Édouard Vuillard, the Nabis, and the politics of domesticity:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Bloomsbury Visual Arts
2024
|
| Schriftenreihe: | Material culture of art and design
Bloomsbury collections |
| Schlagwörter: | |
| Links: | https://doi.org/10.5040/9781350186767?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781350186767?locatt=label:secondary_bloomsburyCollections |
| Abstract: | "This ground-breaking book is the first to address the feminine and feminist politics ofIntimisteart - a modernist mode of art making developed in the 1890s by Édouard Vuillard while associated with the Nabi 'brotherhood'. Coined by contemporary critics, 'intimisme' encapsulated the shared approach of these artists to depicting intimate settings and themes. Vuillard's paintings, which are typically small, employ bold pigments and economic brushstrokes to depict female figures in tightly composed apartment interiors. Those portrayed include his mother and sister, just as wives and lovers dominate the art of other Nabis, including Maurice Denis and Pierre Bonnard. Francesca Berry comparatively analyses the gender politics of Nabi art to reveal real differences. Through skilled visual interpretation she argues that Vuillard attempted a profound engagement with the material conditions of feminine domesticity in cooperation with his first and most sustained audience: women. He did so, the author reveals, in artworks that explore a complex range of feminine experiences such as sexual initiation, stillbirth, illicit work, and unceasing housework. The personal gender politics ofIntimistepractice also are foregrounded. Vuillard's studio-bedroom afforded him access to quotidian femininity. But at what risks to his sister's privacy and to his mother's subjectivity? Making an artistic project of feminine domesticity also meant entering the field of politics. The 1890s was the decade of state legislation and feminist demands with respect to work in the home and women's familial rights. Personal in motif and Symbolist in form, Berry's extensive historical research reveals these artworks also to have been social and political, sometimes even feminist, in meaning. Transcending the structural repression of domesticity in histories of modernist art, this book powerfully overturns residual myths of aesthetic introspection [...]" |
| Umfang: | 1 Online-Ressource (312 Seiten) Illustrationen |
| ISBN: | 9781350186767 9781350186743 9781350186750 |
| DOI: | 10.5040/9781350186767 |
Internformat
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| 520 | 3 | |a "This ground-breaking book is the first to address the feminine and feminist politics ofIntimisteart - a modernist mode of art making developed in the 1890s by Édouard Vuillard while associated with the Nabi 'brotherhood'. Coined by contemporary critics, 'intimisme' encapsulated the shared approach of these artists to depicting intimate settings and themes. Vuillard's paintings, which are typically small, employ bold pigments and economic brushstrokes to depict female figures in tightly composed apartment interiors. Those portrayed include his mother and sister, just as wives and lovers dominate the art of other Nabis, including Maurice Denis and Pierre Bonnard. Francesca Berry comparatively analyses the gender politics of Nabi art to reveal real differences. Through skilled visual interpretation she argues that Vuillard attempted a profound engagement with the material conditions of feminine domesticity in cooperation with his first and most sustained audience: women. He did so, the author reveals, in artworks that explore a complex range of feminine experiences such as sexual initiation, stillbirth, illicit work, and unceasing housework. The personal gender politics ofIntimistepractice also are foregrounded. Vuillard's studio-bedroom afforded him access to quotidian femininity. But at what risks to his sister's privacy and to his mother's subjectivity? Making an artistic project of feminine domesticity also meant entering the field of politics. The 1890s was the decade of state legislation and feminist demands with respect to work in the home and women's familial rights. Personal in motif and Symbolist in form, Berry's extensive historical research reveals these artworks also to have been social and political, sometimes even feminist, in meaning. Transcending the structural repression of domesticity in histories of modernist art, this book powerfully overturns residual myths of aesthetic introspection [...]" | |
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Datensatz im Suchindex
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| author | Berry, Francesca |
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| doi_str_mv | 10.5040/9781350186767 |
| format | Electronic eBook |
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| id | DE-604.BV050072704 |
| illustrated | Illustrated |
| indexdate | 2025-01-28T19:14:11Z |
| institution | BVB |
| isbn | 9781350186767 9781350186743 9781350186750 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035410092 |
| oclc_num | 1477615934 |
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| physical | 1 Online-Ressource (312 Seiten) Illustrationen |
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| publishDate | 2024 |
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| publisher | Bloomsbury Visual Arts |
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| series2 | Material culture of art and design Bloomsbury collections |
| spelling | Berry, Francesca Verfasser (DE-588)135046872X aut Édouard Vuillard, the Nabis, and the politics of domesticity Francesca Berry London Bloomsbury Visual Arts 2024 1 Online-Ressource (312 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Material culture of art and design Bloomsbury collections "This ground-breaking book is the first to address the feminine and feminist politics ofIntimisteart - a modernist mode of art making developed in the 1890s by Édouard Vuillard while associated with the Nabi 'brotherhood'. Coined by contemporary critics, 'intimisme' encapsulated the shared approach of these artists to depicting intimate settings and themes. Vuillard's paintings, which are typically small, employ bold pigments and economic brushstrokes to depict female figures in tightly composed apartment interiors. Those portrayed include his mother and sister, just as wives and lovers dominate the art of other Nabis, including Maurice Denis and Pierre Bonnard. Francesca Berry comparatively analyses the gender politics of Nabi art to reveal real differences. Through skilled visual interpretation she argues that Vuillard attempted a profound engagement with the material conditions of feminine domesticity in cooperation with his first and most sustained audience: women. He did so, the author reveals, in artworks that explore a complex range of feminine experiences such as sexual initiation, stillbirth, illicit work, and unceasing housework. The personal gender politics ofIntimistepractice also are foregrounded. Vuillard's studio-bedroom afforded him access to quotidian femininity. But at what risks to his sister's privacy and to his mother's subjectivity? Making an artistic project of feminine domesticity also meant entering the field of politics. The 1890s was the decade of state legislation and feminist demands with respect to work in the home and women's familial rights. Personal in motif and Symbolist in form, Berry's extensive historical research reveals these artworks also to have been social and political, sometimes even feminist, in meaning. Transcending the structural repression of domesticity in histories of modernist art, this book powerfully overturns residual myths of aesthetic introspection [...]" Vuillard, Édouard / 1868-1940 / Criticism and interpretation Nabis (Group of artists) Domestic space in art Feminism in art Art & design styles: c 1900 to c 1960 Individual artists, art monographs Erscheint auch als Druck-Ausgabe, hbk 978-1-350-18673-6 Erscheint auch als Druck-Ausgabe, pbk 978-1-350-18677-4 https://doi.org/10.5040/9781350186767?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Berry, Francesca Édouard Vuillard, the Nabis, and the politics of domesticity |
| title | Édouard Vuillard, the Nabis, and the politics of domesticity |
| title_auth | Édouard Vuillard, the Nabis, and the politics of domesticity |
| title_exact_search | Édouard Vuillard, the Nabis, and the politics of domesticity |
| title_full | Édouard Vuillard, the Nabis, and the politics of domesticity Francesca Berry |
| title_fullStr | Édouard Vuillard, the Nabis, and the politics of domesticity Francesca Berry |
| title_full_unstemmed | Édouard Vuillard, the Nabis, and the politics of domesticity Francesca Berry |
| title_short | Édouard Vuillard, the Nabis, and the politics of domesticity |
| title_sort | edouard vuillard the nabis and the politics of domesticity |
| url | https://doi.org/10.5040/9781350186767?locatt=label:secondary_bloomsburyCollections |
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