Rewriting theatre: the comedia and the nineteenth-century refundición
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Lewisburg
Bucknell Univ. Press
1994
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Schlagwörter: | |
Abstract: | Rewriting Theatre undertakes a study of the refundicion or "recast" of the Spanish Golden Age comedia in the late eighteenth and nineteenth centuries. The Reception Theory orientation discusses how the recast was received in its time; performance reviews contemporary with the new versions of old plays indicate the controversy elicited between those who believed, on the one hand, that the "classics" should be preserved as they have been handed down, and on the other, that a work of art is never "finished" and is always open to new stagings and interpretations. Lope de Vega, Tirso de Molina, Pedro Calderon de la Barca, and others have been and continue to be reinterpreted in the light of new literary, social, and political orientations. By studying the refundiciones we can begin to acquire a much broader understanding not only of the comedia's reception but also of the ramifications for the development of Spanish theatre. |
Umfang: | XI, 273 S. |
ISBN: | 0838752594 |
Internformat
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520 | 3 | |a Rewriting Theatre undertakes a study of the refundicion or "recast" of the Spanish Golden Age comedia in the late eighteenth and nineteenth centuries. The Reception Theory orientation discusses how the recast was received in its time; performance reviews contemporary with the new versions of old plays indicate the controversy elicited between those who believed, on the one hand, that the "classics" should be preserved as they have been handed down, and on the other, that a work of art is never "finished" and is always open to new stagings and interpretations. Lope de Vega, Tirso de Molina, Pedro Calderon de la Barca, and others have been and continue to be reinterpreted in the light of new literary, social, and political orientations. By studying the refundiciones we can begin to acquire a much broader understanding not only of the comedia's reception but also of the ramifications for the development of Spanish theatre. | |
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650 | 4 | |a Spanish drama |y Classical period, 1500-1700 |v Adaptations | |
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Datensatz im Suchindex
_version_ | 1818952058970046465 |
---|---|
any_adam_object | |
author | Ganelin, Charles |
author_facet | Ganelin, Charles |
author_role | aut |
author_sort | Ganelin, Charles |
author_variant | c g cg |
building | Verbundindex |
bvnumber | BV009911598 |
callnumber-first | P - Language and Literature |
callnumber-label | PQ6113 |
callnumber-raw | PQ6113 |
callnumber-search | PQ6113 |
callnumber-sort | PQ 46113 |
callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
classification_rvk | IO 2170 |
ctrlnum | (OCoLC)28024174 (DE-599)BVBBV009911598 |
dewey-full | 862/.509 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 862 - Spanish drama |
dewey-raw | 862/.509 |
dewey-search | 862/.509 |
dewey-sort | 3862 3509 |
dewey-tens | 860 - Spanish & Portuguese literatures |
discipline | Romanistik |
era | Geschichte 1800-1900 Geschichte 1800-1900 gnd Geschichte 1500-1700 gnd |
era_facet | Geschichte 1800-1900 Geschichte 1500-1700 |
format | Book |
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id | DE-604.BV009911598 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T09:44:21Z |
institution | BVB |
isbn | 0838752594 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006565666 |
oclc_num | 28024174 |
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owner_facet | DE-12 DE-739 DE-355 DE-BY-UBR |
physical | XI, 273 S. |
publishDate | 1994 |
publishDateSearch | 1994 |
publishDateSort | 1994 |
publisher | Bucknell Univ. Press |
record_format | marc |
spelling | Ganelin, Charles Verfasser aut Rewriting theatre the comedia and the nineteenth-century refundición Charles Ganelin Lewisburg Bucknell Univ. Press 1994 XI, 273 S. txt rdacontent n rdamedia nc rdacarrier Rewriting Theatre undertakes a study of the refundicion or "recast" of the Spanish Golden Age comedia in the late eighteenth and nineteenth centuries. The Reception Theory orientation discusses how the recast was received in its time; performance reviews contemporary with the new versions of old plays indicate the controversy elicited between those who believed, on the one hand, that the "classics" should be preserved as they have been handed down, and on the other, that a work of art is never "finished" and is always open to new stagings and interpretations. Lope de Vega, Tirso de Molina, Pedro Calderon de la Barca, and others have been and continue to be reinterpreted in the light of new literary, social, and political orientations. By studying the refundiciones we can begin to acquire a much broader understanding not only of the comedia's reception but also of the ramifications for the development of Spanish theatre. Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Geschichte 1500-1700 gnd rswk-swf Komedies gtt Spaans gtt Toneelbewerkingen gtt Geschichte Spanisch Spanish drama 19th century History and criticism Spanish drama Classical period, 1500-1700 Adaptations Theater Spain History 19th century Comedia (DE-588)4289288-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Bearbeitung (DE-588)4120981-3 gnd rswk-swf Spanien Madrid (DE-588)4036862-2 gnd rswk-swf Comedia (DE-588)4289288-0 s Geschichte 1500-1700 z Rezeption (DE-588)4049716-1 s Madrid (DE-588)4036862-2 g Geschichte 1800-1900 z DE-604 Bearbeitung (DE-588)4120981-3 s Literatur (DE-588)4035964-5 s |
spellingShingle | Ganelin, Charles Rewriting theatre the comedia and the nineteenth-century refundición Komedies gtt Spaans gtt Toneelbewerkingen gtt Geschichte Spanisch Spanish drama 19th century History and criticism Spanish drama Classical period, 1500-1700 Adaptations Theater Spain History 19th century Comedia (DE-588)4289288-0 gnd Rezeption (DE-588)4049716-1 gnd Literatur (DE-588)4035964-5 gnd Bearbeitung (DE-588)4120981-3 gnd |
subject_GND | (DE-588)4289288-0 (DE-588)4049716-1 (DE-588)4035964-5 (DE-588)4120981-3 (DE-588)4036862-2 |
title | Rewriting theatre the comedia and the nineteenth-century refundición |
title_auth | Rewriting theatre the comedia and the nineteenth-century refundición |
title_exact_search | Rewriting theatre the comedia and the nineteenth-century refundición |
title_full | Rewriting theatre the comedia and the nineteenth-century refundición Charles Ganelin |
title_fullStr | Rewriting theatre the comedia and the nineteenth-century refundición Charles Ganelin |
title_full_unstemmed | Rewriting theatre the comedia and the nineteenth-century refundición Charles Ganelin |
title_short | Rewriting theatre |
title_sort | rewriting theatre the comedia and the nineteenth century refundicion |
title_sub | the comedia and the nineteenth-century refundición |
topic | Komedies gtt Spaans gtt Toneelbewerkingen gtt Geschichte Spanisch Spanish drama 19th century History and criticism Spanish drama Classical period, 1500-1700 Adaptations Theater Spain History 19th century Comedia (DE-588)4289288-0 gnd Rezeption (DE-588)4049716-1 gnd Literatur (DE-588)4035964-5 gnd Bearbeitung (DE-588)4120981-3 gnd |
topic_facet | Komedies Spaans Toneelbewerkingen Geschichte Spanisch Spanish drama 19th century History and criticism Spanish drama Classical period, 1500-1700 Adaptations Theater Spain History 19th century Comedia Rezeption Literatur Bearbeitung Spanien Madrid |
work_keys_str_mv | AT ganelincharles rewritingtheatrethecomediaandthenineteenthcenturyrefundicion |