Manet's modernism, or the face of painting in the 1860s:
By placing the painter squarely within his generation (along with Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler, all of whom are treated at length) as well as in the context of the art-critical discourse of his time, Fried transforms our sense of Manet's artistic project. Ins...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Chicago [u.a.]
Univ. of Chicago Press
1996
|
| Schlagwörter: | |
| Links: | http://www.loc.gov/catdir/description/uchi052/95014461.html http://www.loc.gov/catdir/toc/uchi051/95014461.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007410771&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | By placing the painter squarely within his generation (along with Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler, all of whom are treated at length) as well as in the context of the art-critical discourse of his time, Fried transforms our sense of Manet's artistic project. Instead of the usual emphasis on flatness and visuality, Fried focuses on aspects of Manet's work that have either been minimized or ignored: his repeated allusions to Old Master sources, his desire for "universality" as regards both national schools and individual genres, his efforts to annul the absorptive basis of the modern French tradition, his invention of a sort of portrait-tableau, above all his pursuit of facingness and strikingness as means of reconstructing the relationship between painting and beholder The result is an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, Manet's Modernism is a milestone in the historiography of modern art |
| Abstract: | Manet's Modernism, or, The Face of Painting in the 1860s is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central antitheatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that previous accounts of Edouard Manet as the first modernist painter are based on a simplistic reading of the situation Manet inherited and, partly as a result, fail to grasp the specificity, complexity, and ambition - also the deeply problematic nature - of his epochal paintings of the 1860s |
| Umfang: | XXVIII, 647 S. zahlr. Ill. |
| ISBN: | 0226262162 0226262170 |
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| 520 | 3 | |a Manet's Modernism, or, The Face of Painting in the 1860s is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central antitheatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that previous accounts of Edouard Manet as the first modernist painter are based on a simplistic reading of the situation Manet inherited and, partly as a result, fail to grasp the specificity, complexity, and ambition - also the deeply problematic nature - of his epochal paintings of the 1860s | |
| 520 | |a By placing the painter squarely within his generation (along with Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler, all of whom are treated at length) as well as in the context of the art-critical discourse of his time, Fried transforms our sense of Manet's artistic project. Instead of the usual emphasis on flatness and visuality, Fried focuses on aspects of Manet's work that have either been minimized or ignored: his repeated allusions to Old Master sources, his desire for "universality" as regards both national schools and individual genres, his efforts to annul the absorptive basis of the modern French tradition, his invention of a sort of portrait-tableau, above all his pursuit of facingness and strikingness as means of reconstructing the relationship between painting and beholder | ||
| 520 | |a The result is an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, Manet's Modernism is a milestone in the historiography of modern art | ||
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Datensatz im Suchindex
| _version_ | 1819367387186593792 |
|---|---|
| adam_text | CONTENTS
LIST
OF
ILLUSTRATIONS
XI
PREFACE
XXV
INTRODUCTION:
MANET
BEFORE
IMPRESSIONISM
I
1
MANET*S
SOURCES,
1859-1869
23
2
*MANET*S
SOURCES*
RECONSIDERED
136
3
THE
GENERATION
OF
1863
185
4
MANET
IN
HIS
GENERATION
262
5
BETWEEN
REALISMS
365
CODA:
MANET*S
MODERNISM
399
APPENDIX
1
ANTONIN
PROUST,
*L*ART
D*EDOUARD
MANET*
(1901)
417
APPENDIX
2
EDMOND
DURANTY,
*CEUX
QUI
SERONT
LES
PEINTRES*
(1867)
438
APPENDIX
3
LE
CAPITAINE
POMPILIUS
[CARIE
DESNOYERS],
REMARKS
ON
MANET
(1863)
445
APPENDIX
4
ZACHARIE
ASTRUC,
REMARKS
ON
MANET
(1863)
448
NOTES
451
CREDITS
620
INDEX
623
|
| any_adam_object | 1 |
| author | Fried, Michael 1939- |
| author_GND | (DE-588)123555299 |
| author_facet | Fried, Michael 1939- |
| author_role | aut |
| author_sort | Fried, Michael 1939- |
| author_variant | m f mf |
| building | Verbundindex |
| bvnumber | BV011064877 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND553 |
| callnumber-raw | ND553.M3F75 1996 |
| callnumber-search | ND553.M3F75 1996 |
| callnumber-sort | ND 3553 M3 F75 41996 |
| callnumber-subject | ND - Painting |
| classification_rvk | LI 56030 |
| ctrlnum | (OCoLC)32310944 (DE-599)BVBBV011064877 |
| dewey-full | 759.420 759.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.4 20 759.4 |
| dewey-search | 759.4 20 759.4 |
| dewey-sort | 3759.4 220 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte 1860-1870 gnd |
| era_facet | Geschichte 1860-1870 |
| format | Book |
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| spellingShingle | Fried, Michael 1939- Manet's modernism, or the face of painting in the 1860s Manet, Édouard <1832-1883> Manet, Édouard <1832-1883> - Critique et interprétation ram Manet, Édouard <1832-1883> ram Manet, Édouard <1832-1883> Criticism and interpretation Manet, Edouard 1832-1883 (DE-588)11857700X gnd Kunstschilders gtt Schilderijen gtt Malerei Manet, Edouard -- 1832-1883 -- Criticism and interpretation Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)11857700X (DE-588)4037220-0 (DE-588)4018145-5 (DE-588)4135952-5 |
| title | Manet's modernism, or the face of painting in the 1860s |
| title_auth | Manet's modernism, or the face of painting in the 1860s |
| title_exact_search | Manet's modernism, or the face of painting in the 1860s |
| title_full | Manet's modernism, or the face of painting in the 1860s Michael Fried |
| title_fullStr | Manet's modernism, or the face of painting in the 1860s Michael Fried |
| title_full_unstemmed | Manet's modernism, or the face of painting in the 1860s Michael Fried |
| title_short | Manet's modernism, or the face of painting in the 1860s |
| title_sort | manet s modernism or the face of painting in the 1860s |
| topic | Manet, Édouard <1832-1883> Manet, Édouard <1832-1883> - Critique et interprétation ram Manet, Édouard <1832-1883> ram Manet, Édouard <1832-1883> Criticism and interpretation Manet, Edouard 1832-1883 (DE-588)11857700X gnd Kunstschilders gtt Schilderijen gtt Malerei Manet, Edouard -- 1832-1883 -- Criticism and interpretation Malerei (DE-588)4037220-0 gnd |
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