Insects and colors between art and natural history:
This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record...
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Leiden ; Boston, Mass.
Brill
2024
|
| Schriftenreihe: | Emergence of Natural History
7 |
| Links: | https://doi.org/10.1163/9789004684553 |
| Zusammenfassung: | This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel’s glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer’s bookplates on Regensburg insects; Schiffermüller’s watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths. |
| Umfang: | 1 Online-Ressource (xviii, 322 Seiten) Illustrationen |
| ISBN: | 9789004684553 |
| DOI: | 10.1163/9789004684553 |
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| 520 | |a This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel’s glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer’s bookplates on Regensburg insects; Schiffermüller’s watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths. | ||
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| isbn | 9789004684553 |
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| spelling | Insects and colors between art and natural history edited by V.E. Mandrij und Giulia Simonini Leiden ; Boston, Mass. Brill 2024 1 Online-Ressource (xviii, 322 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Emergence of Natural History 7 This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel’s glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer’s bookplates on Regensburg insects; Schiffermüller’s watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths. Mandrij, V.E. edt Simonini, Giulia 1985- (DE-588)1235894657 edt Erscheint auch als Druck-Ausgabe 978-90-04-52511-5 https://doi.org/10.1163/9789004684553 Verlag kostenfrei Volltext |
| spellingShingle | Insects and colors between art and natural history |
| title | Insects and colors between art and natural history |
| title_auth | Insects and colors between art and natural history |
| title_exact_search | Insects and colors between art and natural history |
| title_full | Insects and colors between art and natural history edited by V.E. Mandrij und Giulia Simonini |
| title_fullStr | Insects and colors between art and natural history edited by V.E. Mandrij und Giulia Simonini |
| title_full_unstemmed | Insects and colors between art and natural history edited by V.E. Mandrij und Giulia Simonini |
| title_short | Insects and colors between art and natural history |
| title_sort | insects and colors between art and natural history |
| url | https://doi.org/10.1163/9789004684553 |
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