Time & sense: Proust and the experience of literature
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch Französisch |
Veröffentlicht: |
New York
Columbia University Press
1996
|
Schriftenreihe: | European perspectives
|
Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007357563&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Umfang: | XII, 407 Seiten Illustrationen |
ISBN: | 023110250X |
Internformat
MARC
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Datensatz im Suchindex
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adam_text | CONTENTS
Translator s Note xiii
List of Abbreviations xiv
PART ONE: THE CHARACTERS REGAINED I
i. Superimpositions 3
In Search of Madeleine 3
Movement One: Simply a luminous patch 4 • Movement Two:
The Transformation of the Dead 5 • Movement Three: I Happen to
Taste a Madeleine 5 • Movement Four: Incest and Silence—The
Disappearance of Two Female Names 7 • Movement Five: An Exquisite
Pleasure Without a Cause 17 • Movement Six: Desire and the Visible 18 •
Movement Seven: A Substitution Stabilizes the Effervescence—Aunt
Leonie for Mamma and the Balance of Blasphemy 19 • Movement
Eight: The Recollection Is a Cascade of Spatial Metaphors 21
Our guests were usually limited to M. Swarm 22
A Love of Swann 22 • Jealousy or Writing 26 • Convert and Invert 32 •
Degrees of Closeness to Bloch 35 • Sprung from Swanns Thigh 35 • The
Advantages of Jargon 37 • Acts of Vengeance 40 • A Fool Is Someone
X CONTENTS
Who Never Hears Himself Speak 41 • Perverse and Cynical: The Anti-
Semites 43 • Oriane at the point of intersection between reality and
dream 46 • The Troubadour 46 • White Oriane, Red Oriane, Black
Oriane 49 • The Dignity of Farce 58 • Verdurin Lives Forever 59 • The
Cult of Art 60 • Controlling the Sexes 63 • Political Obsessions 65 • A
Verbal Creation, a Passive Onlooker, or a Figure 66 • Legion, deep
Albertine 70 • I am unable to confer on her retrospectively an identity
71 • At the Height of Arousal: Through the Breasts 75 • Binary Rhythm
79 • A Telegram Kills Beatrice: Suffering Is a Type of Imagination 80 •
Charlus: All Sex and Beyond Sex 83 • The Sex of Plants and the
Bumblebee 83 • Paranoia or Melancholia? An irresistible sadism 90 •
Represent and Judge: Homosexual Diversities 94 • Montesquiou or
Krafft-Ebing 96 • Individual-Nation, Body France, and Actor-France 98
• A Stumbling Block: Venice s Sensual Qualities 99 • Suppose for a
moment that Catholicism had not existed for hundreds of years 100 •
Ruskin Absorbed into the Cornerstone and the Paving-stone of the
Saint Mark Baptistery 104 • Intermittencies of Venice no • Venetian
Eros: Between Mamma, Who Is Always There, and the Baronne
Putbus s Maid, Who Disappears in
2. A Penchant for Classicism: Its Origins and Manifestations 119
Choice or Figure: From Ethos to Character by Way
of Aristotle, Scaliger, and Memnon up
A Precursor: La Bruyere 123
Admirable but fearsome : Mme de Sevigne and
Saint-Simon 12$
The Narrator and the Fate of the Statuesque 132
The Imagination of Division and Projection 136
The Politics of the Novel 139
3. Questions of Identity 141
The Center and the Periphery 141 • The Dreyfus Case; or, The
Indiscernible Truth 144 • Red and White 148 • From Vice to Infinity 155
PART TWO: WHEN SAYING IS PERCEIVING 165
4. The Experience of Time Embodied 167
Time and Timelessness 167
Psychic Time as a Space for Encounters 169 • Plants and Seeds: The
Calling 171 • The Dead Mother 173 • Love Leads to Anguish, and
Anguish Is a Putting to Death—But of Whom? 175 • A Sleeper, a
Sensualist, a Killer 177 • A Pivotal Episode 178 • The Housekeeper: A
XI CONTENTS
Mother s Daughter 181 • Sublimation and Profanation 184 • The
Accident, Growing Old, and the War 186 • Beyond Concern: An Act of
Cruelty 189 • Imaginary Experience 193
5. A Tribute to the Metaphor 199
To draw forth from the shadow what I had merely felt 199 • My imag-
ination, which was the only organ that I possessed for the enjoyment of
beauty 203 • What Is Perceived Is Incompatible with What Is Said 203
• The Structured Sensation 205 • Orangeade and Ice Cream 206 •
Water and Fragrance; or, The Unattainable Sensation 208 •
Metamorphosis and Fragmentation: The Musical Imaginary 209 • The
Omnipresent Analogy: Doublets and Transubstantiation 211 • As long
as that did not occur, nothing did 212 • The Metamorphic Adventures
of the Little Phrase of Vinteuil 214 • Metonymy and the Frame of the
Narrative 216 • Contrasts: Disintegration or Profusion 217 • In Depth:
Surgeons and X-ray Operators 218 • The Essence of Society
Disintegrates Impostures 222
6. Is Sensation a Form of Language? 227
Freud s View of Perception and Consciousness: Questions of Identity
and Difference 228 • The Cognitivists Appropriation of Sensation 232
Plato s Cave and the Sensory Cave 234 • The Second Dwelling 235 •
Seeing the Suffocation: The Flagellation Episode 239 • Writing as
Therapy for the Sensory Cave 240 • Interpretation Between Word-Signs
and Word-Fetishes: A Source of Beauty 245
7. Proust the Philosopher 251
Ideas come to us as the successors to griefs 251 • Being as Will and
Society as Hypnosis 259 • The Flesh of the World 269
part three: the imaginary; or, geometry
IN TIME 277
8. The Proustian Sentence 279
The Kinetoscope of the Seven Rooms: Embeddings and Intermittencies
279 • The Final Sentence 292
9. Losing Impatience 305
Concern 309 • Qualitative Time 313 • The Imaginary Is Novelistic 319 •
The Polymorphous Experience of Being-Toward-Death 325 • Freudian
Time 326
XII CONTENTS
10. Time for a Long Time 329
Appendix 333
Notes 343
Bibliography 397
Index 40$
|
any_adam_object | 1 |
author | Kristeva, Julia 1941- |
author_GND | (DE-588)118778056 |
author_facet | Kristeva, Julia 1941- |
author_role | aut |
author_sort | Kristeva, Julia 1941- |
author_variant | j k jk |
building | Verbundindex |
bvnumber | BV010992525 |
callnumber-first | P - Language and Literature |
callnumber-label | PQ2631 |
callnumber-raw | PQ2631.R63 |
callnumber-search | PQ2631.R63 |
callnumber-sort | PQ 42631 R63 |
callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
classification_rvk | IH 74361 |
ctrlnum | (OCoLC)33079458 (DE-599)BVBBV010992525 |
dewey-full | 843.912 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 843 - French fiction |
dewey-raw | 843.912 |
dewey-search | 843.912 |
dewey-sort | 3843.912 |
dewey-tens | 840 - Literatures of Romance languages |
discipline | Romanistik |
format | Book |
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id | DE-604.BV010992525 |
illustrated | Illustrated |
indexdate | 2024-12-20T10:04:28Z |
institution | BVB |
isbn | 023110250X |
language | English French |
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physical | XII, 407 Seiten Illustrationen |
publishDate | 1996 |
publishDateSearch | 1996 |
publishDateSort | 1996 |
publisher | Columbia University Press |
record_format | marc |
series2 | European perspectives |
spellingShingle | Kristeva, Julia 1941- Time & sense Proust and the experience of literature Proust, Marcel swd Proust, Marcel <1871-1922> Criticism and interpretation Time in literature |
title | Time & sense Proust and the experience of literature |
title_alt | Le temps sensible Time and sense |
title_auth | Time & sense Proust and the experience of literature |
title_exact_search | Time & sense Proust and the experience of literature |
title_full | Time & sense Proust and the experience of literature Julia Kristeva |
title_fullStr | Time & sense Proust and the experience of literature Julia Kristeva |
title_full_unstemmed | Time & sense Proust and the experience of literature Julia Kristeva |
title_short | Time & sense |
title_sort | time sense proust and the experience of literature |
title_sub | Proust and the experience of literature |
topic | Proust, Marcel swd Proust, Marcel <1871-1922> Criticism and interpretation Time in literature |
topic_facet | Proust, Marcel Proust, Marcel <1871-1922> Criticism and interpretation Time in literature |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007357563&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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