Music and sound in European theatre: practices, performances, perspectives
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Bibliographic Details
Other Authors: Roesner, David 1972- (Editor), Quick, Tamara Yasmin 1993- (Editor)
Format: Book
Language:English
Published: London ; New York Routledge, Taylor & Francis Group 2024
Series:Routledge advances in theatre and performance studies
Subjects:
Links:http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035257949&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Abstract:"The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the art form first existed 2500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately cast a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand 'theatre music'. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities"--
Physical Description:xv, 321 Seiten Illustrationen
ISBN:9781032675114
9781032678207