Saved in:
| Main Author: | |
|---|---|
| Format: | eBook |
| Language: | English |
| Published: |
Cambridge, Massachusetts London, England
The MIT Press
[2015]
|
| Series: | Leonardo
|
| Subjects: | |
| Links: | https://doi.org/10.7551/mitpress/9666.001.0001?locatt=mode:legacy |
| Summary: | In 1965, the experimental filmmaker Stan VanDerBeek (1927-1984) unveiled his Movie-Drome, made from the repurposed top of a grain silo. VanDerBeek envisioned Movie-Drome as the prototype for a communications system--a global network of Movie-Dromes linked to orbiting satellites that would store and transmit images. With networked two-way communication, Movie-Dromes were meant to ameliorate technology's alienating impulse. In The Experience Machine, Gloria Sutton views VanDerBeek--known mostly for his experimental animated films--as a visual artist committed to the radical aesthetic sensibilities he developed during his studies at Black Mountain College. She argues that VanDerBeek's collaborative multimedia projects of the 1960s and 1970s (sometimes characterized as "Expanded Cinema"), with their emphases on transparency of process and audience engagement, anticipate contemporary art's new media, installation, and participatory practices. VanDerBeek saw Movie-Drome not as pure cinema but as a communication tool, an "experience machine." In her close reading of the work, Sutton argues that Movie-Drome can be understood as a programmable interface. She describes the immersive experience of Movie-Drome, which emphasized multi-sensory experience over the visual; display strategies deployed in the work; the Poemfield computer-generated short films; and VanDerBeek's interest, unique for the time, in telecommunications and computer processing as a future model for art production. Sutton argues that visual art as a direct form of communication is a feedback mechanism, which turns on a set of relations, not a technology.--Publisher website. |
| Physical Description: | 1 Online-Ressource (xiv, 257 Seiten) |
| ISBN: | 0262324229 0262324237 9780262324229 9780262324236 |
Staff View
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| spelling | Sutton, Gloria The experience machine Stan VanderBeek's Movie-Drome and expanded cinema Gloria Sutton Cambridge, Massachusetts London, England The MIT Press [2015] 1 Online-Ressource (xiv, 257 Seiten) txt c cr Leonardo In 1965, the experimental filmmaker Stan VanDerBeek (1927-1984) unveiled his Movie-Drome, made from the repurposed top of a grain silo. VanDerBeek envisioned Movie-Drome as the prototype for a communications system--a global network of Movie-Dromes linked to orbiting satellites that would store and transmit images. With networked two-way communication, Movie-Dromes were meant to ameliorate technology's alienating impulse. In The Experience Machine, Gloria Sutton views VanDerBeek--known mostly for his experimental animated films--as a visual artist committed to the radical aesthetic sensibilities he developed during his studies at Black Mountain College. She argues that VanDerBeek's collaborative multimedia projects of the 1960s and 1970s (sometimes characterized as "Expanded Cinema"), with their emphases on transparency of process and audience engagement, anticipate contemporary art's new media, installation, and participatory practices. VanDerBeek saw Movie-Drome not as pure cinema but as a communication tool, an "experience machine." In her close reading of the work, Sutton argues that Movie-Drome can be understood as a programmable interface. She describes the immersive experience of Movie-Drome, which emphasized multi-sensory experience over the visual; display strategies deployed in the work; the Poemfield computer-generated short films; and VanDerBeek's interest, unique for the time, in telecommunications and computer processing as a future model for art production. Sutton argues that visual art as a direct form of communication is a feedback mechanism, which turns on a set of relations, not a technology.--Publisher website. Vanderbeek, Stan Criticism and interpretation. Erscheint auch als Druck-Ausgabe 0262028492 Erscheint auch als Druck-Ausgabe 9780262028493 |
| spellingShingle | Sutton, Gloria The experience machine Stan VanderBeek's Movie-Drome and expanded cinema Vanderbeek, Stan Criticism and interpretation. |
| title | The experience machine Stan VanderBeek's Movie-Drome and expanded cinema |
| title_auth | The experience machine Stan VanderBeek's Movie-Drome and expanded cinema |
| title_exact_search | The experience machine Stan VanderBeek's Movie-Drome and expanded cinema |
| title_full | The experience machine Stan VanderBeek's Movie-Drome and expanded cinema Gloria Sutton |
| title_fullStr | The experience machine Stan VanderBeek's Movie-Drome and expanded cinema Gloria Sutton |
| title_full_unstemmed | The experience machine Stan VanderBeek's Movie-Drome and expanded cinema Gloria Sutton |
| title_short | The experience machine |
| title_sort | experience machine stan vanderbeek s movie drome and expanded cinema |
| title_sub | Stan VanderBeek's Movie-Drome and expanded cinema |
| topic | Vanderbeek, Stan Criticism and interpretation. |
| topic_facet | Vanderbeek, Stan Criticism and interpretation. |
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