Feel-bad postfeminism: impasse, resilience and female subjectivity in popular culture
"In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott's analysis of Gone Girl (2012), Gir...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London [England]
Bloomsbury Academic
2024
|
| Ausgabe: | First edition |
| Schriftenreihe: | Library of Gender and Popular Culture
|
| Schlagwörter: | |
| Zusammenfassung: | "In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott's analysis of Gone Girl (2012), Girls (2012-2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008-2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls' and women's culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism."-- |
| Umfang: | 266 Seiten |
Internformat
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| 520 | |a "In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott's analysis of Gone Girl (2012), Girls (2012-2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008-2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls' and women's culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism."-- | ||
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Datensatz im Suchindex
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| author | McDermott, Catherine |
| author_GND | (DE-588)1254633774 |
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| edition | First edition |
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| id | DE-604.BV049912035 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T20:25:21Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035250789 |
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| physical | 266 Seiten |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series2 | Library of Gender and Popular Culture |
| spelling | McDermott, Catherine (DE-588)1254633774 aut Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Catherine McDermott First edition London [England] Bloomsbury Academic 2024 266 Seiten txt rdacontent n rdamedia nc rdacarrier Library of Gender and Popular Culture "In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott's analysis of Gone Girl (2012), Girls (2012-2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008-2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls' and women's culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism."-- Feminism Popular culture Erscheint auch als Online-Ausgabe 9781350224995 |
| spellingShingle | McDermott, Catherine Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Feminism Popular culture |
| title | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture |
| title_auth | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture |
| title_exact_search | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture |
| title_full | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Catherine McDermott |
| title_fullStr | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Catherine McDermott |
| title_full_unstemmed | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Catherine McDermott |
| title_short | Feel-bad postfeminism |
| title_sort | feel bad postfeminism impasse resilience and female subjectivity in popular culture |
| title_sub | impasse, resilience and female subjectivity in popular culture |
| topic | Feminism Popular culture |
| topic_facet | Feminism Popular culture |
| work_keys_str_mv | AT mcdermottcatherine feelbadpostfeminismimpasseresilienceandfemalesubjectivityinpopularculture |