Analogue images, Rory Gardiner, Maxime Delvaux:
Saved in:
Other Authors: | , , , , |
---|---|
Format: | Book |
Language: | English |
Published: |
Melbourne, Australia
Perimeter Editions
[2024]
|
Edition: | First edition |
Series: | Perimeter editions
097 |
Subjects: | |
Abstract: | What is the role of contemporary photography in building space? Just where do the dialogues, tensions, and reciprocities between photography and architecture lie? Focusing on the practice of Australian photographer Rory Gardiner and Belgian photographer Maxime Delvaux – two central figures in a new generation of architectural photographers – Analogue Images explores the output of these leading practitioners and poses key questions around the underpinnings and parameters of the broader milieu in which they work. Analogue Images was originally an exhibition at the Tin Sheds Gallery at the University of Sydney, where the work of Gardiner and Delvaux was presented side by side for the first time. The coupling of images disclosed specific nuances in the nature of the photographers’ collaborations, their modes of authorship, and how they captured everyday life. In this book, the initial selection of twenty-two images has been doubled to display a more comprehensive array of work, while texts from photographers, collaborators, and critics situate the images further. The large majority of these pictures are the result of professional commissions. Brussels-based Delvaux is the photographer of choice for Bruther, Baukunst, 51N4E, Muoto, and Christian Kerez, whereas Gardiner, who is based in Melbourne, is for Baracco+Wright, Richard Stampton, Candalepas Associates, Buchner Bründler Architekten, and Ludwig Godefroy. Their images are the lenses through which we consume a big chunk of contemporary architecture. As such, Analogue Images is both an attempt at a critical analysis of their work and a collection of some good architecture |
Item Description: | First edition of 1000 |
Physical Description: | 80 Seiten 30 cm |
ISBN: | 9781922545329 1922545325 |
Staff View
MARC
LEADER | 00000nam a2200000 cb4500 | ||
---|---|---|---|
001 | BV050205747 | ||
003 | DE-604 | ||
005 | 20250426 | ||
007 | t| | ||
008 | 250317s2024 xx |||| 00||| eng d | ||
020 | |a 9781922545329 |9 978-1-922545-32-9 | ||
020 | |a 1922545325 |9 1-922545-32-5 | ||
035 | |a (OCoLC)1510757523 | ||
035 | |a (DE-599)BVBBV050205747 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
245 | 1 | 0 | |a Analogue images, Rory Gardiner, Maxime Delvaux |c Guillermo Fernàndez-Abascal, Urtzi Grau, and Janelle Woo (eds.) |
246 | 1 | 3 | |a Analogue images |
250 | |a First edition | ||
264 | 1 | |a Melbourne, Australia |b Perimeter Editions |c [2024] | |
300 | |a 80 Seiten |c 30 cm | ||
336 | |b sti |2 rdacontent | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Perimeter editions |v 097 | |
500 | |a First edition of 1000 | ||
520 | 3 | |a What is the role of contemporary photography in building space? Just where do the dialogues, tensions, and reciprocities between photography and architecture lie? Focusing on the practice of Australian photographer Rory Gardiner and Belgian photographer Maxime Delvaux – two central figures in a new generation of architectural photographers – Analogue Images explores the output of these leading practitioners and poses key questions around the underpinnings and parameters of the broader milieu in which they work. Analogue Images was originally an exhibition at the Tin Sheds Gallery at the University of Sydney, where the work of Gardiner and Delvaux was presented side by side for the first time. The coupling of images disclosed specific nuances in the nature of the photographers’ collaborations, their modes of authorship, and how they captured everyday life. In this book, the initial selection of twenty-two images has been doubled to display a more comprehensive array of work, while texts from photographers, collaborators, and critics situate the images further. The large majority of these pictures are the result of professional commissions. Brussels-based Delvaux is the photographer of choice for Bruther, Baukunst, 51N4E, Muoto, and Christian Kerez, whereas Gardiner, who is based in Melbourne, is for Baracco+Wright, Richard Stampton, Candalepas Associates, Buchner Bründler Architekten, and Ludwig Godefroy. Their images are the lenses through which we consume a big chunk of contemporary architecture. As such, Analogue Images is both an attempt at a critical analysis of their work and a collection of some good architecture | |
600 | 1 | 7 | |a Gardiner, Rory |d ca. 20./21.Jh. |0 (DE-588)1177905566 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Delvaux, Maxime |d 1984- |0 (DE-588)1089680473 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Sydney |g Motiv |0 (DE-588)7634601-8 |2 gnd |9 rswk-swf |
653 | 1 | |a Gardiner, Rory | |
653 | 1 | |a Delvaux, Maxime | |
653 | 0 | |a Photography, Artistic | |
653 | 0 | |a Photographie artistique | |
653 | 0 | |a art photography | |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
689 | 0 | 0 | |a Gardiner, Rory |d ca. 20./21.Jh. |0 (DE-588)1177905566 |D p |
689 | 0 | 1 | |a Delvaux, Maxime |d 1984- |0 (DE-588)1089680473 |D p |
689 | 0 | 2 | |a Fotografie |0 (DE-588)4045895-7 |D s |
689 | 0 | 3 | |a Sydney |g Motiv |0 (DE-588)7634601-8 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Gardiner, Rory |d ca. 20./21.Jh. |0 (DE-588)1177905566 |4 pht | |
700 | 1 | |a Delvaux, Maxime |d 1984- |0 (DE-588)1089680473 |4 pht | |
700 | 1 | |a Fernández-Abascal, Guillermo |0 (DE-588)1277690499 |4 edt | |
700 | 1 | |a Grau, Urtzi |4 edt | |
700 | 1 | |a Woo, Janelle |4 edt | |
830 | 0 | |a Perimeter editions |v 097 |w (DE-604)BV044039710 |9 97 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035541016 |
Record in the Search Index
_version_ | 1830504164857217024 |
---|---|
adam_text | |
any_adam_object | |
author2 | Gardiner, Rory ca. 20./21.Jh Delvaux, Maxime 1984- Fernández-Abascal, Guillermo Grau, Urtzi Woo, Janelle |
author2_role | pht pht edt edt edt |
author2_variant | r g rg m d md g f a gfa u g ug j w jw |
author_GND | (DE-588)1177905566 (DE-588)1089680473 (DE-588)1277690499 |
author_facet | Gardiner, Rory ca. 20./21.Jh Delvaux, Maxime 1984- Fernández-Abascal, Guillermo Grau, Urtzi Woo, Janelle |
building | Verbundindex |
bvnumber | BV050205747 |
ctrlnum | (OCoLC)1510757523 (DE-599)BVBBV050205747 |
edition | First edition |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV050205747</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250426</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">250317s2024 xx |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781922545329</subfield><subfield code="9">978-1-922545-32-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1922545325</subfield><subfield code="9">1-922545-32-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1510757523</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV050205747</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Analogue images, Rory Gardiner, Maxime Delvaux</subfield><subfield code="c">Guillermo Fernàndez-Abascal, Urtzi Grau, and Janelle Woo (eds.)</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Analogue images</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Melbourne, Australia</subfield><subfield code="b">Perimeter Editions</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">80 Seiten</subfield><subfield code="c">30 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Perimeter editions</subfield><subfield code="v">097</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">First edition of 1000</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">What is the role of contemporary photography in building space? Just where do the dialogues, tensions, and reciprocities between photography and architecture lie? Focusing on the practice of Australian photographer Rory Gardiner and Belgian photographer Maxime Delvaux – two central figures in a new generation of architectural photographers – Analogue Images explores the output of these leading practitioners and poses key questions around the underpinnings and parameters of the broader milieu in which they work. Analogue Images was originally an exhibition at the Tin Sheds Gallery at the University of Sydney, where the work of Gardiner and Delvaux was presented side by side for the first time. The coupling of images disclosed specific nuances in the nature of the photographers’ collaborations, their modes of authorship, and how they captured everyday life. In this book, the initial selection of twenty-two images has been doubled to display a more comprehensive array of work, while texts from photographers, collaborators, and critics situate the images further. The large majority of these pictures are the result of professional commissions. Brussels-based Delvaux is the photographer of choice for Bruther, Baukunst, 51N4E, Muoto, and Christian Kerez, whereas Gardiner, who is based in Melbourne, is for Baracco+Wright, Richard Stampton, Candalepas Associates, Buchner Bründler Architekten, and Ludwig Godefroy. Their images are the lenses through which we consume a big chunk of contemporary architecture. As such, Analogue Images is both an attempt at a critical analysis of their work and a collection of some good architecture</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Gardiner, Rory</subfield><subfield code="d">ca. 20./21.Jh.</subfield><subfield code="0">(DE-588)1177905566</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Delvaux, Maxime</subfield><subfield code="d">1984-</subfield><subfield code="0">(DE-588)1089680473</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sydney</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)7634601-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Gardiner, Rory</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Delvaux, Maxime</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography, Artistic</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photographie artistique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">art photography</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Gardiner, Rory</subfield><subfield code="d">ca. 20./21.Jh.</subfield><subfield code="0">(DE-588)1177905566</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Delvaux, Maxime</subfield><subfield code="d">1984-</subfield><subfield code="0">(DE-588)1089680473</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Sydney</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)7634601-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gardiner, Rory</subfield><subfield code="d">ca. 20./21.Jh.</subfield><subfield code="0">(DE-588)1177905566</subfield><subfield code="4">pht</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Delvaux, Maxime</subfield><subfield code="d">1984-</subfield><subfield code="0">(DE-588)1089680473</subfield><subfield code="4">pht</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fernández-Abascal, Guillermo</subfield><subfield code="0">(DE-588)1277690499</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Grau, Urtzi</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Woo, Janelle</subfield><subfield code="4">edt</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Perimeter editions</subfield><subfield code="v">097</subfield><subfield code="w">(DE-604)BV044039710</subfield><subfield code="9">97</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035541016</subfield></datafield></record></collection> |
genre | (DE-588)4145395-5 Bildband gnd-content |
genre_facet | Bildband |
id | DE-604.BV050205747 |
illustrated | Not Illustrated |
indexdate | 2025-04-26T22:00:07Z |
institution | BVB |
isbn | 9781922545329 1922545325 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035541016 |
oclc_num | 1510757523 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 80 Seiten 30 cm |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Perimeter Editions |
record_format | marc |
series | Perimeter editions |
series2 | Perimeter editions |
spelling | Analogue images, Rory Gardiner, Maxime Delvaux Guillermo Fernàndez-Abascal, Urtzi Grau, and Janelle Woo (eds.) Analogue images First edition Melbourne, Australia Perimeter Editions [2024] 80 Seiten 30 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Perimeter editions 097 First edition of 1000 What is the role of contemporary photography in building space? Just where do the dialogues, tensions, and reciprocities between photography and architecture lie? Focusing on the practice of Australian photographer Rory Gardiner and Belgian photographer Maxime Delvaux – two central figures in a new generation of architectural photographers – Analogue Images explores the output of these leading practitioners and poses key questions around the underpinnings and parameters of the broader milieu in which they work. Analogue Images was originally an exhibition at the Tin Sheds Gallery at the University of Sydney, where the work of Gardiner and Delvaux was presented side by side for the first time. The coupling of images disclosed specific nuances in the nature of the photographers’ collaborations, their modes of authorship, and how they captured everyday life. In this book, the initial selection of twenty-two images has been doubled to display a more comprehensive array of work, while texts from photographers, collaborators, and critics situate the images further. The large majority of these pictures are the result of professional commissions. Brussels-based Delvaux is the photographer of choice for Bruther, Baukunst, 51N4E, Muoto, and Christian Kerez, whereas Gardiner, who is based in Melbourne, is for Baracco+Wright, Richard Stampton, Candalepas Associates, Buchner Bründler Architekten, and Ludwig Godefroy. Their images are the lenses through which we consume a big chunk of contemporary architecture. As such, Analogue Images is both an attempt at a critical analysis of their work and a collection of some good architecture Gardiner, Rory ca. 20./21.Jh. (DE-588)1177905566 gnd rswk-swf Delvaux, Maxime 1984- (DE-588)1089680473 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Sydney Motiv (DE-588)7634601-8 gnd rswk-swf Gardiner, Rory Delvaux, Maxime Photography, Artistic Photographie artistique art photography (DE-588)4145395-5 Bildband gnd-content Gardiner, Rory ca. 20./21.Jh. (DE-588)1177905566 p Delvaux, Maxime 1984- (DE-588)1089680473 p Fotografie (DE-588)4045895-7 s Sydney Motiv (DE-588)7634601-8 s DE-604 Gardiner, Rory ca. 20./21.Jh. (DE-588)1177905566 pht Delvaux, Maxime 1984- (DE-588)1089680473 pht Fernández-Abascal, Guillermo (DE-588)1277690499 edt Grau, Urtzi edt Woo, Janelle edt Perimeter editions 097 (DE-604)BV044039710 97 |
spellingShingle | Analogue images, Rory Gardiner, Maxime Delvaux Perimeter editions Gardiner, Rory ca. 20./21.Jh. (DE-588)1177905566 gnd Delvaux, Maxime 1984- (DE-588)1089680473 gnd Fotografie (DE-588)4045895-7 gnd Sydney Motiv (DE-588)7634601-8 gnd |
subject_GND | (DE-588)1177905566 (DE-588)1089680473 (DE-588)4045895-7 (DE-588)7634601-8 (DE-588)4145395-5 |
title | Analogue images, Rory Gardiner, Maxime Delvaux |
title_alt | Analogue images |
title_auth | Analogue images, Rory Gardiner, Maxime Delvaux |
title_exact_search | Analogue images, Rory Gardiner, Maxime Delvaux |
title_full | Analogue images, Rory Gardiner, Maxime Delvaux Guillermo Fernàndez-Abascal, Urtzi Grau, and Janelle Woo (eds.) |
title_fullStr | Analogue images, Rory Gardiner, Maxime Delvaux Guillermo Fernàndez-Abascal, Urtzi Grau, and Janelle Woo (eds.) |
title_full_unstemmed | Analogue images, Rory Gardiner, Maxime Delvaux Guillermo Fernàndez-Abascal, Urtzi Grau, and Janelle Woo (eds.) |
title_short | Analogue images, Rory Gardiner, Maxime Delvaux |
title_sort | analogue images rory gardiner maxime delvaux |
topic | Gardiner, Rory ca. 20./21.Jh. (DE-588)1177905566 gnd Delvaux, Maxime 1984- (DE-588)1089680473 gnd Fotografie (DE-588)4045895-7 gnd Sydney Motiv (DE-588)7634601-8 gnd |
topic_facet | Gardiner, Rory ca. 20./21.Jh. Delvaux, Maxime 1984- Fotografie Sydney Motiv Bildband |
volume_link | (DE-604)BV044039710 |
work_keys_str_mv | AT gardinerrory analogueimagesrorygardinermaximedelvaux AT delvauxmaxime analogueimagesrorygardinermaximedelvaux AT fernandezabascalguillermo analogueimagesrorygardinermaximedelvaux AT grauurtzi analogueimagesrorygardinermaximedelvaux AT woojanelle analogueimagesrorygardinermaximedelvaux AT gardinerrory analogueimages AT delvauxmaxime analogueimages AT fernandezabascalguillermo analogueimages AT grauurtzi analogueimages AT woojanelle analogueimages |