The color black: antimonies of a color in architecture and art
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
MACK
2024
|
| Ausgabe: | First edition |
| Schlagwörter: | |
| Abstract: | This publication traces a theoretical and visual narrative of the relationship of art and architecture with the colour black through two engaging essays by acclaimed architect and critic Mohsen Mostafavi and the Marxist German art historian Max Raphael (1889–1952). Bringing together a rich inventory of images, Mostafavi considers architecture’s connection with the colour by considering parallel developments in global art practices – with references ranging from Japanese screens to Rothko, Georgia O’Keefe to Kara Walker, Peter Celsing to Derek Jarman. Alongside these renowned touchpoints, he draws on Raphael’s little-known and highly distinctive text The Color Black: On the Material Constitution of Form, based on a selection of old master paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York’s Abstract Expressionists, Raphael’s essay offers a strikingly different approach to the same multivalent subject. Raphael offers an invigorating model of criticism, which, in John Berger’s words, ‘leads us from the work to the process of creation which it contains’. This book presents Mostafavi’s and Raphael’s complementary and luminous essays side by side, the latter published in English for the first time in a compelling translation by Pamela Johnston. They are completed by conversations with Swiss architect Peter Märkli, whose use of black is informed by Raphael’s writings, and the artist Theaster Gates, whose work explores the aesthetic and political possibilities of the colour. Juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black – and of colour more widely – in relation to contemporary architectural thinking and practice |
| Beschreibung: | Druckfehler im Titelzusatz: "antinomies" statt: "antimonies" Max Raphael's "Die Farbe Schwarz: zur materiellen Konstitutierung der Form" first published by Suhrkamp Verlag, 1984 |
| Umfang: | 277 Seiten Illustrationen 24 cm |
| ISBN: | 9781915743633 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV050105273 | ||
| 003 | DE-604 | ||
| 005 | 20250410 | ||
| 007 | t| | ||
| 008 | 241219s2024 xx a||| |||| 00||| eng d | ||
| 020 | |a 9781915743633 |9 978-1-915743-63-3 | ||
| 035 | |a (OCoLC)1498792783 | ||
| 035 | |a (DE-599)OBVAC17311255 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y2 |a DE-255 | ||
| 245 | 1 | 0 | |a The color black |b antimonies of a color in architecture and art |c Mohsen Mostafavi, Max Raphael |
| 246 | 1 | 0 | |a colour antinomies |
| 250 | |a First edition | ||
| 264 | 1 | |a London |b MACK |c 2024 | |
| 300 | |a 277 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Druckfehler im Titelzusatz: "antinomies" statt: "antimonies" | ||
| 500 | |a Max Raphael's "Die Farbe Schwarz: zur materiellen Konstitutierung der Form" first published by Suhrkamp Verlag, 1984 | ||
| 505 | 8 | 0 | |t <<The>> color black: on the material constitution of form |r Max Raphael |
| 520 | 3 | |a This publication traces a theoretical and visual narrative of the relationship of art and architecture with the colour black through two engaging essays by acclaimed architect and critic Mohsen Mostafavi and the Marxist German art historian Max Raphael (1889–1952). Bringing together a rich inventory of images, Mostafavi considers architecture’s connection with the colour by considering parallel developments in global art practices – with references ranging from Japanese screens to Rothko, Georgia O’Keefe to Kara Walker, Peter Celsing to Derek Jarman. Alongside these renowned touchpoints, he draws on Raphael’s little-known and highly distinctive text The Color Black: On the Material Constitution of Form, based on a selection of old master paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York’s Abstract Expressionists, Raphael’s essay offers a strikingly different approach to the same multivalent subject. Raphael offers an invigorating model of criticism, which, in John Berger’s words, ‘leads us from the work to the process of creation which it contains’. This book presents Mostafavi’s and Raphael’s complementary and luminous essays side by side, the latter published in English for the first time in a compelling translation by Pamela Johnston. They are completed by conversations with Swiss architect Peter Märkli, whose use of black is informed by Raphael’s writings, and the artist Theaster Gates, whose work explores the aesthetic and political possibilities of the colour. Juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black – and of colour more widely – in relation to contemporary architectural thinking and practice | |
| 650 | 0 | 7 | |a Schwarz |0 (DE-588)4180332-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Architektur |0 (DE-588)4002851-3 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Schwarz |0 (DE-588)4180332-2 |D s |
| 689 | 0 | 1 | |a Architektur |0 (DE-588)4002851-3 |D s |
| 689 | 0 | 2 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Mostafavi, Mohsen |d 1954- |0 (DE-588)119284138 |4 aut | |
| 700 | 1 | |a Raphael, Max |d 1889-1952 |0 (DE-588)118761609 |4 aut | |
| 700 | 1 | 2 | |a Raphael, Max |d 1889-1952 |t Die Farbe Schwarz |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035442407 | |
Datensatz im Suchindex
| _version_ | 1829047066479820800 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Mostafavi, Mohsen 1954- Raphael, Max 1889-1952 |
| author2 | Raphael, Max 1889-1952 |
| author2_role | |
| author2_variant | m r mr |
| author_GND | (DE-588)119284138 (DE-588)118761609 |
| author_additional | Max Raphael |
| author_facet | Mostafavi, Mohsen 1954- Raphael, Max 1889-1952 Raphael, Max 1889-1952 |
| author_role | aut aut |
| author_sort | Mostafavi, Mohsen 1954- |
| author_variant | m m mm m r mr |
| building | Verbundindex |
| bvnumber | BV050105273 |
| contents | <<The>> color black: on the material constitution of form |
| ctrlnum | (OCoLC)1498792783 (DE-599)OBVAC17311255 |
| edition | First edition |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV050105273</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250410</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">241219s2024 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781915743633</subfield><subfield code="9">978-1-915743-63-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1498792783</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)OBVAC17311255</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y2</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The color black</subfield><subfield code="b">antimonies of a color in architecture and art</subfield><subfield code="c">Mohsen Mostafavi, Max Raphael</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">colour antinomies</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">MACK</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">277 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Druckfehler im Titelzusatz: "antinomies" statt: "antimonies"</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Max Raphael's "Die Farbe Schwarz: zur materiellen Konstitutierung der Form" first published by Suhrkamp Verlag, 1984</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t"><<The>> color black: on the material constitution of form</subfield><subfield code="r">Max Raphael</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This publication traces a theoretical and visual narrative of the relationship of art and architecture with the colour black through two engaging essays by acclaimed architect and critic Mohsen Mostafavi and the Marxist German art historian Max Raphael (1889–1952). Bringing together a rich inventory of images, Mostafavi considers architecture’s connection with the colour by considering parallel developments in global art practices – with references ranging from Japanese screens to Rothko, Georgia O’Keefe to Kara Walker, Peter Celsing to Derek Jarman. Alongside these renowned touchpoints, he draws on Raphael’s little-known and highly distinctive text The Color Black: On the Material Constitution of Form, based on a selection of old master paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York’s Abstract Expressionists, Raphael’s essay offers a strikingly different approach to the same multivalent subject. Raphael offers an invigorating model of criticism, which, in John Berger’s words, ‘leads us from the work to the process of creation which it contains’. This book presents Mostafavi’s and Raphael’s complementary and luminous essays side by side, the latter published in English for the first time in a compelling translation by Pamela Johnston. They are completed by conversations with Swiss architect Peter Märkli, whose use of black is informed by Raphael’s writings, and the artist Theaster Gates, whose work explores the aesthetic and political possibilities of the colour. Juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black – and of colour more widely – in relation to contemporary architectural thinking and practice</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarz</subfield><subfield code="0">(DE-588)4180332-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Schwarz</subfield><subfield code="0">(DE-588)4180332-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mostafavi, Mohsen</subfield><subfield code="d">1954-</subfield><subfield code="0">(DE-588)119284138</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Raphael, Max</subfield><subfield code="d">1889-1952</subfield><subfield code="0">(DE-588)118761609</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2="2"><subfield code="a">Raphael, Max</subfield><subfield code="d">1889-1952</subfield><subfield code="t">Die Farbe Schwarz</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035442407</subfield></datafield></record></collection> |
| id | DE-604.BV050105273 |
| illustrated | Illustrated |
| indexdate | 2025-04-10T20:00:10Z |
| institution | BVB |
| isbn | 9781915743633 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035442407 |
| oclc_num | 1498792783 |
| open_access_boolean | |
| owner | DE-Y2 DE-255 |
| owner_facet | DE-Y2 DE-255 |
| physical | 277 Seiten Illustrationen 24 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | MACK |
| record_format | marc |
| spelling | The color black antimonies of a color in architecture and art Mohsen Mostafavi, Max Raphael colour antinomies First edition London MACK 2024 277 Seiten Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Druckfehler im Titelzusatz: "antinomies" statt: "antimonies" Max Raphael's "Die Farbe Schwarz: zur materiellen Konstitutierung der Form" first published by Suhrkamp Verlag, 1984 <<The>> color black: on the material constitution of form Max Raphael This publication traces a theoretical and visual narrative of the relationship of art and architecture with the colour black through two engaging essays by acclaimed architect and critic Mohsen Mostafavi and the Marxist German art historian Max Raphael (1889–1952). Bringing together a rich inventory of images, Mostafavi considers architecture’s connection with the colour by considering parallel developments in global art practices – with references ranging from Japanese screens to Rothko, Georgia O’Keefe to Kara Walker, Peter Celsing to Derek Jarman. Alongside these renowned touchpoints, he draws on Raphael’s little-known and highly distinctive text The Color Black: On the Material Constitution of Form, based on a selection of old master paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York’s Abstract Expressionists, Raphael’s essay offers a strikingly different approach to the same multivalent subject. Raphael offers an invigorating model of criticism, which, in John Berger’s words, ‘leads us from the work to the process of creation which it contains’. This book presents Mostafavi’s and Raphael’s complementary and luminous essays side by side, the latter published in English for the first time in a compelling translation by Pamela Johnston. They are completed by conversations with Swiss architect Peter Märkli, whose use of black is informed by Raphael’s writings, and the artist Theaster Gates, whose work explores the aesthetic and political possibilities of the colour. Juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black – and of colour more widely – in relation to contemporary architectural thinking and practice Schwarz (DE-588)4180332-2 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Schwarz (DE-588)4180332-2 s Architektur (DE-588)4002851-3 s Kunst (DE-588)4114333-4 s DE-604 Mostafavi, Mohsen 1954- (DE-588)119284138 aut Raphael, Max 1889-1952 (DE-588)118761609 aut Raphael, Max 1889-1952 Die Farbe Schwarz |
| spellingShingle | Mostafavi, Mohsen 1954- Raphael, Max 1889-1952 The color black antimonies of a color in architecture and art <<The>> color black: on the material constitution of form Schwarz (DE-588)4180332-2 gnd Kunst (DE-588)4114333-4 gnd Architektur (DE-588)4002851-3 gnd |
| subject_GND | (DE-588)4180332-2 (DE-588)4114333-4 (DE-588)4002851-3 |
| title | The color black antimonies of a color in architecture and art |
| title_alt | colour antinomies <<The>> color black: on the material constitution of form Die Farbe Schwarz |
| title_auth | The color black antimonies of a color in architecture and art |
| title_exact_search | The color black antimonies of a color in architecture and art |
| title_full | The color black antimonies of a color in architecture and art Mohsen Mostafavi, Max Raphael |
| title_fullStr | The color black antimonies of a color in architecture and art Mohsen Mostafavi, Max Raphael |
| title_full_unstemmed | The color black antimonies of a color in architecture and art Mohsen Mostafavi, Max Raphael |
| title_short | The color black |
| title_sort | the color black antimonies of a color in architecture and art |
| title_sub | antimonies of a color in architecture and art |
| topic | Schwarz (DE-588)4180332-2 gnd Kunst (DE-588)4114333-4 gnd Architektur (DE-588)4002851-3 gnd |
| topic_facet | Schwarz Kunst Architektur |
| work_keys_str_mv | AT mostafavimohsen thecolorblackantimoniesofacolorinarchitectureandart AT raphaelmax thecolorblackantimoniesofacolorinarchitectureandart AT mostafavimohsen colourantinomies AT raphaelmax colourantinomies |