology Psychoacoustics Psychologie (DE-588)4047704-6 gnd Psychophysik (DE-588)4176251-4 gnd Physiologie (DE-588)4045981-0 gnd Tonpsychologie (DE-588)4185692-2 gnd Hören (DE-588)4025405-7 gnd Lautwahrnehmung (DE-588)4125741-8 gnd Psychoakustik (DE-588)4176198-4 gnd |
| topic_facet | Ouïe Perception auditive Auditory Perception Auditory perception Hearing Hearing physiology Psychoacoustics Psychologie Psychophysik Physiologie Tonpsychologie Hören Lautwahrnehmung Psychoakustik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007748957&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT moorebriancj anintroductiontothepsychologyofhearing |
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