From field to museum: placing Kramrisch and her collection in postwar United States
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
2024-12-20
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| Schlagwörter: | |
| Links: | https://doi.org/10.11588/xxi.2024.4.107514 https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/107514 |
| Abstract: | By 1956, the Philadelphia Museum of Art had acquired a major collection of Indian sculpture from Stella Kramrisch and appointed her as the Curator for Indian art. In postwar United States the institutional emplacement of Kramrisch and her collection represented (as Ananda Coomaraswamy was for a preceding generation) a deepening engagement with Indian art at museums at a time of widening interest in Asian cultures, including through university Area Studies Programs. This article examines the significance of Kramrisch and her collection, tracing the intertwining of her collecting and research activities during her early fieldwork, which contributed to the elevation of medieval sculpture within the field of Indian art history, and the way the acquisition and appointment relied on the alignment of multiple priorities and collective efforts |
| Umfang: | Illustrationen |
| ISSN: | 2701-1550 |
| DOI: | 10.11588/xxi.2024.4.107514 |
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| 653 | |a Stella Kramrisch | ||
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| spelling | Kumar, Brinda Verfasser (DE-588)1209308975 aut From field to museum placing Kramrisch and her collection in postwar United States Brinda Kumar 2024-12-20 Illustrationen txt rdacontent c rdamedia cr rdacarrier By 1956, the Philadelphia Museum of Art had acquired a major collection of Indian sculpture from Stella Kramrisch and appointed her as the Curator for Indian art. In postwar United States the institutional emplacement of Kramrisch and her collection represented (as Ananda Coomaraswamy was for a preceding generation) a deepening engagement with Indian art at museums at a time of widening interest in Asian cultures, including through university Area Studies Programs. This article examines the significance of Kramrisch and her collection, tracing the intertwining of her collecting and research activities during her early fieldwork, which contributed to the elevation of medieval sculpture within the field of Indian art history, and the way the acquisition and appointment relied on the alignment of multiple priorities and collective efforts Sammlende und Sammeln Stella Kramrisch Indische Plastik Kunstmuseen volume:5 number:4 year:2024 pages:925-965 21: inquiries into art, history, and the visual Heidelberg, 2024 Bd. 5, Nr. 4 (2024), Seite 925-965 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2024.4.107514 Resolving-System Verlag kostenfrei Volltext https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/107514 Verlag kostenfrei Volltext |
| spellingShingle | Kumar, Brinda From field to museum placing Kramrisch and her collection in postwar United States |
| title | From field to museum placing Kramrisch and her collection in postwar United States |
| title_auth | From field to museum placing Kramrisch and her collection in postwar United States |
| title_exact_search | From field to museum placing Kramrisch and her collection in postwar United States |
| title_full | From field to museum placing Kramrisch and her collection in postwar United States Brinda Kumar |
| title_fullStr | From field to museum placing Kramrisch and her collection in postwar United States Brinda Kumar |
| title_full_unstemmed | From field to museum placing Kramrisch and her collection in postwar United States Brinda Kumar |
| title_short | From field to museum |
| title_sort | from field to museum placing kramrisch and her collection in postwar united states |
| title_sub | placing Kramrisch and her collection in postwar United States |
| url | https://doi.org/10.11588/xxi.2024.4.107514 https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/107514 |
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