Audiovisual Disruption: Post-Digital Aesthetics in Contemporary Audiovisual Arts

Post-digital art suggests a form of embodiment of digital technologies that unfolds in physical space through hands-on material approaches, and even the repurposing of older analogue media. Pedro Ferreira examines these aesthetics in contemporary audiovisual arts as reactions to our post-digital con...

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Beteilige Person: Ferreira, Pedro (VerfasserIn)
Format: Elektronisch E-Book
Sprache:Englisch
Veröffentlicht: Bielefeld transcript Verlag [2024]
Schriftenreihe:Image 252
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Links:https://doi.org/10.1515/9783839474167?locatt=mode:legacy
https://doi.org/10.1515/9783839474167?locatt=mode:legacy
https://doi.org/10.1515/9783839474167?locatt=mode:legacy
https://doi.org/10.1515/9783839474167?locatt=mode:legacy
https://doi.org/10.1515/9783839474167?locatt=mode:legacy
https://doi.org/10.1515/9783839474167?locatt=mode:legacy
https://doi.org/10.1515/9783839474167?locatt=mode:legacy
https://doi.org/10.1515/9783839474167?locatt=mode:legacy
Zusammenfassung:Post-digital art suggests a form of embodiment of digital technologies that unfolds in physical space through hands-on material approaches, and even the repurposing of older analogue media. Pedro Ferreira examines these aesthetics in contemporary audiovisual arts as reactions to our post-digital condition. He traces four post-digital territories by looking on the digital infrastructure, within the effects of the post-digital condition, in-between digital and non-digital media as media hybrids, and off digital media in a turn to analogue media. Concluding with a series of artworks, this study exposes the material, sociocultural and environmental consequences of digital technologies in our post-digital age
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
Umfang:1 Online-Ressource (198 Seiten)
ISBN:9783839474167
DOI:10.1515/9783839474167