The Digital Evolution of Live Music:
The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology....
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| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Waltham, MA
Chandos Publishing an imprint of Elsevier
[2015]
|
| Schriftenreihe: | Chandos information professional series
|
| Schlagwörter: | |
| Links: | https://learning.oreilly.com/library/view/-/9780081000700/?ar |
| Zusammenfassung: | The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. |
| Beschreibung: | Includes bibliographical references and index. - Vendor-supplied metadata |
| Umfang: | 1 Online-Ressource |
| ISBN: | 9780081000700 0081000707 |
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| 520 | |a The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. | ||
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| 650 | 4 | |a Sound ; Recording and reproducing ; Digital techniques | |
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| id | ZDB-30-ORH-047399007 |
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| isbn | 9780081000700 0081000707 |
| language | English |
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| publisher | Chandos Publishing an imprint of Elsevier |
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| series2 | Chandos information professional series |
| spelling | The Digital Evolution of Live Music editors, Angela Cresswell Jones and Rebecca Jane Bennett Waltham, MA Chandos Publishing an imprint of Elsevier [2015] ©2015 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Chandos information professional series Includes bibliographical references and index. - Vendor-supplied metadata The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. Live sound recordings Sound Recording and reproducing Digital techniques Enregistrements sonores live MUSIC ; Reference Sound ; Recording and reproducing ; Digital techniques Jones, Angela Cresswell HerausgeberIn edt Bennett, Rebecca Jane HerausgeberIn edt 9780081000670 Erscheint auch als Druck-Ausgabe 9780081000670 |
| spellingShingle | The Digital Evolution of Live Music Live sound recordings Sound Recording and reproducing Digital techniques Enregistrements sonores live MUSIC ; Reference Sound ; Recording and reproducing ; Digital techniques |
| title | The Digital Evolution of Live Music |
| title_auth | The Digital Evolution of Live Music |
| title_exact_search | The Digital Evolution of Live Music |
| title_full | The Digital Evolution of Live Music editors, Angela Cresswell Jones and Rebecca Jane Bennett |
| title_fullStr | The Digital Evolution of Live Music editors, Angela Cresswell Jones and Rebecca Jane Bennett |
| title_full_unstemmed | The Digital Evolution of Live Music editors, Angela Cresswell Jones and Rebecca Jane Bennett |
| title_short | The Digital Evolution of Live Music |
| title_sort | digital evolution of live music |
| topic | Live sound recordings Sound Recording and reproducing Digital techniques Enregistrements sonores live MUSIC ; Reference Sound ; Recording and reproducing ; Digital techniques |
| topic_facet | Live sound recordings Sound Recording and reproducing Digital techniques Enregistrements sonores live MUSIC ; Reference Sound ; Recording and reproducing ; Digital techniques |
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