Inventing cinema: machines, gestures and media history
With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a 'stable' moment in media history? Inventing Cinema proposes to approach t...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2019
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| Schriftenreihe: | Cinema and technology
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| Links: | https://www.cambridge.org/core/product/identifier/9789048550463/type/BOOK |
| Zusammenfassung: | With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a 'stable' moment in media history? Inventing Cinema proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history. |
| Umfang: | 1 Online-Ressource (267 Seiten) |
| ISBN: | 9789048550463 |
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| spelling | Turquety, Benoît Inventer le cinéma. English Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard Amsterdam Amsterdam University Press 2019 1 Online-Ressource (267 Seiten) txt c cr Cinema and technology With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a 'stable' moment in media history? Inventing Cinema proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history. Erscheint auch als Druck-Ausgabe 9789463724623 |
| spellingShingle | Turquety, Benoît Inventing cinema machines, gestures and media history |
| title | Inventing cinema machines, gestures and media history |
| title_alt | Inventer le cinéma. |
| title_auth | Inventing cinema machines, gestures and media history |
| title_exact_search | Inventing cinema machines, gestures and media history |
| title_full | Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard |
| title_fullStr | Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard |
| title_full_unstemmed | Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard |
| title_short | Inventing cinema |
| title_sort | inventing cinema machines gestures and media history |
| title_sub | machines, gestures and media history |
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