Max Beckmann:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York [u.a.]
Abbeville Press
1996
|
| Ausgabe: | 1. ed. |
| Schriftenreihe: | Modern masters series
19 |
| Schlagwörter: | |
| Abstract: | Even now, some forty-five years after his death, the works created by Max Beckmann exert an intense influence on contemporary art. His piercing self-portraits, his enigmatic yet compelling triptychs, his incisive prints all have earned him a well-deserved reputation as a creator of provocative work that is both emotionally and intellectually stimulating. Born in Leipzig, Germany, in 1884, Beckmann lived an international life, studying and working in Weimar, Frankfurt, Paris, and Berlin. Successful almost from his earliest days as a professional artist, he exhibited work to acclaim throughout Europe and America. With the Nazis' rise to power, his style and his subjects became dangerously out of fashion, and he was forced into exile - first to Amsterdam, where he spent World War II, and eventually to the United States, where he died, in New York, in 1950. Although some scholars have categorized Beckmann as a German Expressionist, he always resisted belonging to any group, asserting that "the greatest danger which threatens mankind is collectivization." He also resisted abstraction, remaining passionately committed to the figure throughout his long career. His paintings have much to say about sex, politics, and religion - which is no doubt why they so outraged the Nazis and no doubt why they have remained so absorbing to new generations of admirers. |
| Umfang: | 127 Seiten zahlreiche Illustrationen |
| ISBN: | 1558598898 0789201194 |
Internformat
MARC
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| 300 | |a 127 Seiten |b zahlreiche Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Modern masters series |v 19 | |
| 520 | 3 | |a Even now, some forty-five years after his death, the works created by Max Beckmann exert an intense influence on contemporary art. His piercing self-portraits, his enigmatic yet compelling triptychs, his incisive prints all have earned him a well-deserved reputation as a creator of provocative work that is both emotionally and intellectually stimulating. Born in Leipzig, Germany, in 1884, Beckmann lived an international life, studying and working in Weimar, Frankfurt, Paris, and Berlin. Successful almost from his earliest days as a professional artist, he exhibited work to acclaim throughout Europe and America. With the Nazis' rise to power, his style and his subjects became dangerously out of fashion, and he was forced into exile - first to Amsterdam, where he spent World War II, and eventually to the United States, where he died, in New York, in 1950. Although some scholars have categorized Beckmann as a German Expressionist, he always resisted belonging to any group, asserting that "the greatest danger which threatens mankind is collectivization." He also resisted abstraction, remaining passionately committed to the figure throughout his long career. His paintings have much to say about sex, politics, and religion - which is no doubt why they so outraged the Nazis and no doubt why they have remained so absorbing to new generations of admirers. | |
| 600 | 1 | 4 | |a Beckmann, Max <1884-1950> |
| 600 | 1 | 4 | |a Beckmann, Max <1884-1950> |x Criticism and interpretation |
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| 700 | 1 | |a Beckmann, Max |d 1884-1950 |e Sonstige |0 (DE-588)118508210 |4 oth | |
| 830 | 0 | |a Modern masters series |v 19 |w (DE-604)BV000009448 |9 19 | |
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Datensatz im Suchindex
| _version_ | 1818953284513169408 |
|---|---|
| any_adam_object | |
| author | Selz, Peter Howard 1919-2019 |
| author_GND | (DE-588)114767890 (DE-588)118508210 |
| author_facet | Selz, Peter Howard 1919-2019 |
| author_role | aut |
| author_sort | Selz, Peter Howard 1919-2019 |
| author_variant | p h s ph phs |
| building | Verbundindex |
| bvnumber | BV010957706 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND588 |
| callnumber-raw | ND588.B37 |
| callnumber-search | ND588.B37 |
| callnumber-sort | ND 3588 B37 |
| callnumber-subject | ND - Painting |
| classification_rvk | LI 14305 |
| ctrlnum | (OCoLC)33207434 (DE-599)BVBBV010957706 |
| dewey-full | 759.3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.3 |
| dewey-search | 759.3 |
| dewey-sort | 3759.3 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| edition | 1. ed. |
| format | Book |
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| geographic | Deutschland |
| geographic_facet | Deutschland |
| id | DE-604.BV010957706 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T10:03:50Z |
| institution | BVB |
| isbn | 1558598898 0789201194 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007329703 |
| oclc_num | 33207434 |
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| owner | DE-12 DE-739 DE-M341 |
| owner_facet | DE-12 DE-739 DE-M341 |
| physical | 127 Seiten zahlreiche Illustrationen |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | Abbeville Press |
| record_format | marc |
| series | Modern masters series |
| series2 | Modern masters series |
| spelling | Selz, Peter Howard 1919-2019 Verfasser (DE-588)114767890 aut Max Beckmann Peter Selz 1. ed. New York [u.a.] Abbeville Press 1996 127 Seiten zahlreiche Illustrationen txt rdacontent n rdamedia nc rdacarrier Modern masters series 19 Even now, some forty-five years after his death, the works created by Max Beckmann exert an intense influence on contemporary art. His piercing self-portraits, his enigmatic yet compelling triptychs, his incisive prints all have earned him a well-deserved reputation as a creator of provocative work that is both emotionally and intellectually stimulating. Born in Leipzig, Germany, in 1884, Beckmann lived an international life, studying and working in Weimar, Frankfurt, Paris, and Berlin. Successful almost from his earliest days as a professional artist, he exhibited work to acclaim throughout Europe and America. With the Nazis' rise to power, his style and his subjects became dangerously out of fashion, and he was forced into exile - first to Amsterdam, where he spent World War II, and eventually to the United States, where he died, in New York, in 1950. Although some scholars have categorized Beckmann as a German Expressionist, he always resisted belonging to any group, asserting that "the greatest danger which threatens mankind is collectivization." He also resisted abstraction, remaining passionately committed to the figure throughout his long career. His paintings have much to say about sex, politics, and religion - which is no doubt why they so outraged the Nazis and no doubt why they have remained so absorbing to new generations of admirers. Beckmann, Max <1884-1950> Beckmann, Max <1884-1950> Criticism and interpretation Schnitzler, Lilly von 1889-1981 (DE-588)116848715 gnd rswk-swf Neue Sachlichkeit (Art) Germany Bildnis (DE-588)4006627-7 gnd rswk-swf Deutschland Schnitzler, Lilly von 1889-1981 (DE-588)116848715 p Bildnis (DE-588)4006627-7 s DE-604 Beckmann, Max 1884-1950 Sonstige (DE-588)118508210 oth Modern masters series 19 (DE-604)BV000009448 19 |
| spellingShingle | Selz, Peter Howard 1919-2019 Max Beckmann Modern masters series Beckmann, Max <1884-1950> Beckmann, Max <1884-1950> Criticism and interpretation Schnitzler, Lilly von 1889-1981 (DE-588)116848715 gnd Neue Sachlichkeit (Art) Germany Bildnis (DE-588)4006627-7 gnd |
| subject_GND | (DE-588)116848715 (DE-588)4006627-7 |
| title | Max Beckmann |
| title_auth | Max Beckmann |
| title_exact_search | Max Beckmann |
| title_full | Max Beckmann Peter Selz |
| title_fullStr | Max Beckmann Peter Selz |
| title_full_unstemmed | Max Beckmann Peter Selz |
| title_short | Max Beckmann |
| title_sort | max beckmann |
| topic | Beckmann, Max <1884-1950> Beckmann, Max <1884-1950> Criticism and interpretation Schnitzler, Lilly von 1889-1981 (DE-588)116848715 gnd Neue Sachlichkeit (Art) Germany Bildnis (DE-588)4006627-7 gnd |
| topic_facet | Beckmann, Max <1884-1950> Beckmann, Max <1884-1950> Criticism and interpretation Schnitzler, Lilly von 1889-1981 Neue Sachlichkeit (Art) Germany Bildnis Deutschland |
| volume_link | (DE-604)BV000009448 |
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